Set in the romantic glow of 1920s Paris, a captivating novel of New York socialite and model Lee Miller, whose glamorous looks and joie de vivre caught the eye of Man Ray, one of the twentieth century’s defining photographers. 1929, Montparnasse. Model and woman about town Lee Miller moves to Paris determined to make herself known amidst the giddy circle of celebrated artists, authors, and photographers currently holding court in the city. She seeks out the charming, charismatic artist Man Ray to become his assistant but soon becomes much more than that: his model, his lover, his muse. Coming into her own more fully every day, Lee models, begins working on her own projects, and even stars in a film, provoking the jealousy of the older and possessive Man Ray. Drinking and carousing is the order of the day, but while hobnobbing with the likes of Picasso and Charlie Chaplin, she also falls in love with the art of photography and finds that her own vision can no longer come second to her mentor’s. The Woman in the Photograph is the richly drawn, tempestuous novel about a talented and fearless young woman caught up in one of the most fascinating times of the twentieth century.

An empowering, thought-provoking feminist novel that will change the way you see the world. Perfect for fans of Elizabeth Day, Claire Fuller and Joanna Cannon. 1968. Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues' failure to take her seriously. And then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women's equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change. Fifty years later, Leonie is gone, and Veronica leads a reclusive life. Her groundbreaking career was cut short by one of the most famous photographs of the twentieth century. Now, that controversial picture hangs as the centrepiece of a new feminist exhibition curated by Leonie's niece. Long-repressed memories of Veronica's extraordinary life begin to stir. It's time to break her silence, and step back into the light. Praise for The Woman in the Photograph: 'Imaginative and moving novel - a must-read for any feminist' Katie Fforde 'I absolutely loved The Woman in the Photograph, a compelling,original and thought-provoking look at feminism and the power of female friendships' Sarah Franklin 'What a glorious combination: Stephanie's warm intelligence brought to bear on the complexities of second-wave feminism. I ate the book up' Shelley Harris 'Refreshing and thought-provoking . . . a stirring exploration of female friendship and the fight for equality' Carys Bray 'Brilliantly researched, thought-provoking, and written straight from the heart, this is undoubtedly Butland's best book yet' Lancashire Evening Post

The Lebanese photographer Marie al-Khazen seized every opportunity to use her camera during the years that she was active between 1920 and 1940. She not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time. Images in which women are depicted smoking cigarettes, driving cars, riding horses, and accompanying men on hunting trips counteract the common ways in which women were portrayed in contemporary Lebanon.

Daphne is a twenty-six-year-old forensic artist. All her life, she had been a model child, a studious teenager, and as an adult, she quickly became one of the best in her field of expertise. Then soon after she accepted a new job offer, someone tries to kill her. When she is accused of murder herself, everything falls apart. She has three choices, stay and be punished for someone elses crime, run and lose everything, or fight back. As the events unfold, Daphne discovers something about herself and her past. Not only is she in physical danger, but she has to cope with the emotional rollercoaster these discoveries put her on.

A detailed study of the ekphrasis of photography in poetry since the 19th century. Unlike other critical studies of ekphrasis, Miller's study concentrates solely on the lyrical ekphrasis of photographs, setting out to define how the photographic image provides a unique form of poetic ekphrasis.

The editors of Life Magazine, a mass-produced picture magazine, composed picture narratives that entertained, informed, and influenced mid-twentieth-century American society. Photo-Essays about Asian American Women in Life Magazine 1936 to 1965: Hidden Narratives and Breaking Stereotypes is a rhetorical analysis of how Life Magazine’s photo-essays represented and shaped white American middle-class attitudes toward Asian American women. In the time period studied, 1936 to1965, most white Americans were exposed to Asian woman primarily through film or in illustrated drawings. Hollywood in particular created caricatures depicting Asian women as evil dragon ladies or sex slaves, both of which implied prostitution, which affected their legal and social standing in early and mid-twentieth-century America. The book illustrates the ways in which the Life editors utilized the photo-essay as a narrative art form to counter stereotypical and racist Hollywood depictions of Asian women as prostitutes and to envision them as part of the American middle class, thereby promoting a sense of national identity that included Asians as Americans. This book will be of interest to scholars in the fields of women’s studies, cultural studies, visual culture, Asian American studies, and history.

Toilets, trees and gender? Can there be a connection? Is there a gender angle to a business story? Is gender in politics only about how many women get elected to parliament? Is osteoporosis a women's disease? Why do more women die in natural disasters? These are not the questions journalists usually ask when they set out to do their jobs as reporters, sub-editors, photographers of editors. Yet, by not asking, are they missing out on something, perhaps half the story? This is the question this book, edited and written by journalists, for journalists and the lay public interested in media, raises. Through examples from the media, and from their own experience, the contributors explain the concept of gender-sensitive journalism and look at a series of subjects that journalists have to cover - sexual assault, environment, development, business, politics, health, disasters, conflict - and set out a simple way of integrating a gendered lens into day-to-day journalism. Written in a non-academic, accessible style, this book is possibly the first of its kind in India - one that attempts to inject a gender perspective into journalism. Published by Zubaan.

Missing persons investigator David Raker’s search for a teenage girl leads him toward a site haunted by a dark history—book two of Tim Weaver’s international bestselling mystery series Seventeen-year-old Megan Carver was an unlikely runaway. A straight-A student from a happy home, she studied hard and rarely got into trouble. Yet six months on, she still hasn’t been found. Missing persons investigator David Raker knows what it’s like to grieve. He knows the shadowy world of the lost, too. So when he’s hired by Megan’s parents to find out what happened, he recognizes their pain—but knows that the darkest secrets can be buried deep. And Megan’s secrets could cost him his life. Raker’s investigation takes him through a confounding string of surprises and deceptions. People close to Megan turn up dead. Others remain too terrified to talk. And soon the conspiracy of silence leads Raker towards a forest on the edge of the city. A place with a horrifying past as the hunting ground for a twisted serial killer. A place known as the Dead Tracks. . . .