Island Stories is an engrossing journey of discovery into the multiple meanings of national myths, their anchorage in daily life and their common sense of a people's destiny. Raphael Samuel reveals the palimpsest of British National Histories, offering a searching yet affectionate account of the heroes and villains, legends and foibles, cherished by the "four nations" that inhabit the British Isles. Raphael Samuel is interested by the fact that traditions can disappear no less abruptly than they were invented. How is it, her asks, that the Scots have lost interest in a British narrative of which they were once a central protagonist? Why is the celebration of "Britons" thriving today just as its object has become problematic? Island Stories marvelously conveys the mutability of national conceits. Samuel calls as witness a galaxy of authorities—Bede and Gerald of Barri, Macaulay and Stubbs, Shakespeare and Dickens, Lord Reith and Raymond Williams, Margaret Thatcher and Tony Benn—each of whom sought to renew the sense of national identity be means of an acute sense of the past. Island Stories is a luminous study of the way nations use their past to lend meaning to the present and future. This sequel to the widely acclaimed Theatres of Memory is as passionate, unexpected and enjoyable as its predecessor.

Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.

This history of Britain set in a global context for our times offers a new perspective on how the rise and fall of an empire shaped modern European politics. When the British voted to leave the European Union in 2016, the country's future was thrown into doubt. So, too, was its past. The story of British history is no longer a triumphalist narrative of expanding global empire, nor one of ever-closer integration with Europe. What is it now? In Island Stories, historian David Reynolds offers a multi-faceted new account of the last millennium to make sense of Britain's turbulent present. With sharp analysis and vivid human detail, he examines how fears of decline have shaped national identity, probes Britain's changing relations with Europe, considers the creation and erosion of the "United Kingdom," and reassesses the rise and fall of the British Empire. Island Stories is essential reading for anyone interested in global history and politics in the era of Brexit.

This book explores national attitudes to remembering colonialism in Britain and France. By comparing these two former colonial powers, the author tells two distinct stories about coming to terms with the legacies of colonialism, the role of silence and the breaking thereof. Examining memory through the stories of people who incited public conversation on colonialism: activists; politicians; journalists; and professional historians, this book argues that these actors mobilised the colonial past to make sense of national identity, race and belonging in the present. In focusing on memory as an ongoing, politicised public debate, the book examines the afterlife of colonial history as an element of political and social discourse that depends on actors’ goals and priorities. A thought-provoking and powerful read that explores the divisive legacies of colonialism through oral history, this book will appeal to those researching imperialism, collective memory and cultural identity.

This book places children's literature at the forefront of early twentieth-century debates about national identity and class relations that were expressed through the pursuit of leisure. Focusing on stories about hiking, camping and sailing, this book offers a fresh insight into a popular period of modern British cultural and political history.

The presence of the Past studies the interaction of heritage and fiction written for children over a 40 year period in Britain, exploring a range of works for children from The Tale of Peter Rabbit to I Spy.

In Domestic Wild, Franklin Ginn sets out to find a new sense of the wild at the heart of modernity. Inspired by experienced, skilful gardeners, Ginn analyses what happens when plants, animals and people meet in the suburbs of London. Weaving major theories of landscape, memory and nonhuman subjectivity with the practical wisdom of gardeners, this book offers a radical new account of everyday gardening. Amid spectacular horizons of planetary loss, Domestic Wild argues that gardening offers a means to cultivate a renewed sense of intimacy with nature and ourselves.

Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm & blues, punk, mod subculture, and glam rock - created a sense of crisis in English society.

This book explores components of national identity in Victorian Britain by analyzing travel literature. It draws on published and unpublished travel journals by middle-class men and women from England, Scotland, and Wales who toured the Continent and/or Britain. The main aim is to illustrate both the contexts that inspired the various collective identities of Britishness, Englishness, Scotsness, and Welshness, as well as the qualities Victorian men and women had in mind when they used such terms to identify and imagine themselves collectively.