This is John Burroughs 1887 work, "Birds And Poets". It contains masterful sketches of bird life interspersed with delightful poems, interesting historical information, and beautiful descriptive prose. This volume will appeal to all with a love of nature writing and poetry, and it would make for a fantastic addition to any collection. Contents include: "Birds and Poets", "Touches Of Nature", "A Bird Medley", "April", "Spring Poems", "Our Rural Divinity", "Before Genius", "Before Beauty", "Emerson", and "The Flight Of The Eagle". John Burroughs (1837 - 1921) was an American naturalist, essayist, and active member of the U.S. conservation movement. Burroughs' work was incredibly popular during his lifetime, and his legacy has lived on in the form of twelve U.S. Schools named after him, Burroughs Mountain, and the John Burroughs Association-which publicly recognizes well-written and illustrated natural history publications. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

This is a collection of works by American naturalist John Burroughs. Included are: "Birds & Bees", "Bird Enemies", "The Tragedies of the Nests", "Bees", "An Idyl of the Honey-Bee", "The Pastoral Bees", "Sharp Eyes and Other Papers", "Sharp Eyes, "The Apple", "A Taste of Maine Birch", "Winter Neighbors", "Notes by the Way", "The Weather-wise Muskrat", "Cheating the Squirrels", "Fox and Hound", and many more. John Burroughs (1837 - 1921) was an American naturalist, essayist, and active member of the U.S. conservation movement. Burroughs' work was incredibly popular during his lifetime, which manly argue is down to his unique perceptions of the natural world coupled with an impressive literary talent. Other notable works by this author include: "Winter Sunshine" (1875), "Birds and Poets" (1877), and "Locusts and Wild Honey" (1879). Since his death, his legacy has lived on in the form of twelve U.S. Schools named after him, Burroughs Mountain and the John Burroughs Association, which publicly recognizes well-written and illustrated natural history publications. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing "Bird Neighbors" now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.

Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas’d corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last. —Walt Whitman, from “This Compost” How did Whitman use language to figure out his relationship to the earth, and how can we interpret his language to reconstruct the interplay between the poet and his sociopolitical and environmental world? In this first book-length study of Whitman’s poetry from an ecocritical perspective, Jimmie Killingsworth takes ecocriticism one step further into ecopoetics to reconsider both Whitman’s language in light of an ecological understanding of the world and the world through a close study of Whitman’s language. Killingsworth contends that Whitman’s poetry embodies the kinds of conflicted experience and language that continually crop up in the discourse of political ecology and that an ecopoetic perspective can explicate Whitman’s feelings about his aging body, his war-torn nation, and the increasing stress on the American environment both inside and outside the urban world. He begins with a close reading of “This Compost”—Whitman’s greatest contribution to the literature of ecology,” from the 1856 edition of Leaves of Grass. He then explores personification and nature as object, as resource, and as spirit and examines manifest destiny and the globalizing impulse behind Leaves of Grass, then moves the other way, toward Whitman’s regional, even local appeal—demonstrating that he remained an island poet even as he became America’s first urban poet. After considering Whitman as an urbanizing poet, he shows how, in his final writings, Whitman tried to renew his earlier connection to nature. Walt Whitman and the Earth reveals Whitman as a powerfully creative experimental poet and a representative figure in American culture whose struggles and impulses previewed our lives today.