Ross Rocklynne (1913-1988) was the pen name used by Ross Louis Rocklin, an American science fiction author active in the Golden Age of Science Fiction. Born in 1913 in Ohio, Rocklynne was a regular contributor to the science fiction pulps. He was a professional guest at the first World Science Fiction Convention in 1939. Despite his numerous appearances and solid writing, Rocklynne never quite achieved the fame of his contemporaries Robert A. Heinlein, L. Sprague DeCamp, and Isaac Asimov. His most well known story is probably "The Men and the Mirror," first published in 1938. Rocklynne partially retired from writing in the late 1950s, but made a notable return in the 1970s when his novelette "Ching Witch " was included in Harlan Ellison's original anthology, Again, Dangerous Visions (1972). "Ching Witch " was later nominated for a Nebula award. This volume contains an annotated bibliography of Ross Rocklynne's work. It features an introduction by Arthur Jean Cox, plus an index.

A bibliography of science fiction and fantasy writer, editor, and publisher Robert Reginald, with an introduction by William F. Nolan and an Afterword by Jack Dann.

An annotated bibliography and guide to Oliver's writings.

This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the

Ray Bradbury, the iconic author of Fahrenheit 451, The Martian Chronicles, and Something Wicked This Way Comes, believed that a collection of his letters could someday illuminate the story of his life in new ways. That story emerges across time and memory in the pages of Remembrance. Ray Bradbury was one of the best-known writers and creative dreamers of our time. The many honors he received, which included an Emmy and Academy Award nomination for adaptations of his work, culminated in the 2000 National Book Foundation’s Medal for Distinguished Contribution to American Letters, a 2004 National Medal of Arts, and a 2007 Pulitzer Prize Special Citation. For many years NASA and the Disney Studio felt the impact of Ray Bradbury’s creativity, and his fiction has found its way into hundreds of anthologies, textbooks, and the National Endowment for the Arts’ Big Read program. His enduring legacy as a storyteller, novelist, and space-age visionary radiated out into popular adaptations for stage, film, and television, and now the fascinating narratives and insights of his personal and professional correspondence are revealed for the first time. Remembrance offers the first sustained look at his life in letters from his late teens to his ninth decade. Bradbury’s correspondence was far-reaching—he interacted with a rich cross-section of 20th-century cultural figures, writers, film directors, editors, and others who simply wanted insights or encouragement from a writer who had enriched their lives through his stories and novels. Bradbury scholar and biographer, Jonathan R. Eller, organized this volume into categories of correspondents, showing Bradbury’s progression through life as he knew it, and not necessarily as the public perceived him. Letters to and from mentors and other writers are followed by correspondence with such film directors as John Huston, François Truffaut, and Federico Fellini. Letters with publishers and agents are followed by letters that capture moments of national and international recognition, the shadows of war and family members who shared the memories of his life. Among the writers whose letters illuminate Remembrance are Theodore Sturgeon, Sir Arthur C. Clarke, Twilight Zone writers Charles Beaumont and Richard Matheson, Dan Chaon, Bernard Berenson, Nobel Laureate Bertrand Russell, Graham Greene, Anaîs Nin, Gore Vidal, Carl Sandburg, and Jessamyn West. Remembrance illuminates the most elusive aspect of Ray Bradbury’s wide-ranging writing passions—the correspondence he sent and received throughout his long life, each letter intended for an audience of one.

