Hardcover reprint of the original 1649 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Par, Ambroise. The Workes Of That Famous Chirurgion Ambrose Parey. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Par, Ambroise. The Workes Of That Famous Chirurgion Ambrose Parey, . London: Printed By Richard Cotes, And Willi: Du-Gard, And Are To Be Sold By John Clarke, 1649.

The spiritual status of the early modern child was often confused and uncertain, and yet in the wake of the English Reformation became an issue of urgent interest. This book explores questions surrounding early modern childhood, focusing especially on some of the extreme religious experiences in which children are documented: those of demonic possession and godly prophecy. Dr French argues that despite the fact that these occurrences were not typical childhood experiences, they provide us with a window through which to glimpse the world of early modern children. The work introduces its readers to the dualistic nature of early modern perceptions of their young - they were seen to be both close to devilish temptations and to God’s divine finger, as illustrated by published accounts of possession and prophecy. These cases reveal to us moments in which children could be granted authority or in which writers and publishers framed children in positions of spiritual agency. This can tell us much about how early modern society perceived, imagined and depicted their young, and helps us to revise the notion that early modern children’s lives, which were often fleeting, may have gone unregarded. Both contributing to, and informed by, some of the most recent historiographical directions taken by early modern history, this book engages with three key areas: the history of extreme spiritual experience such as demonic possession, the ’lived experience’ of early modern religion and the history of childhood. In this way, it offers the first scholarly exploration of the dialogue between these three areas of current and widespread historical interest which have, perhaps surprisingly, not yet been considered together.

From a renowned surgeon and historian with five decades of experience comes a remarkable history of surgery's development--spanning the Stone Age to the present day--blending meticulous medical studies with lively and skillful storytelling. There are not many events in life that can be as simultaneously life-frightening and life-saving as a surgical operation. Yet, in America, tens-of-millions of major surgical procedures are performed annually but few of us pause to consider the magnitude of these figures because we have such inherent confidence in surgeons. And, despite passionate debates about healthcare and the endless fascination with surgical procedures, most of us have no idea how surgeons came to be because the story of surgery has never been fully told. Now, Empire of the Scalpel elegantly reveals the fascinating history of surgery's evolution from its earliest roots in Europe through its rise to scientific and social dominance in the United States. From the 16th-century saga of Andreas Vesalius and his crusade to accurately describe human anatomy while appeasing the conservative clergy who clamored for his burning at the stake, to the hard-to-believe story of late-19th century surgeons' apathy to Joseph Lister's innovation of antisepsis and how this indifference led to thousands of unnecessary surgical deaths, Empire of the Scalpel is both a global history and a uniquely American tale. You'll discover how in the 20th century the US achieved surgical world supremacy heralded by the Nobel Prize-winning, seemingly impossible feat of transplanting a kidney and how the heart-lung machine was developed, along with much more. Today, the list of possible operations is almost infinite--from knee and hip replacement to heart bypass and transplants to fat reduction and rhinoplasty--and Rutkow draws on his five-decade career to show us how we got here. Authoritative, captivating, and comprehensive, Empire of the Scalpel portrays the evolution of surgery in all its dramatic and life-enhancing complexity and shows that its history is truly one awe-inspiring triumph after another.

The Elizabethan theatrical repertory was enthralled with the era's martial discourses and beset by its blinding visions. In her richly historicized account of the theater's engagement with 'modern' warfare, Patricia Cahill juxtaposes the new military technologies and new modes of martial abstraction with the performance of war-suffused dramas by Shakespeare, Marlowe, and their contemporaries. Equally important, she shows that even as early-modern playwrights engaged cutting-edge military practices, they routinely trafficked in phenomena resistant to the new rationalities, conjuring up a domain of eerie sounds, uncanny figures, and haunted temporalities. By going beyond the usual protocols of historicist criticism and emphasizing the complex dynamics of theatrical modes of address, this wide-ranging study investigates the representation of early-modern war trauma and recovers for us a compelling sense of the intimate relationship between affect and intellect on the Renaissance stage. Intervening in ongoing conversations about the drama's role in shaping the cultural imaginary, Unto the Breach shows that, in an era of escalating militarization, England's first commercial theaters offered their audiences something of incalculable value - namely, a space for the performance and 'working through' of what might otherwise remain psychically unbearable in war's violence.

Lord Herbert of Cherbury was a flamboyant Stuart courtier, soldier, and diplomat who acquired a reputation for duelling and extravagance but also numbered among the leading intellectuals of his generation. He travelled widely in Britain and Europe, enjoyed the patronage of princely rulers and their consorts, acquired celebrity as the embodiment of chivalric values, and defended European Protestantism on the battlefield and in diplomatic exchanges. As a scholar and author of De veritate and The Life and Raigne of King Henry the Eighth, he commanded respect in the European Republic of Letters and accumulated a much-admired library. As a courtier, he penned poetry and exchanged verses with John Donne and Ben Jonson, compiled a famous lute-book, wrote a widely-read autobiography, commissioned exquisite portraits by leading court artists, and built an impressive country house. Herbert was an enigmatic Janus figure who cherished the masculine values and martial lifestyle of his ancestors but embraced the Renaissance scholarship and civility of the early modern court and anticipated the intellectual and theological liberalism of the Enlightenment. His life and writings provide a unique window into the aristocratic world and cultural mindset of the early seventeenth century and the outbreak and impact of the Thirty Years War and British Civil Wars. This volume examines his career, life-style, political allegiances, religious beliefs, and scholarship within their British and European contexts, challenges the reputation he has acquired as a dilettante scholar, boastful auto-biographer, royalist turncoat and early deist, and offers a new assessment of his life and achievement.

Argues for the necessity of a re-articulation of the differences that separated man from other forms of life. The essays in this collection argue for recognition of the persistently indistinct nature of humans, who cannot be finally divided ontologically or epistemologically from other forms of matter.