Of the sixty-seven sonnets composed by John Keats fifty are commented here. The number sixty-seven is inclusive of ‘Nature withheld Cassandra in the skies’, Keats’s unfinished translation of Ronsard’s sonnet ‘Nature ornant Cassandre qui devoyt’, and of The Poet, that is not universally acknowledged as composed by Keats. The sonnets proposed thus present an ample spectrum of Keats’s sonnet writing and cover the span of his writing career, from 1814 to 1819. The sonnets are commented in chronological order: two belong to the year 1814, three to 1815, seventeen to 1816, six to 1817, thirteen to 1818 and nine to 1819. For each sonnet, the text is presented, followed by the date of composition and of the first publication. An indication of the typology to which the sonnet belongs and of its rhyme scheme is also furnished. The text is based on the editions of Miriam Allott, The Poems of John Keats, Longman, London, 1972 [1970], Jack Stillinger, John Keats: Complete Poems, Harvard University Press, Cambridge, Mass., and London, 1982 [1978], John Barnard, John Keats: The Complete Poems, Penguin Books, London, 1988 [1973], Nicholas Roe, John Keats: Selected Poems, Dent, London, 2000 [1995], and Paul Wright, The Poems of John Keats, Wordsworth Poetry Library, Ware, 2001. For the dating, that proposed by Miriam Allott has been followed. For each sonnet the circumstances of its composition, when known, are referred. The letters of Keats are cited to provide information on the date and on the events surrounding the writing of the poems, to furnish the poet’s own comments concerning the sonnets, and to document parallels in wording, images and thoughts, useful for the analysis on hand, as well as other more general observations and reflections of the poet retained to be pertinent for a better understanding of the poems. The edition from which the citations of the letters are taken is that of Grant F. Scott, Selected Letters of John Keats, Harvard University Press, Cambridge, Mass. and London, 2002, integrated, when necessary, by that of Hyder Edward Rollins, The Letters of John Keats 1814-1821, 2 vols., Harvard University Press, Cambridge, Mass., 1958. Other important sources of information regarding the sonnets that have here been used are Richard Monckton Milnes’s edition of the life of Keats, Life, Letters and Literary Remains of John Keats, 2 vols., London, 1848, the recollections of Charles Cowden Clarke, Recollections of Writers (1878), Centaur Press, Fontwell, 1969, and the literary remains of the Keats Circle, collected by Hyder Edward Rollins, The Keats Circle: Letters and Papers 1816-1879, 2 vols., Harvard University Press, Cambridge, Mass., 1965 [1948]. For the meanings and significations of specific words, reference has been made to the Oxford English Dictionary, 2nd ed. on CD-ROM (v. 4.0), Oxford University Press, Oxford, 2009. Some of the sonnets have been commented in previous articles and books of the author, in particular in her Il primo Keats: lettura della poesia 1814-1818, Milella, Lecce, 1978, The Letters and Poems of John Keats’s Northern Tour, Europrint Publications, Milan, 1997 and John Keats and the Creative Process, Europrint Publications, Milan, 2001, but here the analyses are re-visited, integrated and modified. Tratto dall'Introduzione dell'Autrice

John Keats' collection, "The Complete Sonnets of John Keats - All 64 Poems in One Edition," showcases the beauty of his poetry through the intricate structure of sonnets. Keats' lyrical style, characterized by vivid imagery and emotional depth, reflects the Romantic literary movement of the early 19th century. Each sonnet explores themes of love, beauty, nature, and mortality, offering a glimpse into the poet's profound contemplations on the human experience. Keats' mastery of language and form elevates these poems to timeless works of art. As readers delve into the collection, they are transported to a world of poetic exploration and introspection, where every word resonates with passion and grace.