"Here is the 16th volume of the Science Fiction MEGAPACK® series...mammoth collections of well-formatted books and stories assembled for your reading pleasure (and always bargain priced). This volume is a general collection of modern and classic science fiction stories, many of them adventure tales and interplanetary space operas, including work by such authors as Mike Resnick, Ray Bradbury, Robert F. Young, Leigh Brackett—any many, many more! A LITTLE JOURNEY, by Ray Bradbury FOR I HAVE TOUCHED THE SKY, by Mike Resnick ENTER THE NEBULA, by Carl Jacobi THE LAST MONSTER, by Gardner F. Fox JINX SHIP TO THE RESCUE, by Alfred Coppel, Jr. JUPITER’S JOKE, by A. L. Haley COSMIC YO-YO, by Ross Rocklynne THE VIOLATORS, by Eando Binder JOE CARSON’S WEAPON, by James R. Adams BEER-TRUST BUSTERS, by A. R. Stuart BREATH OF BEELZEBUB, by Larry Sternig CHIMERA WORLD, by Wilbur S. Peacock COLONY OF THE UNFIT, by Manfred A. Carter THE BRAIN SINNER, by Alan E. Nourse COLOR BLIND, by Charles A. Stearns COMING OF THE GODS, by Chester Whitehorn CRISIS ON TITAN, by James R. Adams DEATH STAR, by Tom Pace THE PLUTO LAMP, by Chas. A. Stearns THE BEAST-JEWEL OF MARS, by V. E. Thiessen THE BURNT PLANET, by William Brittain DOUBLECROSS, by James MacCreigh DOWN WENT MCGINTY, by Fox Holden MANNth, by Gardner F. Fox EXAMPLE, by Tom Pace THE MAN THE SUN GODS MADE, by Gardner F. Fox “PHONE ME IN CENTRAL PARK,” by James McConnell FORMULA FOR CONQUEST, by James R. Adams THE GREAT GREEN BLIGHT, by Emmett McDowell IMAGE OF SPLENDOR, by Lu Kella THE BLUE VENUS, by Emmett Mcdowell VENUSIAN INVADER, by Larry Sternig THE ULTIMATE WORLD, by Bryce Walton THE SILVER PLAGUE, by Albert De Pina IN HIS IMAGE, by Bryce Walton SURVIVAL, by Basil Wells INVADER FROM INFINITY, by George Whittington RAIDERS OF THE SECOND MOON, by Gene Ellerman THE PRIMUS CURSE, by Bill Wesley JUPITER’S JOKE, by A. L. Haley THE MOON AND THE SUN, by James McKimmey, Jr. VANDALS OF THE VOID, by Robert Wilson KEEPER OF THE DEATHLESS SLEEP, by Albert De Pina THE TIME-TECHS OF KRA, by Max Sheridan THE LAND BEYOND THE FLAME, by Evelyn Goldstein LOVE AMONG THE ROBOTS, by Emmett McDowell THE GEISHA MEMORY, by Winston Marks THE VANISHER, by Michael Shaara TOTAL RECALL, by Larry Sternig BATTLEFIELD IN BLACK, by George A. Whittington THROUGH THE ASTEROIDS—TO HELL!, by Leroy Yerxa DUST UNTO DUST, by Lyman D. Hinckley MARY ANONYMOUS, by Bryce Walton THE SPACE BETWEEN, by Robert Ernest Gilbert MIRAGE FOR PLANET X, by Stanley Mullen PASSAGE TO PLANET X, by Henry Hasse PRISONER OF THE BRAIN-MISTRESS by Bryce Walton PRODIGAL WEAPON, by Vaseleos Garson SPACE BAT, by Carl Selwyn SPACE-LANE OF NO-RETURN, by George A. Whittington FOG OF THE FORGOTTEN, by Basil Wells SPIDER MEN OF GHARR, by Wilbur S. Peacock STEEL GIANTS OF CHAOS, by James R. Adams THE BRIDES OF OOL, by M. A. Cummings THE DERELICT, by William J. Matthews THE VANISHING VENUSIANS, by Leigh Brackett THE GRAVE OF SOLON REGH, by Chas. A. Stearns THE HAIRY ONES, by Basil Wells HAGERTY’S ENZYMES, by A. L. Haley THE HAPPY CASTAWAY, by Robert E. McDowell THE PURPLE PARIAH, by Byron Tustin THE RECLUSE, by Mike Curry ALIEN EQUIVALENT, by Richard R. Smith THE SHADOW-GODS, by Vaseleos Garson MIND STEALERS OF PLUTO, by Joseph Farrell THE ULTIMATE EVE, by H. Sanford Effron PILGRIMS’ PROJECT, by Robert F. Young If you enjoy this MEGAPACK®, search your favorite ebook store for ""Wildside Press MEGAPACK"" to see hundreds more, covering everything from science fiction and fantasy to mysteries, westerns, romance, adventure and single-author collections. Don't be fooled my look-alike copycats. Look for Wildside's MEGPACK® collections!"

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume Two of Two, contains Contemporary Science Fiction Authors II.