The bestselling author of The Loneliness of the Long-Distance Runner takes his examination of British working-class rebellion into the 1960s. In his best-known works of fiction, British novelist Alan Sillitoe “powerfully depicted revolt against authority by the young and working class” (The Washington Post). Both The Loneliness of the Long-Distance Runner and Saturday Night and Sunday Morning were international bestsellers and made into acclaimed films. Following those acknowledged masterpieces, Sillitoe continued to explore rebellion against an oppressive society in three novels linked by anarchist antihero Frank Dawley. In these powerful novels, Sillitoe would continue to prove himself “one of the best English writers” (The New York Times) and “the most quietly eloquent of his cohort of postwar British novelists” (Jonathan Lethem). The Death of William Posters: Frank Dawley has finally quit his soul-crushing factory job in Nottingham, left his alienating marriage, burned his possessions, and sold his car. Now he is hitching a ride to wherever the road will take him. Haunting Frank’s physical and existential travels is a ubiquitous inscription painted on nearly every street corner in England: BILL POSTERS WILL BE PROSECUTED. Relentlessly hounded by authorities, whoever William Posters is, he becomes a symbol of the servile proletariat—exactly what Frank hopes to escape. He finds his way from England to Spain to Morocco—and into the beds of several married women along the way. Finally, in Algeria, he meets a revolutionary American, whom he joins in a high-stakes gunrunning mission. A Tree on Fire: Jewish dilettante Myra Bassingfield is returning to England from Gibraltar with her four-week-old son. The child’s father, Frank Dawley, has disappeared into the African desert, where he is fighting for Algerian independence against French troops. Greeting Myra is Frank’s friend, Albert Handley, an idealistic painter living in a chaotic home with a large family. But after Albert’s brother burns down the house, the Handley brood moves in with Myra in Buckinghamshire. By the time Frank finally returns to England, they have formed a commune—a domestic cell of protest that may just plant the seeds of a new revolution. The Flame of Life: Collective cohabitation soon reveals its downfalls within the commune that has set up camp at the home of wealthy Myra Bassingfield. Painter Albert Handley is pursuing a whirlwind existence of art, sex, and chaotic domestic life. Frank Dawley, returned from gunrunning in Algeria, has brought his wife and two kids from Nottingham to live in the Buckinghamshire kibbutz. And when a young Spanish anarchist arrives with assassination on her mind, her trunk full of notebooks may condemn Frank for a sin committed in the African desert. As the community begins to unravel, the very notion of revolution comes under scrutiny.

Understanding Alan Sillitoe offers a lucid appraisal of the life and works of the well-known contemporary British writer hailed by critics as the literary descendent of D.H. Lawrence. Known primarily for his novels Saturday Night and Sunday Morning and The Loneliness of the Long-Distance Runner, Sillitoe has written more than 50 books over the last 40 years, including novels, plays, collections of short stories, poems, and travel pieces, as well as more than four hundred essays. In this comprehensive study of the major novels and short stories, Hanson reveals Sillitoe's artistic influences and the dominant thematic concerns of his works.

From civil rights and Black Power to the New Left and gay liberation, the 1960s and 1970s saw a host of movements shake the status quo. The impact of feminism, anticolonial struggles, wildcat industrial strikes, and antiwar agitation were all felt globally. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. Feminist, gay, lesbian, Black and other previously marginalised authors broke into crime, thrillers, erotica, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, ’60s, and ’70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analysed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and myriad lesser-known novelists ripe for rediscovery. Contributors include: Gary Phillips, Woody Haut, Emory Holmes II, Michael Bronski, David Whish-Wilson, Susie Thomas, Bill Osgerby, Kinohi Nishikawa, Jenny Pausacker, Linda S. Watts, Scott Adlerberg, Maitland McDonagh, Devin McKinney, Andrew Nette, Danae Bosler, Michael A. Gonzales, Iain McIntyre, Nicolas Tredell, Brian Coffey, Molly Grattan, Brian Greene, Eric Beaumont, Bill Mohr, J. Kingston Pierce, Steve Aldous, David James Foster, and Alley Hector.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Trilogy about Several Urban View and Landscape Prints presents three essays dedicated to the specific observation of prints, by great artists such as Canaletto, Goya, Hokusai and Picasso, whose main theme is the representation of outdoor space: landscapes and urban views. M. Rosa Vives studies the contextualisation of these prints and their creative and iconographic links with tradition, and with other artists and creative media. The works remind us that engraving has been, and continues to be, an artistic medium with its own language, a particular technology, and a sensorial form of expression and communication. They also recall how, before the advent of photography, engraving was a major force behind the spreading of images and culture.

