"The unsung heroes of the Second World War were the women who were left behind. Isolated from the action, fearful for the lives of their menfolk and hopeful for a future at peace, they adapted well to a rapidly changing world. This book provides a full commentary onhome life during those wartime years. Drawing on an unrivalled collection of contemporary women's magazines, the authors have extracted features, fashion tips, morale-boosting stories, mottoes and recipes to present a panoramic view of women's shifting roles. Emotional reaciton, the practicalities of working and maintaining a home, relationships with Allied troops and, of course, love, leisure and fashion are all included, together with advertisments and readers' letters from the war years. As never before, the portrait that emerges of women in wartime is one of immense courage, good humour and ingenuity"--Back cover.

This volume contributes to the vibrant, ongoing recuperative work on women's writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism 'interfeminism' - coined to partner Kristin Bluemel's 'intermodernism' - locates this group chronologically and ideologically between two 'waves' of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this 'out-of-category' writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and post-war periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism. The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman's Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history.

The 1940s remains an iconic period in world history and retains a fascination for so many. Re-enacting the 40s is becoming increasingly popular but there is little available information explaining how to start in the hobby. This book is the first to offer enthusiasts of the 40s a way to advance their interest whether it be military or civilian. Each chapter deals with a different aspect of re-enacting from civilian roles (including children) to military roles with many different potential impressions explored for each area. Each chapter is lavishly illustrated with many previously unseen color photographs of contemporary re-enactors and events. There are further chapters introducing those people who portray wartime political and military leaders as well as those who bring back to life some of the most iconic musicians and performers of the period. For those choosing to enter the hobby through ownership of a civilian or military vehicle, that is also covered with many examples of some of the most well-known vehicles. Each chapter offers a brief contextual history with detailed notes on where to obtain uniform and equipment, some of the best groups to join as well as links to related sites and recommendations for wider reading. No book can cover every single possible role but this offers an excellent starting point for further research and involvement while stressing the need to always remain respectful of those we seek to commemorate.

The final instalment of N.A.M. Rodger's definitive, authoritative trilogy on Britain's naval history At the end of the French and Napoleonic wars, British sea-power was at its apogee. But by 1840, as one contemporary commentator put it, the Admiralty was full of ‘intellects becalmed in the smoke of Trafalgar’. How the Royal Navy reformed and reinvigorated itself in the course of the nineteenth century is just one thread in this magnificent book, which refuses to accept standard assumptions and analyses. All the great actions are here, from Navarino in 1827 (won by a daringly disobedient Admiral Codrington) to Jutland, D-Day, the Battle of the Atlantic and the battles in the Pacific in 1944/45 in concert with the US Navy. The development and strategic significance of submarine and navy air forces is superbly described, as are the rapid evolution of ships (from classic Nelsonic type, to hybrid steam/sail ships, then armour-clad and the fully armoured Dreadnoughts and beyond) and weapons. The social history of officers and men – and sometimes women – always a key part of the author’s work, is not neglected. Rodger sets all this in the essential context of politics and geo-strategy. The character and importance of leading admirals – Beatty, Fisher, Cunningham – is assessed, together with the roles of other less famous but no less consequential figures. Based on a lifetime’s learning, it is the culmination of one of the most significant British historical works in recent decades. Naval specialists will find much that is new here, and will be invigorated by the originality of Rodger’s judgements; but everyone who is interested in the one of the central threads in British history will find it rewarding.

Closely examining the work of women in the US and British naval services towards Allied naval intelligence during the Second World War, this book focuses on their contributions during the Battle of the Atlantic and Pacific Naval War, in order to shed new light on arenas of war from which women's narratives are almost always absent. Including personal testimonies from those involved, and surveying a wide cross-section of different roles, Sarah-Louise Miller analyses the work of women at every level and rank in the US and British naval services, and offers a much wider picture of how they assisted the Allied forces behind closed doors. With exploration of the work of the WRNS and WAVES on developing naval intelligence, this book argues that they played a crucial role in the British and American SIGINT systems, and within programs such as those at Bletchley Park and OP-20-G – therefore directly impacting the organisation and outcome of Anglo-American naval efforts. Including analysis of the development of the modern 'kill-chain', Miller also re-evaluates the effect of the 'combat taboo', to demonstrate that the WRNS and WAVES were in fact at the cutting edge of the emergence of modern warfare.

Spanning the 20th century, this collection of accessible and very readable essays explores the ways in which men and women have both represented warfare, and represented themselves as participants in warfare.

Jeremy Crang provides a compelling new history of women who served with the British armed forces during the Second World War.

As heard on the New Yorker Radio Hour: The triumphant and "engaging history" (The New Yorker) of the young women who devised a winning strategy that defeated Nazi U-boats and delivered a decisive victory in the Battle of the Atlantic. By 1941, Winston Churchill had come to believe that the outcome of World War II rested on the battle for the Atlantic. A grand strategy game was devised by Captain Gilbert Roberts and a group of ten Wrens (members of the Women's Royal Naval Service) assigned to his team in an attempt to reveal the tactics behind the vicious success of the German U-boats. Played on a linoleum floor divided into painted squares, it required model ships to be moved across a make-believe ocean in a manner reminiscent of the childhood game, Battleship. Through play, the designers developed "Operation Raspberry," a counter-maneuver that helped turn the tide of World War II. Combining vibrant novelistic storytelling with extensive research, interviews, and previously unpublished accounts, Simon Parkin describes for the first time the role that women played in developing the Allied strategy that, in the words of one admiral, "contributed in no small measure to the final defeat of Germany." Rich with unforgettable cinematic detail and larger-than-life characters, A Game of Birds and Wolves is a heart-wrenching tale of ingenuity, dedication, perseverance, and love, bringing to life the imagination and sacrifice required to defeat the Nazis at sea.

Index. Bibliography: p.489-498.