National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2016. From its first appearance, the Zohar has been one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its mystical content, its literary style, and the question of its authorship. This book focuses on different issues: it examines the various ways in which the Zohar has been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the various cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries. Boaz Huss has broken new ground with this study, which examines of the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers not only the attribution of different qualities to the Zohar through time but also the people who were engaged in attributing such qualities and the social and cultural functions associated with their creation, re-creation, and rejection. For each historical period from the beginning of Zohar scholarship to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.

A magisterial, modern reading of the deepest mysteries in the Kabbalistic tradition. Seekers of the Face opens the profound treasure house at the heart of Judaism's most important mystical work: the Idra Rabba (Great Gathering) of the Zohar. This is the story of the Great Assembly of mystics called to order by the master teacher and hero of the Zohar, Rabbi Shim'on bar Yochai, to align the divine faces and to heal Jewish religion. The Idra Rabba demands a radical expansion of the religious worldview, as it reveals God's faces and bodies in daring, anthropomorphic language. For the first time, Melila Hellner-Eshed makes this challenging, esoteric masterpiece meaningful for everyday readers. Hellner-Eshed expertly unpacks the Idra Rabba's rich grounding in tradition, its probing of hidden layers of consciousness and the psyche, and its striking, sacred images of the divine face. Leading readers of the Zohar on a transformative adventure in mystical experience, Seekers of the Face allows us to hear anew the Idra Rabba's bold call to heal and align the living faces of God.

In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text. The Art of Mystical Narrative argues that the Zohar story must be understood first and foremost as a work of the fictional imagination.

With the social and cultural upheavals of early modern Europe, rabbis had to fight to preserve Jewish tradition. Hakham Tsevi Ashkenazi, chief rabbi of Amsterdam, emerged as one of the leading halakhic authorities of the epoch, and the battles he waged would come to define rabbinic norms in the decades that followed.

Holiness is a challenge for contemporary Jewish thought. The concept of holiness is crucial to religious discourse in general and to Jewish discourse in particular. "Holiness" seems to express an important feature of religious thought and of religious ways of life. Yet the concept is ill defined. This collection explores what concepts of holiness were operative in different periods of Jewish history and bodies of Jewish literature and offers preliminary reflections on their theological and philosophical import today. The contributors illumine some of the major episodes concerning holiness in the development of the Jewish tradition. They are challenged to think about the problems and potential implicit in Judaic concepts of holiness, to make them explicit, and to try to retrieve the concepts for contemporary theological and philosophical reflection. Not all of the contributors push into philosophical and theological territory, but they all provide resources for the reader to do so. Holiness is elusive but it need not be opaque. This volume makes Jewish concepts of holiness lucid, accessible, and intellectually engaging.

Minhag (custom) played a far greater and far more important role in medieval Ashkenazic society than in any other Jewish community. In upholding the authority of a custom, halakhic authorities frequently asserted that "custom prevails over halakhah." Furthermore, Ashkenazic authorities asserted that Ashkenazic custom is more authentic than the customs of other Jewish communities, including those of Sepharad (Spain). Given the importance attributed to minhag and the influence of the siddur commentaries of the circle of Hassidei Ashkenaz, which emphasize the precise formulation of liturgical texts, one might assume that Ashkenazic Jewry was committed to preserving ancestral custom and opposed to liturgical change. However, the reality is that the liturgy of Ashkenaz was never static. From a very early time, new liturgies and liturgical practices were incorporated into the service, the inclusion of various prayers was challenged, and variant readings of prayers became standard. Tradition, Interpretation, and Change focuses on developments in the Ashkenazic rite, the liturgical rite of most of central and eastern European Jewry, from the eleventh century through the seventeenth. Kenneth Berger argues that how a prayer or practice was understood, or the rationale for its recitation or performance, often had a profound effect on whether and when it was to be recited, as well as on the specific wording of the prayer. In some cases, the formulation of new interpretations served a conservative function, as when rabbinic authorities sought to find new, alternative explanations which would justify the continued performance of practices whose original rationale no longer applied. In other cases, new understandings of a liturgical practice led to changes in that practice, and even to the development of new liturgies expressive of those interpretations. In Tradition, Interpretation, and Change, Berger draws upon a wide body of primary sources, including classical rabbinic and geonic works, liturgical documents found in the Cairo genizah, medieval codes, responsa, and siddur commentaries, minhag books, medieval siddur manuscripts, and early printed siddurim, as well as a wealth of secondary sources, to provide the reader with an in-depth account of the history and history of interpretation of many familiar and not-so-familiar prayers and liturgical practices. While emphasizing the role that the interpretation ascribed to various prayers and practices had in shaping the liturgy of medieval and early modern Ashkenaz, Berger illustrates the degree to which Sephardic and kabbalistic influences, concern for the fate of the dead, the fear of demons, and the desire for healing and divine protection from a variety of dangers shaped both liturgical practice and the way in which those practices were understood.

This collection is an introductory historical survey and selective cultural analysis of the development, coalescence, and eventual waning of a diasporic civilization—that of the Jews of the early modern period (ca. 1391–1789) in Europe, the Ottoman Empire, and key nodes of the Iberian Empires in the Americas. Each chapter explores key factors that shaped both distinctive early modern Jewish communities and a remarkably coalescent and far broader community-of-communities. The contributors engage and answer the following questions: What do historians mean by “early modernity,” and to what extent does the concept illuminate the history and culture(s) of Jews from the end of the Middle Ages to the Enlightenment? What were the general demographic contours of the Jewish diaspora over this period and how did they change? How did culture, politics, technology, economics, and gender shape diasporic Jewish communities across eastern and western Europe and the New World over the course of some 400 years? Ultimately, the work renders a portrait of coherence and diversity, continuity and discontinuity, in early modern Jewish life within and across temporal and geographic boundaries. Early Modern Jewish Civilization is essential reading for all students of Jewish history and civilization and early modern history more broadly.

Does God Doubt? shows that Rabbi Gershon Henoch Leiner of Radzin considered God to be revealed as doubt. Thus, according to this profound and important nineteenth-century Hasidic leader, doubt is an essential aspect of the human condition, and especially of religious life. His position is shown to be remarkably bold and unique compared to kabbalistic writing, and especially to the Hasidic worlds to which he belonged. At the same time, the roots of his thought are located in earlier discussions of doubt as one of the highest parts of the divine world. Doubt about, in, and of God is part of the Hasidic contribution to modernity.

Based on the biblical commentaries of rabbis and writers who were exiled from Spain in 1492, The Land Is Mine presents late medieval and early modern Iberian Jewish intellectuals as deeply concerned with questions about human relationships to land.

PaRDeS, the journal of the German Association for Jewish Studies, aims at exploring the fruitful and multifarious cultures of Judaism as well as their relations to their environment within diverse areas of research. In addition, the journal promotes Jewish Studies within academic discourse and reflects on its historic and social responsibilities. PaRDeS, die Zeitschrift der Vereinigung für Jüdische Studien e. V., erforscht die fruchtbare kulturelle Vielfalt des Judentums sowie ihre Berührungspunkte zur nichtjüdischen Umwelt in unterschiedlichen Bereichen. Daneben dient die Zeitschrift als Forum zur Positionierung der Fächer Jüdische Studien und Judaistik innerhalb des wissenschaftlichen Diskurses sowie zur Diskussion ihrer historischen und gesellschaftlichen Verantwortung.