“At the edge of a field a thought waits,” writes Cassie Donish, in her collection that explores the conflicting diplomacies of body and thought while stranding us in a field, in a hospital, on a shoreline. These are poems that assess and dwell in a sensual, fantastically queer mode. Here is a voice slowed by an erotics suffused with pain, quickened by discovery. In masterful long poems and refracted lyrics, Donish flips the coin of subjectivity; different and potentially dangerous faces are revealed in turn. With lyricism as generous as it is exact, Donish tunes her writing as much to the colors, textures, and rhythms of daily life as to what violates daily life—what changes it from within and without.

An unabashed exploration of queerness, excess, identity, and tenderness from award-winning poet Dorothy Chan. The speaker in Dorothy Chan’s fifth collection, Return of the Chinese Femme, walks through life fearlessly, “forehead forever exposed,” the East Asian symbol of female aggression. She’s the troublemaker protagonist—the “So Chinese Girl”—the queer in a family of straights— the rambunctious ringleader of the girl band, always ready with the perfect comeback, wearing a blue fur coat, drinking a whiskey neat. They indulge on the themes of food, sex, fantasy, fetish, popular culture, and intimacy. Chan organizes the collection in the form of a tasting menu, offering the reader a taste of each running theme. Triple sonnets, recipe poems, and other inventive plays on diction and form pepper the collection. Amidst the bravado, Return of the Chinese Femme represents all aspects of her identity—Asian heritage, queerness, kid of immigrants’ story—in the most real ways possible, conquering the world through joy and resilience.

Sante Kimes, a thrill-seeking psychopath who led her son on a vodka-fuelled, blood-soaked crime spree across the country, and Melanie Cain, a beautiful "Vogue" cover girl who unwittingly became a dark force when she left her wealthy playboy lover for another man, tell their stories for the first time.

Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.

Essays on the butch-femme designations, respecting the power that these categories have in the lesbian community while at the same time avoiding the cliched romanticism often inherent in their representation.

All American women aspire to have the nonchalant style and grace of French women, that je ne sais quoi that makes all of their habits seem natural and effortless. In Une Femme Française, fashion designer Catherine Malandrino, a Frenchwoman who has lived and worked in the US for twenty years, reveals French women’s secrets for an American audience. Grab a café crème and learn: - To be your own creation, not a slave to the latest fashion - What defines une femme Française: the little black dress, the boyish look, the rebel touch, and the carefree attitude - The secrets of Jacqueline Kennedy Onassis, the avatar of American women who admire the French - Hair- and skin-care tricks from Paris It Girls - That nonchalance, more than perfume, is sexy - How to seduce anyone - Why red is a necessity - The real reason French women don't get fat: food is family

How does a Norwegian farm girl become an infamous American serial killer, responsible for upward of 40 murders? Born in rural Norway in 1859, "Belle" Storset Sorenson Gunness was constantly dealt bad hands in life—so she decided to take life into her own hands. In America's Femme Fatale: The Story of Serial Killer Belle Gunness, Jane Simon Ammeson traces Gunness's path from a poor teenager rejected by a wealthy lover; to a new wife in Chicago, desperate to escape the poverty of her childhood and impatient for a child to love; to an ambitious, widowed landowner in La Porte, Indiana. Ammeson's careful research reveals how the young immigrant slowly turned into one of America's most dangerous serial killers, allegedly murdering husbands, lovers, and children, and, for a price, disposing of inconvenient corpses for others. Ammeson brings this shocking story to life, detailing the suspicious neighbors who were cowed into silence by Belle's intimidating personality, the culture of orphanages trafficking children and matrimonial agencies, the carnival atmosphere that exploded around the pile of bones found on Gunness's farm, and the sensational reporting that filled newspapers for months. Perfect for true crime fans fascinated by the creation of a sociopathic serial killer, America's Femme Fatale will leave you entertained and looking over your shoulder.