The real story of the ordeal experienced by both settlers and Indians during the Europeans' great migration west across America, from the colonies to California, has been almost completely eliminated from the histories we now read. In truth, it was a horrifying and appalling experience. Nothing like it had ever happened anywhere else in the world. In The Wild Frontier, William M. Osborn discusses the changing settler attitude toward the Indians over several centuries, as well as Indian and settler characteristics—the Indian love of warfare, for instance (more than 400 inter-tribal wars were fought even after the threatening settlers arrived), and the settlers' irresistible desire for the land occupied by the Indians. The atrocities described in The Wild Frontier led to the death of more than 9,000 settlers and 7,000 Indians. Most of these events were not only horrible but bizarre. Notoriously, the British use of Indians to terrorize the settlers during the American Revolution left bitter feelings, which in turn contributed to atrocious conduct on the part of the settlers. Osborn also discusses other controversial subjects, such as the treaties with the Indians, matters relating to the occupation of land, the major part disease played in the war, and the statements by both settlers and Indians each arguing for the extermination of the other. He details the disgraceful American government policy toward the Indians, which continues even today, and speculates about the uncertain future of the Indians themselves. Thousands of eyewitness accounts are the raw material of The Wild Frontier, in which we learn that many Indians tortured and killed prisoners, and some even engaged in cannibalism; and that though numerous settlers came to the New World for religious reasons, or to escape English oppression, many others were convicted of crimes and came to avoid being hanged. The Wild Frontier tells a story that helps us understand our history, and how as the settlers moved west, they often brutally expelled the Indians by force while themselves suffering torture and kidnapping.

Canada’s wild frontier—a land unsettled and unknown, a land of appalling obstacles and haunting beauty—comes to life through seven remarkable individuals, including John Jewitt, the young British seaman who became a slave to the Nootka Indians; Dr. Wilfred Grenfell, the eccentric missionary; Sam Steele, the most famous of all Mounted Policemen; and Isaac Jorges, the 17th-century priest who courted martyrdom. Many of the stories of these figures read like the wildest of fiction: Cariboo Cameron, who, after striking it rich in B.C., pickled his wife’s body in alcohol and gave her three funerals; Mina Hubbard, the young widow who trekked across the unexplored heart of Labrador as an act of revenge; and Almighty Voice, the renegade Cree, who was the key figure in the last battle between white men and Aboriginals in North America. Spanning more than two centuries and four thousand miles, this book demonstrates how our frontier resembles no other and how for better and for worse it has shaped our distinctive sense of Canada.

For over 200 years, the American Western novel has chronicled much of the American experience, especially those of James Fenimore Cooper, Bret Harte, Andy Adams, Jack Schaefer and Larry McMurtry. Alongside the roguish figure of the cowboy, Westerns depict the experiences of women and minorities as they face the hardships and deprivations of the frontier. This book is directed at the general reader who is interested in the literature, history and culture of the American West. Exploring novels that have achieved a high level of acclaim, it is a survey and homage to the frontier's lasting works, detailing both the writers' lives and their fictional creations. The author traces the development of the Western novel through biography, anecdote, summary, analysis and informed criticism, revealing the struggles and triumphs of the genre's authors, the changing standards of the frontier story and the lasting effects of the region's magisterial landscape.

′An extremely accessible, well structured and imaginative reading of market and social theory in terms of the myth of the Wild West frontier′ New Formations This book, written by the author of the celebrated volume Six Guns and Society, explains why the myth of the Wild West is popular around the world. It shows how the cultural icon of the Wild West speaks to deep desires of individualism and liberty and offers a vision of social contract theory in which a free and equal individual (the cowboy) emerges from the state of nature (the wilderness) to build a civil society (the frontier community). The metaphor of the Wild West retained a commitment to some limited government (law and order) but rejected the notion of the fully codified state as too oppressive (the corrupt sheriff). Compelling and magnificently suggestive, the book unpacks one of the core icons of our time. It is a unique discussion of market and social theory using cultural myth. Will Wright fully explores how issues of individualism, freedom and inequality in the myth of the Wild West connect up with questions of white, male superiority and environmental degradation.

The life of Kit Carson, legendary scout, mountain man, and Indian fighter of the Old West.

