The works of Mervyn Peake have fascinated readers for sixty years. His Gormenghast sequence of novels – recently serialized to great acclaim by the BBC – stands as one of the great imaginative accomplishments of twentieth-century literature. In The Voice of the Heart, G. Peter Winnington, the world’s foremost expert on Peake, sets his subject’s fiction in context with the poetry, plays and book illustrations which are less well known. He traces recurrent motifs through Peake’s works (islands, animals, and loneliness, for example) and explores in detail Peake’s long-neglected play, The Wit to Woo. Through close readings of all these elements of Peake’s oeuvre, Winnington is ultimately able to offer unparalleled insight into one of British literature’s most vibrant imaginations.

Ensure complete coverage of the new CSEC English syllabus with focused exam-practice and SBA guidance. - Test understanding with Paper 2 practice focusing on summary writing skills, expository writing, narrative discourse and persuasive discourse, plus practice Paper 1 items throughout. - Help students prepare for SBA with annotated examples and rubrics. - Develop comprehension skills with a genre-based approach. - Support students of all abilities with an in incremental approach that builds writing skills through practice exercises.

Hugh MacDiarmid (Christopher Murray Grieve, 1892-1978), one of the major poets of the twentieth century, is the greatest Scottish poet of any century. He drew on the literary and vernacular traditions of Scottish culture, revitalising the Scots language to create a literature that is modern, engaged and experimental, both nationalist and international in its range. This selection explores the diversity of MacDiarmid's work, from delicate lyrics derived from the Scots ballad tradition to fierce polemic. It includes the whole of his greatest work, A Drunk Man Looks at the Thistle (1926), and his philosophical poem 'On a Raised Beach', with a full glossary of its technical terms. Scots words have been glossed at the foot of each page, and the collection includes an illuminating memoir by Hugh MacDiarmid's son, Michael Grieve.

Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.

During the past thirty years, the editors of the Hudson Review have observed a trend among some of the best literary essayists and reviewers to situate their criticism in a deeply personal manner as opposed to the theoretical, technocratic work being produced in many literary and academic publications. Over time, the Hudson Review became a home for this kind of accessible, memoirist writing. Literary Awakenings collects eighteen essays published over the last three decades that celebrate the writer’s relationship with literature, one that is deeply shaped by experience and remembrance. The essays gathered here recall disparate awakenings to the influence of literature and discoveries of the many ways in which it enriches nearly every aspect of our lives. Antonio Muñoz Molina describes his education as a writer and a citizen as a form of protest against Franco’s totalitarian regime in Spain. Drawing upon Huckleberry Finn, Wendell Berry meditates on the impulse to escape that literature often invokes, and Judith Pascoe’s tribute to Clarissa confesses to the appeal of reading select literature that initiates one into an exclusive coterie of people. What unites these diverse contributions is the joy of appreciation, the pleasures of engaging with literature.

A study of Tambores en la Noche, two volumes of verse by Jorge Artel, black poet of 20th-century Colombia. It analyzes his work within the context of Colombian history and culture, modern Spanish American literature, and the poet's own career.