The Voice of the Blues brings together interviews with many pioneering blues men including Muddy Waters, Howlin' Wolf, Little Walter, Jimmy Reed, B.B. King, and many others.

This Concise Companion gives readers a rich sense of how thepoetry produced in the United States during the twentieth centuryis connected to the country’s intellectual life more broadly. Helps readers to fully appreciate the poetry of the period bytracing its historical and cultural contexts. Written by prominent specialists in the field. Places the poetry of the period within contexts such as: war;feminism and the female poet; poetries of immigration andmigration; communism and anti-communism; philosophy andtheory. Each chapter ranges across the entire century, comparing poetsfrom one part of the century to those of another. New syntheses make the volume of interest to scholars as wellas students and general readers.

In Blues Mamas and Broadway Belters, songwriter, scholar, and dramatist Masi Asare explores the singing practice of black women singers in US musical theatre between 1900 and 1970. Asare shows how a vanguard of black women singers including Gertrude “Ma” Rainey, Bessie Smith, Ethel Waters, Pearl Bailey, Juanita Hall, Lena Horne, Eartha Kitt, Diahann Carroll, and Leslie Uggams created a lineage of highly trained and effective voice teachers whose sound and vocal techniques continue to be heard today. Challenging pervasive narratives that these and other black women possessed “untrained” voices, Asare theorizes singing as a form of sonic citational practice—how the sound of the teacher’s voice lives on in the student’s singing. From vaudeville-blues shouters, black torch singers, and character actresses to nightclub vocalists and Broadway glamour girls, Asare locates black women of the musical stage in the context of historical voice pedagogy. She invites readers not only to study these singers, but to study with them—taking seriously what they and their contemporaries have taught about the voice. Ultimately, Asare speaks to the need to feel and hear the racial history in contemporary musical theatre.

For over twenty years Sean Thomas Dougherty has negotiated between modernist and avant-garde writing and more populist traditions that extend back to Walt Whitman. His subject matter ranges from basketball to Bjork, from blue collar workers to Biggie Smalls, from Luciano Pavarotti to women waiting at a diner outside a prison in Upstate New York. Selecting from the best of eight previous collections, this New and Selected reveals the powerful arc and development of Dougherty's writing and establishes him as a voice of dissent for the future. A former Fulbright fellow, Sean Thomas Dougherty works at Gold Crown Billiards in Erie, Pennsylvania.

The changing adolescent voice counts among the most awkward of topics voice teachers and choir directors face. Adolescent voice students already find themselves at a volatile developmental time in their lives, and the stresses and possible embarrassments of unpredictable vocal capabilities make participation in voice-based music an especially fraught event. In this practical teaching guide, author Bridget Sweet encourages a holistic approach to female and male adolescent voice change. Sweet's approach takes full consideration of the body, brain, and auditory system; vocal anatomy and physiology in general, as well as during male and female voice change; and the impact of hormones on the adolescent voice, especially for female singers. Beyond the physical, it also addresses the emotional and psychological components: ideas of resolve and perseverance that are essential to adolescent navigation of voice change; and exploration of portrayals and stereotypes in pop culture that influence how people anticipate voice change experiences for teens and 'tweens, from The Brady Bunch to The Wonder Years to The Simpsons. As a whole, Teaching Outside the Voice Box encourages music educators to more effectively and compassionately assist students through this developmental experience.

Now in paperback, the definitive anthology from a writer who “set the standard for newspaper pop-music criticism” (The Philadelphia Inquirer), the New York Times’ first chief pop music critic and Rolling Stone contributor Robert Palmer. Robert Palmer’s extraordinary knowledge and boundless love of music were evident in all his writing. He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music—often discovering new artists and trends years (even decades) before they hit the mainstream. Noted music writer Anthony DeCurtis has compiled the best pieces from Palmer’s oeuvre and presents them here, in one compelling volume. A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, “it’s almost as if, if you read Bob, you didn’t need to read anyone else.” Blues & Chaos features some of his most memorable pieces about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters. Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.