When Horace Greeley published his famous imperative, “Go West, young man, and grow up with the country,” the frontier was already synonymous with a distinctive type of idealized American masculinity. But Greeley’s exhortation also captured popular sentiment surrounding changing ideas of American boyhood; for many educators, politicians, and parents, raising boys right seemed a pivotal step in securing the growing nation’s future. This book revisits these narratives of American boyhood and frontier mythology to show how they worked against and through one another—and how this interaction shaped ideas about national character, identity, and progress. The intersection of ideas about boyhood and the frontier, while complex and multifaceted, was dominated by one arresting notion: in the space of the West, boys would grow into men and the fledgling nation would expand to fulfill its promise. Frontiers of Boyhood explores this myth and its implications and ramifications through western history, childhood studies, and a rich cultural archive. Detailing surprising intersections between American frontier mythology and historical notions of child development, the book offers a new perspective on William “Buffalo Bill” Cody’s influence on children and childhood; on the phenomenon of “American Boy Books”; the agency of child performers, differentiated by race and gender, in Wild West exhibitions; and the cultural work of boys’ play, as witnessed in scouting organizations and the deployment of mass-produced toys. These mutually reinforcing and complicating strands, traced through a wide range of cultural modes, from social and scientific theorizing to mass entertainment, lead to a new understanding of how changing American ideas about boyhood and the western frontier have worked together to produce compelling stories about the nation’s past and its imagined future.

THE CALL OF THE WILD WEST - Ultimate Western Collection is an unparalleled anthology that brings together over 175 novels and short stories from the pens of some of the most celebrated authors in the American literary canon. This collection features a vast array of themes, including the rugged beauty of the American frontier, the complex relationships between man and nature, and the tumultuous path towards justice and redemption. Embedded within its pages are tales that traverse the whole of the Western genre, from thrilling adventures to poignant histories, all aimed at exploring the essence of what it means to confront the wild unknown. The anthology stands as a testament to the diversity and significance of the Western narrative, offering readers standout pieces that highlight the periods dynamic range of literary stylesfrom the raw realism of Twain to the romanticized vistas by Grey. The contributing authors, a veritable whos who of the literary world, including but not limited to Mark Twain, Willa Cather, and Jack London, bring a rich tapestry of backgrounds to the collection. Their collective works encapsulate not only the evolving character of the American West but also the broader shifts in American culture and literature. The anthology aligns with key historical and cultural movements such as Manifest Destiny and the taming of the frontier, enabling a multifaceted exploration of these themes through the prism of various literary movements. By amalgamating the distinct voices and narratives of authors who have defined the genre, the collection invites readers to a deeper understanding of the enduring myths and realities of the American West. THE CALL OF THE WILD WEST - Ultimate Western Collection offers readers an unprecedented opportunity to engage with the Western genre in all its complexity and grandeur. It is an imperative read for those who wish to delve into the rich narrative of American expansion and the diverse interpretations of frontier life. Beyond its educational value, the anthology serves as a platform for the intricate dialogues between different periods, themes, and styles, encapsulated within the Western tradition. It invites lovers of history, literature, and culture to explore the depths of human resilience and the landscapes that shaped Americas literary heritage.

Girls belong outdoors! This handbook covers everything you need to get outside, including ideas for what to do, camping and hiking basics, body stuff in the wilderness, advanced skills like maps, weather, and first aid, as well as recipes, projects, activities, and profiles of inspiring outdoorswomen. Your definitive guide to getting outside--for girls ages 9-12! In addition to basic outdoor skills, this entertaining guidebook includes easy camping recipes, outdoor projects including science experiments and crafts, fun activity suggestions, and inspiring stories of diverse historical and contemporary outdoorswomen (such as Arunima Sinha, the first amputee woman to summit Mount Everest; Juliette Gordon Low, founder of the Girl Scouts; and Libby Riddles, first woman to win the Iditarod). The goal is to improve the quality of girls' outdoor time by increasing participation and independence, making them feel comfortable and safe, and giving them essential skills and knowledge. Charming and approachable, this book will encourage both reluctant campers and budding naturalists to go wild and embrace the outdoors.

Examines how the US-Mexico border is seen through visual codes of surveillance When Donald Trump promised to “build a wall” on the U.S.-Mexico border, both supporters and opponents visualized a snaking barrier of concrete cleaving through nearly two thousand miles of arid desert. Though only 4 percent of the US population lives in proximity to the border, imagining what the wall would look like came easily to most Americans, in part because of how images of the border are reproduced and circulated for national audiences. Border Optics considers the US-Mexico border as one of the most visualized and imagined spaces in the US. As a place of continual crisis, permanent visibility, and territorial defense, the border is rendered as a layered visual space of policing—one that is seen from watchtowers, camera-mounted vehicles, helicopters, surveillance balloons, radar systems, unmanned aerial vehicles, and live streaming websites. It is also a space that is visualized across various forms and genres of media, from maps to geographical surveys, military strategic plans, illustrations, photographs, postcards, novels, film, and television, which combine fascination with the region with the visual codes of surveillance and survey. Border Optics elaborates on the expanded vision of the border as a consequence of the interface of militarism, technology, and media. Camilla Fojas describes how the perception of the viewing public is controlled through a booming security-industrial complex made up of entertainment media, local and federal police, prisons and detention centers, the aerospace industry, and all manner of security technology industries. The first study to examine visual codes of surveillance within an analysis of the history and culture of the border region, Border Optics is an innovative and groundbreaking examination of security cultures, race, gender, and colonialism.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)