Arguing that the commercial stage depended on the unprecedented demographic growth and commercial vibrancy of London to fuel its own development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place functions as the material arena in which social relations are regulated, urban problems negotiated, and city space rendered socially intelligible. Rather than simply describing London, the stage participated in interpreting it and giving it social meaning. Each chapter of this book focuses on a particular place within the city—the Royal Exchange, the Counters, London's whorehouses, and its academies of manners—and examines the theater's role in creating distinctive narratives about each. In these stories, specific locations are transformed into venues defined by particular kinds of interactions, whether between citizen and alien, debtor and creditor, prostitute and client, or dancing master and country gentleman. Collectively, they suggest how city space could be used and by whom, and they make place the arena for addressing pressing urban problems: demographic change and the influx of foreigners and strangers into the city; new ways of making money and losing it; changing gender roles within the metropolis; and the rise of a distinctive "town culture" in the West End. Drawing on a wide range of familiar and little-studied plays from four decades of a defining era of theater history, Theater of a City shows how the stage imaginatively shaped and responded to the changing face of early modern London.

Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration. Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.

Topless bars, casino gambling, needle exchange programs for drug addicts—there's no question, morality issues remain front and center in urban politics. Presenting a systematic analysis of culture-war issues at the local level, Elaine Sharp shows how American cities deal with these ongoing concerns. Drawing on a sample of ten strategically chosen cities, she explains differences in how municipalities respond to controversies surrounding sex business, abortion clinics, legalized gambling, gay rights, and drug use. By analyzing the relative importance of subculture, economics, and institutional arrangements in the disputes, she points the way toward richer and more complete understanding of how different cities respond differently to these hot-button issues. Far more than a statistical study, Morality Politics in American Cities is a collection of fascinating stories of real people grappling with down-to-earth issues and real-life drama—richly informative case studies that will captivate students and interested citizens alike. Mayors, public health directors, activists, and others speak their minds about the pros and cons of these controversies. Here are officials in one city confronting the Vatican over funding for abortion services, those in another battling a local university over its refusal to provide health benefits to gay partners of faculty members, and still others mounting a massive, community-sponsored attack on topless clubs. These stories provide detailed evidence to support classifications needed for comparing cities' experience with each of the five morality issues. They also corroborate inferences drawn from the comparisons by showing what considerations were in play as local officials grappled with these issues. Overall, the study shows that cultural factors usually dominate policymaking in local politics—except when specific economic interests are at stake—and also observes that county-level governments are more important than previously thought in terms of morality-issue decisions. As provocative as it is informative, Morality Politics in American Cities demonstrates that such issues—same-sex marriage, for example—are multidimensional and often difficult to resolve. Its conclusions, however contingent, mark an important step in the ongoing process of understanding important differences in approaches to these issues and clearly show how moral conflicts continue to define American politics.

Best known as the capital of the Confederacy, Richmond's history encompasses much more than the Civil War. Visit the state capitol, designed by Thomas Jefferson, and tour Shockoe Bottom, one of the city's oldest neighborhoods. Follow the route that enslaved people took from the ships to the auction block on the Richmond Slave Trail. Go back to Gilded Age Richmond at the Jefferson Hotel and learn the history of the statues that once lined the famed Monument Avenue. See lesser-known sites like the Maggie Walker Home and the Black History Museum in the historically African American Jackson Ward neighborhood. Local author Kristin Thrower Stowe guides a series of expeditions through the River City's past.

Places backstage workers in the spotlight to acknowledge their essential roles in creating Broadway magic