DigiCat Publishing presents to you this special edition of "The World's Earliest Music" by Hermann Smith. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Reproduction of the original: The World s Great Men of Music by Harriette Brower

Almost every ancient culture believed that human civilization and consciousness has progressively declined since an erstwhile Golden Age till the current age of greed and lies, discord and strife, called the Kali Yuga. But when does the Kali Yuga end? And what happens after that? In this extensively researched book, Bibhu Dev Misra has delineated the common threads that run through the Yuga Cycle doctrines of ancient cultures, taking the aid of scientific discoveries wherever available. His reconstruction of the original Yuga Cycle framework indicates that the end of the Kali Yuga is just around the corner - in 2025! Within a span of just 15 years, by the year 2040, the Kali Yuga civilization is likely to collapse due to a combination of global wars, environmental catastrophes and comet impacts. The survivors will inherit a renewed earth, bathed in the divine light of the Central Sun. Is there any scientific evidence in support of the Yuga Cycle? What drives the sinusoidal fluctuation in our physical size and consciousness in course of the Yuga Cycle? Why do cataclysmic obliteration of civilizations occur after every Yuga? What do we make of the end-time prophecies which tell of a Savior or Avatar returning at the end of the Kali Yuga? These are some of the key questions addressed in this book. This riveting and thought-provoking work contains one of the most important messages of our time.

Combines multiple theoretical perspectives and diverse media to examine the relation between music and memory in ancient Greece and Rome.

This volume contains two Open Access Chapters This collection explores the current trends and practices in the field of music performance librarianship. A helpful resource to librarians, and archivists in a variety of situations in the world of performing arts.

An eminent scholar explores the evolution of music, from the ecstatic singing of early civilizations to the development of more structured styles in Egypt, East Asia, Rome, and other regions.

Literature begins at Sumer, we may say. Given that this ancient crossroads of tin and copper produced not only bronze and the entire Bronze Age, but also by neccesity, the first system of record-keeping and the technique of writing. Scribal schools served to propogate the new technique and their curriculum grew to create, preserve and transmit all manner of creative poetry. In a lifetime of research, the author has studied multiple aspects of this most ancient literary oeuvre, including such questions as chronology and bilingualism, as well as contributing fundamental insights into specific genres such as proverbs, letter-prayers and lamentations. In addition, he has drawn conclusions for the comparative or contextual approach to biblical literature. His studies, widely scattered in diverse publications for nearly fifty years, are here assembled in convenient one-volume format, made more user-friendly by extensive cross-references and indices.

This book traces the evolution of the Hong Kong’s popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city’s geo-political, economic and social transformations. Under various historical contingencies and due to the city’s special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city’s nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the “golden age” (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular “Hong Kong film”, “Hong Kong TV” and “Cantopop” are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition.

The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling