During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The WPA Guide to the Show-Me State of Missouri literally shows the reader the virtues of this lovely region, by including vivid pictures of Art Deco skyscrapers in downtown Kansas City, farm scenes, the Ozark Mountains, and the Missouri and Mississippi Rivers. It includes historical essays about the influence of these rivers on the state as well as Missouri’s important role in the American Civil War.

In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when the federal government was extending its reach into citizens' daily lives. The 400 guidebooks the teams produced have been widely celebrated as icons of American democracy and diversity. Clumped together, they manifest a lofty role for the project and a heavy responsibility for its teams of writers. The guides assumed the authority of conceptualizing the national identity. In The WPA Guides: Mapping America Christine Bold closely examines this publicized view of the guides and reveals its flaws. Her research in archival materials reveals the negotiations and conflicts between the central editors in Washington and the local people in the states. Race, region, and gender are taken as important categories within which difference and conflict appear. She looks at the guidebook for each of five distinctively different locations -- Idaho, New York City, North Carolina, Missouri, and U.S. One and the Oregon Trail--to assess the editorial plotting of such issues as gender, race, ethnicity, and class. As regionalists jostled with federal officialdom, the faultlines of the project gaped open. Spotlighting the controversies between federal and state bureaucracies, Bold concludes that the image of America that the WPA fostered is closer to fabrication than to actuality. Christine Bold is director of the Centre for Cultural Studies and an associate professor of English at the University of Guelph in Guelph, Ontario.

Once considered a "foolish boondoggle" of Franklin Delano Roosevelt's Works Progress Administration, the Federal Writers' Project was initiated to allow employment opportunity to those associated with the arts during the Great Depression. The American Guide Series became the most successful venture, offering jobs to writers nationwide as each state endeavored to produce a comprehensive guidebook. Under the direction of Charles van Ravenswaay, former director of the Missouri Historical Society, Missouri: A Guide to the "Show Me" State was first published in 1941. Now, in a classic reprint, Missouri Historical Society Press restores this guidebook to its original splendor and returns it to the bookshelves. With a current road map included with the book, travelers can compare sights and tours described in the antiquated guide and see how they have developed or disappeared. As Walter A. Schroeder and Howard W. Marshall describe in the updated introduction, "The `unmarked, dirt road, impassable when wet, ' that we encounter in reading the WPA guide is no longer a hurdle to be negotiated in order to reach an out-of-the-way site." Due to nearly thirty thousand additional miles of paved roadway and endless gas station and motel chains, every corner of Missouri is now easily accessible. And, as Missouri Historical Society President Robert R. Archibald states in the foreword, "If you are the kind of traveler who has no intention of stirring from a comfortable chair near the reading lamp, this reprint is really all the equipment you require for a fascinating journey through the Missouri of the past."

The Ozarks region-spanning parts of Missouri, Arkansas, and Oklahoma-overflows with visible fragments of the past. A Living History of the Ozarks is a guide to the region through landmarks and sites which offer clues to its intriguing history. This splendorous land inspired Phyllis Rossiter, a native of the Ozarks, to write about the area to help people learn to appreciate its beauty and to recognize our dependence upon nature. "I feel that it's important to safeguard what we have left," says Rossiter. "In my writing, if I can help achieve that, then that's what I want to do-to help people acquire an appreciation for nature." Abounding with sparkling lakes and rivers (including the great Lake of the Ozarks), clear blue springs, rugged mountains, ancient caves, and windswept prairies, the Ozarks are a visitor's wonderland of natural beauty and legendary mystique. Author Phyllis Rossiter explores the major areas that make up the storied Ozarks. The Lake of the Ozarks region, the Springfield plateau, Ozark mountain country, the Buffalo National River, White River Hills, and the Big Spring region are all covered in depth. A detailed appendix lists places to view ongoing history such as caves and rock formations, Indian artifacts, bridges and ferries, gristmills, Civil War monuments, heritage crafts, mountain music, hiking trails, floatable rivers, national parks, and more. Offering keen insight on the area's history, as well as a complete guide to the sites and scenic spots of this popular American vacation destination, this book is a marvelous documentation of "living history" for tourists and interested area residents alike. Phyllis Rossiter resides in Gainesville, Missouri, where she is an active writer, photographer, conservationist, and lecturer. She is a member of the Missouri Writers Guild, the Ozarks Writers League, the Society of Children's Book Writers, and the Outdoor Writers of America.

2020 Peace Corps Writers Paul Cowan Award for the Best Book of Non-Fiction On April 23, 1929, the second annual Transcontinental Foot Race across America, known as the Bunion Derby, was in its twenty-fifth day. Eddie "the Sheik" Gardner, an African American runner from Seattle, was leading the race across the Free Bridge over the Mississippi River. Along with the signature outfit that earned him his nickname—a white towel tied around his head, white shorts, and a white shirt—Gardner wore an American flag, a reminder to all who saw him run through the Jim Crow South that he was an American and the leader of the greatest footrace in the world. Kastner traces Gardner’s remarkable journey from his birth in 1897 in Birmingham, Alabama, to his success in Seattle, Washington, as one of the top long-distance runners in the region, and finally to his participation in two transcontinental footraces where he risked his life, facing a barrage of harassment for having the audacity to compete with white runners. Kastner shows how Gardner’s participation became a way to protest the endemic racism he faced, heralding the future of nonviolent efforts that would be instrumental to the civil rights movement. Shining a bright light on his extraordinary athletic accomplishments and his heroism on the dusty roads of America in the 1920s, Kastner gives Gardner and other black bunioneers the attention they so richly deserve.

"The Ozark Mountains reach into Missouri, Arkansas, Oklahoma, and Kansas, forming a region with great natural beauty and a distinctive cultural and historical landscape. This comprehensive volume, a fully updated edition of a beloved classic, reaches into history, anthropology, economics, and geography to explore the complex relationships between the Ozarks' people and land through times of profound change. Drawing on more than thirty years of research, field observations, and interviews, Rafferty examines this subject matter through a range of topics: the settlement patterns and material cultures of Native Americans, French, Scotch-Irish, Germans, Italians, African Americans, Hispanics, and Asians in the region; population growth; the guerrilla warfare and battles of the Civil War; the cultural transformations wrought by railroads, roads, mass media, and modern communication systems; the discovery, development, and decline of the great mining districts; the various forms of agriculture and the felling of the region's vast forests; and the built landscape, from log cabins to Victorian mansions to strip malls. This new edition also explores the new and potent forces which have reshaped the region over the last twenty years: tourism and the growing service industry, suburbanization, rapid population growth and retirement living, and agribusiness. Lavishly illustrated with historic and contemporary photographs, maps, and charts."--Publisher's description.

For southwest Missouri, the Civil War was an unparalleled period of violence, sorrow and anger. As the torches burned the physical landscape, the depredations inflicted were also scorched upon the psyche of the people who lived through fires. Survey Carthage's battlefield for stubborn holdouts or hold vigil at the Kendrick House for innocent bystanders who were swept up into the stratagems of bushwhackers and guerrillas. Meet the Bloody Spikes, Rotten Johnny Reb and scores more figures from the region's past who continue to trouble its present.

French traditions in America do not live solely in Louisiana. Franco-American Identity, Community, and La Guiannée travels to Ste. Genevieve, Missouri, and Prairie du Rocher, Illinois, to mark the Franco-American traditions still practiced in both these Midwestern towns. This Franco-American cultural identity has continued for over 250 years, surviving language loss, extreme sociopolitical pressures, and the American Midwest's demands for conformity. Ethnic identity presents itself in many forms, including festivals and traditional celebrations, which take on an even more profound and visible role when language loss occurs. On New Year's Eve, the guionneurs, revelers who participate in the celebration, disguise themselves in eighteenth- and nineteenth-century costume and travel throughout their town, singing and wishing New Year's greetings to other members of the community. This celebration, like such others as Cajun Mardi Gras in Louisiana, Mumming in Ireland and Newfoundland, as well as the Carnaval de Binche, belongs to a category of begging quest festivals that have endured since the Medieval Age. These festivals may have also adapted or evolved from pre-Christian pagan rituals. Anna Servaes produces a historical context for both the development of French American culture as well as La Guiannée in order to understand contemporary identity. She analyzes the celebration, which affirms ethnic community, drawing upon theories by influential anthropologist Victor Turner. In addition, Servaes discusses cultural continuity and its relationship to language, revealing contemporary expressions of Franco-American identity.

In the fall of 1864, during the last brutal months of the Civil War, the Confederates made one final, desperate attempt to rampage through the Shenandoah Valley, Tennessee, and Missouri. Price’s Raid was the common name for the Missouri campaign led by General Sterling Price. Involving tens of thousands of armed men, the 1864 Missouri campaign has too long remained unexamined by a book-length modern study, but now, Civil War scholar Mark A. Lause fills this long-standing gap in the literature, providing keen insights on the problems encountered during and the myths propagated about this campaign. Price marched Confederate troops 1,500 miles into Missouri, five times as far as his Union counterparts who met him in the incursion. Along the way, he picked up additional troops; the most exaggerated estimates place Price’s troop numbers at 15,000. The Federal forces initially underestimated the numbers heading for Missouri and then called in troops from Illinois and Kansas, amassing 65,000 to 75,000 troops and militia members. The Union tried to downplay its underestimation of the Confederate buildup of troops by supplanting the term campaign with the impromptu raid. This term was also used by Confederates to minimize their lack of military success. The Confederates, believing that Missourians wanted liberation from Union forces, had planned a two-phase campaign. They intended not only to disrupt the functioning government through seizure of St. Louis and the capital, Jefferson City, but also to restore the pro-secessionist government driven from the state three years before. The primary objective, however, was to change the outcome of the Federal elections that fall, encouraging votes against the Republicans who incorporated ending slavery into the Union war goals. What followed was widespread uncontrolled brutality in the form of guerrilla warfare, which drove support for the Federalists. Missouri joined Kansas in reelecting the Republicans and ensuring the end of slavery. Lause’s account of the Missouri campaign of 1864 brings new understanding of the two distinct phases of the campaign, as based upon declared strategic goals. Additionally, as the author reveals the clear connection between the military campaign and the outcome of the election, he successfully tests the efforts of new military historians to integrate political, economic, social, and cultural history into the study of warfare. In showing how both sides during Price’s Raid used self-serving fictions to provide a rationale for their politically motivated brutality and were unwilling to risk defeat, Lause reveals the underlying nature of the American Civil War as a modern war.