Another stranger is encountered on the way to Washington. The information this man brings could change everything for the survivors.

After all that’s happened recently, the group is on edge when a new stranger shows up and promises a safe haven in a new community. This deluxe presentation in STUNNING FULL COLOR also features another installment of Cutting Room Floor and creator commentary.

Winner of the 2023 SCMS Media Industries Scholarly Interest Group Outstanding Book Award sponsored by the Center for Entertainment & Media Industries On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries’ utopian vision for a multi-screen and communal live TV experience. In Social TV: Multi-Screen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised—but failed to deliver—a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multi-screen campaigns have shifted away from a focus on live TV and toward all-day “content” streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

EVERYTHING IS DIFFERENT NOW! We return to Earth after the brief space interlude involving Nolan and Allen the Alien... but is it the Earth we knew?! What changes have taken place? What has transpired in the time we were away? Who is DINOSAURUS?! This issue is a can't-miss for long-time fans of Invincible and an excellent jumping-on point for people who have yet to dip their toes in the INVINCIBLE waters.

A concise, focused volume on the NVA's fight for a strategically important military base. Khe Sanh was a small village in northwest South Vietnam that sat astride key North Vietnamese infiltration routes. In September 1966 a Marine battalion deployed into the area. Action gradually increased as the NVA attempted to destroy Free World Forces bases, and the siege of Khe Sanh proper began in October 1967. The bitter fight lasted into July 1968 when, with the changing strategic and tactical situation, the base was finally closed. This book details the siege and explains how, although the NVA successfully overran a Special Forces camp nearby, it was unable to drive US forces from Khe Sanh.

The Vietnam War is over, but CIA Special Agent Declan Rule's war has just begun. With the vicious, well-trained German Shepherd Nero at his side, he will journey deep into the humid, blood-soaked hell of Cambodia in search of a madman, a demented neurosurgeon bent on the creation of a hard-wired army of the weaponized, radio-controlled undead whose mad plans murdered Rule's only son. Collects '68: RULE OF WAR #1-4 & '68: HALLOWED GROUND.

In a doom-shadowed Cambodia infested with the living dead, CIA Special Agent Declan Rule and his canine companion Nero stalk a human monster, a neurosurgeon bent on carrying out grisly experiments that turn P.O.W.s into vicious instruments of war. In Vietnam, Private Kuen Yam and his ragtag band of survivors battle their way across a murderous no-man's-land in a desperate search for a ticket to the skies. The war is over, but the battle for humanity's survival has just begun. Courage will be tested, sanity will be pushed to the breaking point and the rules of war...will be broken.

An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it. From comics and television to social media, apps, and mobile games, utilizing concepts derived from literary studies, media studies, history, anthropology, and religious studies, Matthew Freeman examines the functions and affordances of new digital platforms. In doing so, he establishes a new transdisciplinary framework for analyzing imaginary worlds across multiple media platforms, bolstering the critical arena of world-building studies by providing a greater array of vocabulary, concepts, and approaches. The World of The Walking Dead is an engaging exploration of stories, their platforms, and their reception, ideal for students and scholars of world-building, film and TV studies, new media, and everything in-between.

The mission towards Washington, D.C. is disrupted by a haunting surprise.