A portrait of individual and communal struggles to maintain authenticity and revolutionary fervor in 1960s England from award-winning, bestselling author Alan Sillitoe The final installment of the William Posters Trilogy revolves around the plights and foibles of the Handley family commune, which set up camp at the home of the wealthy Myra Bassingfield. There, painter Albert Handley is pursuing a whirlwind existence of art, sex, and chaotic domestic life. Of his seven children, four are giving him particular grief. His eldest son, Cuthbert, has been kicked out of theological college; his eldest daughter, Mandy, is pregnant by her unstable husband; and two of his younger sons, Richard and Adam, are pillaging army manuals for subversive and revolutionary ends. To top it all off, Myra’s lover, Frank Dawley, has returned from gunrunning in Algeria—and brought along his wife and two kids from Nottingham to live in the Buckinghamshire kibbutz. Collective cohabitation soon reveals its downfalls. And when a young Spanish anarchist arrives with assassination on her mind, her trunk full of notebooks may condemn Frank for a sin committed in the African desert. As the community hangs by a thread, the very notion of revolution comes under scrutiny, begging the question: Can the fire of life burn, even when its flame is no longer in sight? This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate.

DIVDIVA special three-in-one edition of Caroline B. Cooney’s riveting Vampire’s Promise Trilogy/divDIV In Deadly Offer, Althea hates high school. In middle school, she had a group of friends to hang out with. She was on the softball team, took gymnastics, and won ribbons for horseback riding. But high school is horrible for Althea. She doesn’t make the cheerleading squad. Her group of friends splits apart to form new cliques, and Althea is left to sit alone at lunch. That is, until she discovers a vampire living in the attic tower of her family home. A vampire who can make her dreams come true: a spot on the cheerleading squad; popularity; a boyfriend. All the vampire wants in return is a small sacrifice, and Althea is in too deep to back out now./divDIV In Evil Returns, Devnee hopes her new room in an attic tower will make her romantic—beautiful, popular, and even happy. But the tower feels inexplicably creepy, especially because its windows are tightly shuttered. On Devnee’s very first night in her new room, weird things start to happen. A disembodied hand appears outside her window. Devnee’s shadow detaches from her body and starts wandering the edges of her new room by itself. On her first day at her new high school, Devnee finds herself intensely wishing her life were different. And when someone—something—arrives in her tower room to make that wish come true, Devnee’s best intentions at starting a new life take a dark turn./divDIV In Fatal Bargain, there is a creepy, shuttered attic tower in the town’s run-down, old, abandoned mansion, and it’s the perfect place to have a spooky party. At least, that’s what Randy thinks when he invites his five friends for a night of scary fun. But the night gets more terrifying than anyone anticipated when Roxanne feels a long sharp fingernail brushing her bare neck, with no one near enough to touch her. Then Randy sees a shadow gathering—a cape without a person inside. Lacey immediately senses the presence of a vampire in the tower. She doesn’t understand how, but she knows it in her bones, in her soul, as if from another life in an ancient time: Vampire./divDIV/div/div

Spanning three different cities across the United States, Stuart Cosgrove's bestselling Soul Trilogy blends history, culture and music to paint a vivid picture of social change through the last years of the 1960s. Strap in for a journey through urban riots, escalating war in Vietnam, police corruption, the assassination of Martin Luther King, the rise of musical pioneers such as Aretha Franklin, Elvis Presley and Johnny Cash, the arrest of the Black Panther members and their controversial trials, and much, much more. Award-winning and critically acclaimed, these are books that no soul music enthusiast should be without. 'Cosgrove's lucid, entertaining prose is laden with detail, but never at the expense of the wider narrative' – Clash Magazine Titles included in this bundle are: Detroit 67 Memphis 68 Harlem 69

DIVAnatomy of Design dissects fifty examples of graphic design piece by piece, revealing an array of influences and inspirations. These pieces represent contemporary artifacts that are well conceived, finely crafted, and filled with hidden treasures. Some are overtly complex. Others are so simple that it is hard to believe there’s a storehouse of inspiration hidden underneath. The selections include all kinds of design work including posters, packages, and more. Each exhibit is selected for its ubiquity, thematic import, and aesthetic significance, and every page shows howgreat work is derived from various inspirational and physical sources, some well-known, some unknown./div

The essential premise of this book is that there is a continuity from the English romantic era to our own. To understand properly some important twentieth-century writers of fiction, one must understand their connection with romanticism. To avoid this connection is to risk simplification or distortion of view about some major contemporaries. Scholars have established in general terms that romanticism marked a watershed in the early nineteenth century and then continued in subsequent years to shape the sensibilities of some important modern writers, especially twentieth-century poets. Yet the explicit connection has been ignored, and the essayists in this collection seek to demonstrate the impact of romanticism on six twentieth-century fictionists. In his introduction, Allan Chavkin writes that "we are still suffering from a warped view of twentieth-century literature as a result of a lingering anti-romantic prejudice of T.S. Eliot, Ezra Pound, and the Imagists, who, in their zeal to revitalize a literature stagnating in late Victorian imitation-romanticism, caricatured romanticism as softminded ... This collection of essays will help correct this distorted view by showing the centrality of English romanticism to modern fiction."