Describes the origin and progress of the Great Exhibition of 1851, including the French national expositions from 1797 to 1849, the origin and construction of the Crystal Palace, the lay-out of the exhibits and the objects exhibited. There is also a description of the close of the exhibition. The appendix contains a list of the medal winners, tables of the daily number of visitors to the exhibition including the amount of money received at the doors on each day and a financial statement of the proceeds and expenditure of the exhibition. Finally a statistical note on the official catalogue is quoted from The Edinburgh review. Includes index.

Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The little-known art of Berlin Work was once the most commonly practiced art form among European women. Pictorial Embroidery in England is the first academic study of both pictorial Berlin Work and its precursor, needlepainting, exploring their cultural status in the 18th and 19th centuries. From enlightenment practices of copying to the development of an industrial aesthetic and the making of the modern amateur, Berlin Work developed as an official knowledge associated with notions of cultural and scientific progress. However, with the advent of the Arts and Crafts movement and modernist aesthetics, Berlin Work was gradually demoted to a craft hobby. Delving into the social, cultural and economic context of English pictorial embroidery, Pictorial Embroidery in England recovers Berlin Work as an art form, and demonstrates how this overlooked practice was once at the centre of cultural life.