Although he gained fame with his classic novel series, Alms for Oblivion, which chronicled the misdeeds of English society in the 1950s and 60s, Simon Raven is also recognized as a brilliant travel writer, an unblinking reporter of the seamier side of English upper-class life, and a hilarious commentator on the sexual mores of gay London. His demise in 2001 robbed English letters of one of its most colorful characters. Expelled from Charterhouse “for the usual thing,” he was, for a time, an officer in the British Army. He gambled heavily on the horses for years, was often in debt, drank too much, and had a rich and uncommonly varied sex life. He was said to possess “the mind of a cad and the pen of an angel,” and this selection of his writing contains a magnificent array of pieces on army life, sex, school days, and travel. The quality of his writing and his fearless descriptions of the habits of the English, and indeed of all mankind, will come as a revelation.

SUNDAY TIMES BOOKS OF THE YEAR and FINANCIAL TIMES BOOKS OF THE YEAR 2014 WINNER OF THE TEMPLER MEDAL AND THE WOLFSON HISTORY PRIZE Sunday Times Top 10 Bestseller Richard Vinen's new book is a serious - if often very entertaining - attempt to get to grips with the reality of National Service, an extraordinary institution which now seems as remote as the British Empire itself. With great sympathy and curiosity, Vinen unpicks the myths of the two 'gap years', which all British men who came of age between 1945 and the early 1960s had to fill with National Service. Millions of teenagers were thrown together and under often brutal conditions taught to obey orders and to fight. The luck of the draw might result in two years of boredom in some dilapidated British barracks, but it could also mean being thrown into a dangerous combat mission in a remote part of the world. By any measure National Service had a huge impact on the nature of British society, and yet it has been remarkably little written about. As the military's needs wound down and Britain ceased to be a great power, National Service came to be seen as just an embarrassment, and its culture of rank and discipline something which many British people were by the 1960s running away from. But without a proper understanding of National Service the story of post-war Britain barely makes sense. Richard Vinen provides that missing book. It will be fascinating to those who endured or even enjoyed their time in uniform, but also to anyone wishing to understand the unique nature of post-war Britain.

Satirist, philosopher, elegist, aphorist, cultural historian – Peter Porter is perhaps too singular a talent to be described as ‘representative’ of the age: an Australian whose easy familiarity with the breadth of European culture puts most Europeans to shame, he has long held the reputation of one of our most intellectually promiscuous and culturally sophisticated writers. Porter uses the poem as a means through which a thought can be pursued; this selection from fifty years’ work allows us the first opportunity to fully survey the quality and breadth of that thought, and the unfailing intensity of its light. In short, his Selected Poems is a one-volume education: Porter’s subtle and profound sense of history permits him to read any event as a point in a dynamic space where the forces of time and culture converge. From these coordinates, he gives perspective, direction and bearing to our contemporary life, and allows us to read the pattern of our ideas, art and loves on the map of an ancient terrain. That he has done all this with such immense good humour and human compassion is one of the literary miracles of our time.

This is an autobiography of the writer, Simon Raven, who has always been a rebel in the eyes of the establishment. Expelled from school, he 'withdrew' from Cambridge and was nearly drummed out of his regiment for 'indecent conduct'. It was then that he decided to become a writer, a profession he saw as free from any degree of moral or social judgement.

Esme is pushed into working in his summer holidays as a way of settling his college’s bills. Hired as holiday tutor, his brief is unusual. Not expected to teach anything he is there to keep his charge out of trouble. As the summer develops Esme makes his discoveries, the presence in the background of a psychiatrist being of some concern.

'Quite simply, this book is a work of genius' Matthew Parris, Spectator The second in a major two-part anthology uncovering the rich reality of life for queer men in London, from the end of the Second World War to decriminalization in 1967 In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. Peter Parker's fascinating new compendium explores what it was actually like for queer men in London in this period, whether they were well-known figures such as Francis Bacon, Joe Orton and Kenneth Williams, or living lives of quiet – or occasionally rowdy – anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalization. This second volume, from 1960 to 1967, shows how key elements in British society gradually changed their views on homosexuality, resulting in the landmark 1967 act by which it was no longer considered a crime if it took place between adults in private. This did not end violence, discrimination and prejudice, but it at least curbed official persecution. Some Men in London is a testament to queer life and its thriving, joyous subculture – a subculture without which the 1960s would have been immeasurably impoverished.

A hilarious time-capsule of 1970s television, Visions Before Midnight is the first collection of Clive James's much-loved, inimitable columns skewering the entertainment of the day. 'One of the few columnists who makes you laugh aloud' – Melvyn Bragg, Sunday Times Clive James is the man who made TV criticism an entertainment in its own right, paving the way for writers like Charlie Brooker. His comic brilliance is on full display here, from the 1972 Olympics to the 1976 Olympics, from War and Peace to the fall of Richard Nixon, and from the election of Thatcher as Leader of the Opposition to the Eurovision Song Contest. In this volume is collected the brilliant, uniquely Jamesian humour that saw hundreds of thousands of devoted fans turn to his column each Sunday morning. Visions Before Midnight collects James's TV criticism published originally in the Observer between 1972 and 1976. Clive's TV criticism from 1976 onwards continues in The Crystal Bucket. Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes, of which this is the first, and also collected in a single volume in Clive James On Television. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert

Paul explores the relationship between films set in the ancient world and the classical epic tradition, arguing that there is a connection between the genres. Through this careful consideration of how epic manifests itself through different periods and cultures, we learn how cinema makes a claim to be a modern vehicle for a very ancient tradition.

'Hugely enjoyable' AN Wilson, Sunday Times 'Thoughtful, entertaining and enjoyable' Michael Gove, Book of the Week, The Times Inspired by William Makepeace Thackeray, the first great analyst of snobbery, and his trail-blazing The Book of Snobs (1848), D. J. Taylor brings us a field guide to the modern snob. Short of calling someone a racist or a paedophile, one of the worst charges you can lay at anybody's door in the early twenty-first century is to suggest that they happen to be a snob. But what constitutes snobbishness? Who are the snobs and where are they to be found? Are you a snob? Am I? What are the distinguishing marks? Snobbery is, in fact, one of the keys to contemporary British life, as vital to the backstreet family on benefits as the proprietor of the grandest stately home, and an essential element of their view of who of they are and what the world might be thought to owe them. The New Book of Snobs will take a marked interest in language, the vocabulary of snobbery - as exemplified in the 'U' and 'Non U' controversy of the 1950s - being a particular field in which the phenomenon consistently makes its presence felt, and alternate social analysis with sketches of groups and individuals on the Thackerayan principle. Prepare to meet the Political Snob, the City Snob, the Technology Snob, the Property Snob, the Rural Snob, the Literary Snob, the Working-class Snob, the Sporting Snob, the Popular Cultural Snob and the Food Snob.