The best-known songs in the world are violent, sexist, and religious — so why do we celebrate national anthems when we should be rewriting them? The story begins in a London theatre in 1745, where the modern idea of anthems started out as triumphant expressions of national superiority. They glorified violence, claimed the support of God for their country, and mostly ignored women. David Pate says it’s time to dump lyrics about cutting throats, watering fields with blood, building walls with the bodies of enemies, and celebrating the sound of machine guns. From the author’s own youth as a schoolboy in Scotland when he was caned for refusing to sing “God Save the Queen” to the ubiquity of anthems in sports and as weapons for extreme patriotism, The Worst Songs in the World looks at the origins of many of the world’s anthems, including the movie theme song that became China’s national anthem and the English tune used for “The Star-Spangled Banner.” This wide-ranging, deeply researched narrative combines politics, personalities, humour, and vivid storytelling to argue for what we should all want: better national songs.

Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!

Why do people become extremists? What makes people become so dismissive of opposing views? Why is political and cultural polarization so pervasive in America? In Going to Extremes, renowned legal scholar and best-selling author Cass R. Sunstein offers startling insights into why and when people gravitate toward extremism. Sunstein marshals a wealth of evidence that shows that when like-minded people gather in groups, they tend to become more extreme in their views than they were before. Thus when liberals group get together to debate climate change, they end up more alarmed about climate change, while conservatives brought together to discuss same-sex unions become more set against same-sex unions. In courtrooms, radio stations, and chatrooms, enclaves of like-minded people are breeding ground for extreme movements. Indeed, Sunstein shows that a good way to create an extremist group, or a cult of any kind, is to separate members from the rest of society, either physically or psychologically. Sunstein's findings help to explain such diverse phenomena as political outrage on the Internet, unanticipated "blockbusters" in the film and music industry, the success of the disability rights movement, ethnic conflict in Iraq and former Yugoslavia, and Islamic terrorism. Providing a wealth of real-world examples--sometimes entertaining, sometimes alarming--Sunstein offers a fresh explanation of why partisanship has become so bitter and debate so rancorous in America and abroad. Praise for the hardcover: "A path-breaking exploration of the perils and possibilities created by polarization among the like-minded." --Kathleen Hall Jamieson, co-author of unSpun and Echo Chamber "Poses a powerful challenge to anyone concerned with the future of our democracy. He reveals the dark side to our cherished freedoms of thought, expression and participation. Initiates an urgent dialogue which any thoughtful citizen should be interested in." --James S. Fishkin, author of When the People Speak

Modern pop began in 1952 when the first British chart was published and the first 7" singles were released. It ended (perhaps) in 1995 when Robson and Jerome reached the top of the charts with the first number one not to be available on vinyl since 1953. The internet age ushered in the death rites of over 40 years of pop. A Complete History Pop describes the journey that leads from 'Rock Around the Clock' to 'Crazy in Love'. Raw, thrilling, surprising and sometimes downright dangerous, the Pop moment almost always clocks in under 3:30 and is initially, immediately recognised by a teenage listener. Billy Fury. Chuck Berry. Sonny and Cher. The Troggs. Glen Campbell. Bee Gees. Roxy Music. Chic. Slade. Sex Pistols. Adam and the Ants. Pet Shop Boys. New Order. Madonna. Bob Stanley's A Complete History of Pop documents the rich soundtrack of the last six decades as it has been heard on radios and jukeboxes across the land. There have been many books on pop but very few, if any, have attempted to bring the whole story to life from rock n roll to house and techno in all its various sub-permutations. Audacious and addictive, A Complete History of Pop is a one-stop pop shop for the music lover everywhere.

This is our binary copy stack of 609 pages of utter horse shit and what seems like an accumulation of content that is far underground and censored, not shown on Media Relations TV or Radio or even the crap CIA 8080 World Wide Wiretap...

Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.

What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful.

Why is Elvis Presley's body of recorded work still so relevant nearly 60 years after he began recording? Elvis Music FAQ is for anyone who has been inspired by an Elvis Presley record. Following in the tradition of the FAQ series, in Elvis Music FAQ, a lot of rare information is woven together in one concise, entertaining package. There are chapters about every year of Elvis's career, including a look at his pioneering original record label Sun; insight on his management; the continued importance of television in his career; a summation of each Presley concert tour; the inside scoop about the role Elvis's band members and songwriters played in his sound; stories about the amusing musical oddities created by those trying to ride on the Elvis success train; details about the contentious role drugs played in his career; and, finally, a full review of every record the King ever issued. One might say that the only truths about Elvis Presley can be found in the grooves of his records, where his natural talent and passion for music comes through always. Elvis Music FAQ aims to be the one essential companion that explains the reason why the voice heard over the speakers still carries such resonance. Dozens of rare images accompany this engaging text.

You think that your choices and behaviors are driven by your individual, personal tastes, and opinions. Our own personal thoughts and opinions is patently obvious. Right? Wrong. Other people's behavior has a huge influence on everything we do, from the mundane to the momentous. Berger integrates research and thinking from business, psychology, and social science to focus on the subtle, invisible influences behind our choices as individuals

Discover how God’s love can rewrite your story in My Story, Your Glory, a thirty-day devotional that explores how God’s glory redeems every chapter of our lives—inspired by Dove Award-winning worship music artist Matthew West’s song “My Story, Your Glory.” My Story, Your Glory reveals how God brings hope into all situations in our lives. We all have hurts, mistakes, and losses in our lives that we wish would disappear. God promises that He will work all things together for the good of those who love Him. The God of mercy doesn’t mark up our stories with a red pen; He blots out our sins and then comes alongside us, encouraging us to keep writing. Readers will learn how to find God’s purpose in their pain and His message in their mistakes. By sharing his own highs and lows, West relates to readers and helps them to reflect on the less-than-perfect parts of their lives. Readers are pointed to examples in Scripture of people not much different from us, and how God, in His glory, redeemed their stories. In every way that we are not enough, our God is. West encourages readers to give God the glory in both the best days and worst days. Each entry in this devotional calls readers to: Connect to God’s Story and truth through selected Bible verses Craft your story by recording your answer to a thought-provoking prompt Share your story with God or others, inviting God to move through the Spirit Live your story by bringing glory to God through concrete action My Story, Your Glory guides readers to call God into their story, giving Him the glory for all He’s already done and waiting expectantly for Him to write the next chapter.