This monograph offers the first comprehensive treatment of the multi-faceted scholarly interests of Ole Worm, professor of medicine at the University of Copenhagen. Scholarship about Worm has focused mainly on Worm’s collecting and the creation of his cabinet of curiosity, the Museum Wormianum, resulting in Worm’s rationale for his research being largely overlooked. Worm shared his many interests with a number of other physicians of the age, but in terms of breadth, few matched the variety of his concerns. For a man who considered himself first and foremost a physician and anatomist, his interests in Paracelsianism and collecting can at times be baffling, while his interests in antiquarianism, runes, and chronology strike the modern reader as at odds with his medical and natural philosophical interests. It is important to comprehend that Worm’s multi-faceted interests in the created world were underpinned by his Lutheran, Melanchthonian natural philosophy, and this served to unify all Worm’s scholarly undertakings, inquiries, and experiments in the single aim of reaching a better understanding of God’s creation, the Book of Nature.

This book presents a new interpretation of how and why the discovery of the circulation of the blood in animals was made. It has long been known that the English physician William Harvey (1578–1657) was a follower of Aristotle, but his most strikingly ‘modern’ and original discovery – of the circulation of the blood – resulted from Harvey following Aristotle’s ancient programme of investigation into animals. This is a new reading of the most important discovery ever made in anatomy by one man and produces not only a radical re-reading of Harvey as anatomist, but also of Aristotle and his investigations of animals.

Renaissance anatomist Gabrielle Falloppia is best known today for his account of the eponymous fallopian tubes but he made numerous other anatomical discoveries as well, was one of the most famous surgeons of his time, and is widely believed to have invented the condom. Drawing on Falloppia's Observationes anatomicae of 1561 and on dozens of handwritten and published sets of student notes, this book not only looks at Falloppia’s anatomical lectures and demonstrations. It also studies Falloppia’s work on surgical topics – including the French disease and cosmetic surgery – on thermal waters, and on pharmacology. Last but not least, it uses student notes and the letters of contemporary scholars to throw a new light on Falloppia’s biography, on his very special relationship with the botanist Melchior Wieland, who lived in his house for several years, and on his conflicts with his fellow professors in Padua, one of whom, Bassiano Landi, was murdered just ten days after his funeral – by Falloppia’s disciples, as some believed. Written by one of the leading scholars in the field of early modern medicine, this book will appeal to all those interested in the teaching and practice of anatomy, surgery, and pharmacology in the Renaissance.