Who am I? Why am I here? To discover, through awakening, your unlimited potential and the extraordinarily divine life you are meant to live. Like most people, Pauline Raphaela had a plan for the fulfillment of her life, until a mystical presence began to steer her in an unusual, yet exciting direction. In The Little Blue Room, Pauline invites you into her own sacred journey of awakening. Amidst crises, illness, revelation and surrender, distinguishing the shadow-self from the authentic Soul, Pauline discovers her truth. She shares mystical experiences, revealing how we are guided to our Soul’s destiny, when we are courageous enough to follow. Pauline gently mentors how to deeply heal your life, including ancestral patterns, to awaken your innate greatness. The courage to awaken to your truth, to Soul love, joy, freedom and power, is already within you. “Well-written and inspiring . . . a must-read for anyone who wishes to awaken their Soul—more than a memoir, more than a self-help book. Pauline is an exuberant storyteller, who takes you on a spiritual journey that will transform your life.” — Cindi Sansone-Braff, The Romance Whisperer, author of Grant Me a Higher Love and other titles. “Drawing from dramatic episodes and compelling insights in her life, Pauline shows how the Soul tries to awaken at critical times. What we need now is not a minor repair, but a major transformation of the world that can only start with the awakening of the individual Soul.” — Lynn Van Praagh-Gratton author of Divine Dimes and other titles.

Broadcasting the Blues: Black Blues in the Segregation Era is based on Paul Oliver's award-winning radio broadcasts from the BBC that were created over several decades. It traces the social history of the blues in America, from its birth in the rural South through the heyday of sound recordings. Noted blues scholar Paul Oliver draws on decades of research and personal interviews with performers--some of whom he "discovered" and recorded for the first time--to draw a picture of how the blues aesthetic developed, giving new insights into the role blues played in American society before racial integration. The book begins by outlining the history of the blues from African music through country stomps, ragtime songs, and field hollers. From the heroic figures of black folksong--including the steel-driving railroad worker John Henry and the destructive Boll Weevil--to the content of the emerging blues, the author discusses the "meaning" behind the often coded words of the blues, evoking topics such as playful sexuality, magic and medicine, the stresses of segregation, and commentary on national events. Finally, the author traces the history of blues documentation, showing how our views of the early blues have been shaped through a complex interplay of social forces, and indicating possible lines for future research.

Gangs, killers, and vampires. One war-torn detective is the only hope of survival for a crime-ridden orbiting city... Blade Runner meets Se7en in this gritty five-story collection from New York Times and USA Today Bestselling author Anthony Ryan. Alex McLeod paid dearly during the war for independence from Earth. It left the detective disfigured, jaded, and alone. In the aftermath of victory, Alex seethes as criminal factions and cold-blooded killers clash over control of the newly-liberated confederation. In his crusade for justice in the free states, he's willing to break more than a few rules along the way... The only home Alex knows is the slums of Slab, an orbiting city teeming with lowlifes, back-stabbers, and gene-spliced monstrosities. From the grimy streets of his city to the lawless Asteroid Belt, Alex goes toe-to-toe with a sharp-clawed vigilante, a mythical serial killer, and a gorgeous vampire with an ominous message. His quest won't end until his homeland earns the freedom it was promised... But even Alex may not be able to stop the impending Reckoning and a voyage to the one place he swore he'd never return: Earth... Slab City Blues: The Collected Stories contains four exciting novellas and one sensational novel set in a world of hard-boiled sci-fi and cyberpunk. If you like hard-nosed detectives, futuristic planets, and pulse-pounding action, then you'll love Anthony Ryan's world of vampires, werewolves, and space.

A chronicle of the rise and development of a unique musical form. Inducted into the Blues Foundation's Blues Hall of Fame under its original title Walking to New Orleans, this fascinating history focuses on the music of major R&B artists and the crucial contributions of the New Orleans music industry. Newly revised for this edition, much of the material comes firsthand from those who helped create the genre, including Fats Domino, Ray Charles, and Wardell Quezergue.