Share the poetry written by many of the important poets of the English language from the Elizabethan Age to the Nineteenth Century with your students. This resource presents a background to each of the major periods of writing, a biography of the particular poet, a portrait of the poet, a representative poem, activities and suggestions for further reading. 70 pages Activities can be completed independently or in small groups. 20+ Ballads, Poems & Sonnets and 10+ Portraits of Poets & Biographies. Poets & Their Works: The Minstrels of the Middle Ages: The Ballad "Lord Randal The Elizabethan Age William Shakespeare, "Sonnet XXIX" Christopher Marlowe, "The Passionate Shepherd to His Love" Sir Walter Raleigh, "The Nymph's Reply" John Donne, "The Bait" The Seventeenth Century John Donne, "A Hymn to God the Father" Robert Herrick, "To The Virgins to Make Much of Time" John Milton, "On His Blindness" The Restoration and Eighteenth Century The Romantic Age William Wordsworth, "She Dwelt Among the Untrodden Ways John Keats, "When I Have Fears" The Victorian Age Alfred Lord Tennyson, "The Lady of Shalott" Elizabeth Barrett and Robert Browning, "How Do I Love Thee" and "Prospice" Canadian and American Poetry of the Nineteenth Century Walt Whitman, "O Captain! My Captain!" Emily Dickinson, "Because I Could Not Stop For Death" Emily Dickinson, "A Narrow Fellow in the Grass" Emily Dickinson, "I Like To See It Lap The Miles" Duncan Campbell Scott, "The Half-Breed Girl" Sir Charles G.D. Roberts, "The Potato HaNest" Bliss Carmen, "A Vagabond Song" Archibald Lampman, "A Sunset at Les Eboulements" Archibald Lampman, "Winter Uplands"

John Keats, 1795-1821, English poet.

This unique collection of John Keats' complete sonnets has been formatted to the highest digital standards and adjusted for readability on all devices. John Keats (1795-1821) was an English Romantic poet. Content: Introduction: Life of John Keats by Sidney Colvin Sonnets: Bright Star! Would I Were Steadfast As Thou Art On First Looking into Chapman's Homer Sonnet: When I Have Fears That I May Cease to Be Sonnet on the Sonnet Sonnet to Chatterton Sonnet Written in Disgust of Vulgar Superstition Sonnet: Why Did I Laugh Tonight? No Voice Will Tell Sonnet to a Cat Sonnet Written Upon the Top of Ben Nevis Sonnet: This Pleasant Tale is Like a Little Copse Sonnet - The Human Seasons Sonnet to Homer Sonnet to A Lady Seen for a Few Moments at Vauxhall Sonnet on Visiting the Tomb of Burns Sonnet on Leigh Hunt's Poem 'the Story of Rimini' Sonnet: A Dream, After Reading Dante's Episode of Paulo and Francesco Sonnet to Sleep Sonnet Written in Answer to a Sonnet Ending Thus: Sonnet: After Dark Vapours Have Oppress'd Our Plains Sonnet to John Hamilton Reynolds Sonnet on Sitting Down to Read King Lear Once Again Sonnet: Before He Went to Feed with Owls and Bats Sonnet Written in the Cottage Where Burns Was Born Sonnet to The Nile Sonnet on Peace Sonnet on Hearing the Bagpipe and Sonnet: Oh! How I Love, on a Fair Summer's Eve Sonnet to Byron Sonnet to Spenser Sonnet: As from the Darkening Gloom A Silver Dove Sonnet on the Sea Sonnet to Fanny Sonnet to Ailsa Rock Sonnet on a Picture of Leander Sonnets Two Sonnets on Fame To My Brothers Addressed to Haydon To G. A. W. To a Friend Who Sent Me Some Roses To a Young Lady Who Sent Me a Laurel Crown On Receiving a Laurel Crown from Leigh Hunt To Kosciusko Happy is England! I Could Be Content How Many Bards Gild the Lapses of Time! On the Grasshopper and Cricket The Day is Gone, and All Its Sweets Are Gone! To the Ladies Who Saw Me Crown'd To My Brother George On Seeing the Elgin Marbles To One Who Has Been Long in City Pent ...

Algernon Charles Swinburne's 'Sonnets, and Sonnets on English Dramatic Poets (1590-1650)' is a profound collection of sonnets that pay homage to the great English playwrights of the Renaissance period. Through his exquisite literary style, Swinburne explores themes of love, mortality, and the human experience, drawing inspiration from the works of Shakespeare, Marlowe, and Jonson. The sonnets are intricately crafted with meticulous attention to language and form, showcasing Swinburne's mastery of the poetic medium. This collection serves as a testament to Swinburne's deep appreciation for the literary tradition of the English Renaissance. As a prominent figure in the Victorian literary scene, Swinburne's work reflects his passion for poetry and his extensive knowledge of the classical and Elizabethan literary canon. His exploration of the works of English dramatic poets highlights his desire to preserve and celebrate the rich heritage of English literature. 'Sonnets, and Sonnets on English Dramatic Poets (1590-1650)' is a must-read for poetry enthusiasts, scholars of English literature, and anyone seeking to delve into the beauty of Renaissance poetry.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. John Keats (1795–1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. Table of Contents: Introduction: Life of John Keats by Sidney Colvin Ode Ode on a Grecian Urn Ode to Apollo Ode to Fanny Ode on Indolence Ode on Melancholy Ode to Psyche Ode to a Nightingale Sonnets Sonnet: When I Have Fears That I May Cease to Be Sonnet on the Sonnet Sonnet to Chatterton Sonnet Written in Disgust of Vulgar Superstition Sonnet: Why Did I Laugh Tonight? No Voice Will Tell Sonnet to a Cat Sonnet Written Upon the Top of Ben Nevis Sonnet: This Pleasant Tale is Like a Little Copse Sonnet - The Human Seasons Sonnet to Homer Sonnet to A Lady Seen for a Few Moments at Vauxhall Sonnet on Visiting the Tomb of Burns Sonnet on Leigh Hunt's Poem 'the Story of Rimini' Sonnet: A Dream, After Reading Dante's Episode of Paulo and Francesco Sonnet to Sleep Sonnet Written in Answer to a Sonnet Ending Thus: Sonnet: After Dark Vapours Have Oppress'd Our Plains Sonnet to John Hamilton Reynolds Sonnet on Sitting Down to Read King Lear Once Again Sonnet: Before He Went to Feed with Owls and Bats Sonnet Written in the Cottage Where Burns Was Born Sonnet to The Nile Sonnet on Peace Sonnet on Hearing the Bagpipe and Sonnet: Oh! How I Love, on a Fair Summer's Eve Sonnet to Byron Sonnet to Spenser Sonnet: As from the Darkening Gloom A Silver Dove Sonnet on the Sea Sonnet to Fanny Sonnet to Ailsa Rock Sonnet on a Picture of Leander Translation from a Sonnet of Ronsard Two Sonnets on Fame Lamia Isabella Endymion Hyperion Stanzas Spenserian Stanza Spenserian Stanzas on Charles Armitage Brown Stanzas to Miss Wylie Robin Hood The Eve of St. Agnes

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. John Keats was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley. Contents: Ode Ode on a Grecian Urn Ode to Apollo Ode to Fanny Ode on Indolence Ode on Melancholy Ode to Psyche Ode to a Nightingale Sonnet: When I have fears that I may cease to be Sonnet on the Sonnet Sonnet to Chatterton Sonnet Written in Disgust of Vulgar Superstition Sonnet: Why did I laugh tonight? No voice will tell Sonnet to a Cat Sonnet Written upon the Top of Ben Nevis Sonnet: This pleasant tale is like a little copse Sonnet - The Human Seasons... Translation from a Sonnet of Ronsard Lamia Isabella Endymion Hyperion Stanzas Spenserian Stanza Spenserian Stanzas on Charles Armitage Brown Stanzas to Miss Wylie Robin Hood The Eve of St. Agnes Modern Love On First Looking into Chapman's Homer Imitation of Spenser The Gadfly Ben Nevis - a Dialogue Fill for me a brimming bowl On Leaving Some Friends at an Early Hour To My Brothers La Belle Dame Sans Merci Bright star! would I were steadfast as thou art Staffa To George Felton Mathew Faery Songs Acrostic Folly's Song The Devon Maid Song: Hush, hush! tread softly! hush, hush my dear! Lines On Seeing a Lock of Milton's Hair Addressed to Haydon On Death Epistle to John Hamilton Reynolds Lines Sleep and Poetry To G. A. W. To a Friend Who Sent Me Some Roses An Extempore To a Young Lady who Sent Me a Laurel Crown What the Thrush Said Song: The stranger lighted from his steed Song: I had a dove and the sweet dove died Written on the Day That Mr. Leigh Hunt Left Prison On Receiving a Laurel Crown from Leigh Hunt A Song of Opposites Epistles.... Plays: King Stephen Otho the Great Letters Biographies: Life of John Keats Life, letters, and literary remains, of John Keats

Presents a collection of critical essays on the works of John Keats.