How can we speak about God without assuming that God is nothing but our own speaking, nothing but our culture's effort to name what cannot be named? How can we deny that our speaking of God is always culturally located? To answer these questions, we need to pay close attention to what we mean by culture, and how we use this very complex term both in our everyday language and especially in the language of faith. Culture is an exceedingly complex term that nearly everyone uses, but no one is sure what it means. This work examines various uses of the term culture in theology today.

Attempts to show the religious dimension in many special spheres of man's cultural activity.

This book is a reconsideration of Paul Tillich's (1886-1965) project of a theology of culture and art. Concentrating on Tillich's widely neglected pre-emigration writings (1910-1933), Re Manning reconstructs and defends Tillich's proposals for theology of culture as a philosophically sophisticated programme of theological engagement with culture and art. 'On the boundary' between the extremes of liberal Christian humanism and neo-orthodox isolationism, Tillich's project is shown to be a powerful continuation of the mediatory intentions of the 'Schleiermacher-Troeltsch line' of modern Protestant theology to overcome the 'intolerable gap' between religion and culture. Drawing heavily on Tillich's incorporation of Schelling's positive philosophy into the deep structure of this theology, Re Manning argues that Tillich's 'Idealistic/Romantic theology of mediation' provides a way through the entrenched oppositions of the 'divided mind' of twentieth century theology to a constructive theology of cultural engagement. Further, this book offers an assessment of the continued relevance of Tillich's project in the situation of contemporary philosophical theology. Beyond the dominant antithetical types of postmodern theology - Mark C. Taylor's a/theology and the 'radical orthodoxy' of John Milbank - Re Manning argues for the possibility of a 'Tillichian postmodern theology of culture' able to engage with the spiritual situation 'at the end of culture.'

Whilst upholding some of the criticisms of Colin Gunton's work, this incisive book argues that there is a Hauptbriefe in Gunton reception that assumes his early classic works, The One, the Three and the Many and The Promise of Trinitarian Theology (1st ed), are definitive of his project and fail to engage adequately with the progressions in Gunton's later thought. Instead, this book offers a fresh reading of Gunton by giving greater prominence to his later writings, which are centred in the mediation of the Son and the Spirit in creation. Andrew Picard argues that Gunton's trinitarian theology of culture emerges from his later trinitarian theology of mediation, creation, Christology, pneumatology, and ecclesiology. Exploring these doctrinal foci enables an understanding of Gunton's account of faithful human culture as embodied worship; a living sacrifice of praise which contributes to the divine redemption and perfection of creation. It is the church's particular calling to embody such praise through its visible life in community. The study concludes by intersecting Gunton's theology with the social sciences to critique ableism and consider the politics of the church's belonging in community.

Latin America plays an increasingly important role in the development of modern Christianity yet it has been underrepresented in current scholarship on religion and science. In this first book on the subject, contributors explore the different ways that religion and science relate to each other.

John Webster, one of the world's leading systematic theologians, published extensively on the nature and practice of Christian theology. This work marked a turning point in Webster's theological development and is his most substantial statement on the task of theology. It shows why theology matters and why its pursuit is a demanding but exhilarating venture. Previously unavailable in book form, this magisterial statement, now edited and critically introduced for the first time, presents Webster's legendary lectures to a wider readership. It contains an extensive introductory essay by Ivor Davidson.

David Brown is a widely-respected theologian who initially made his mark in analytic discussions of Christian doctrine such as the Trinity. With the publication of Tradition and Imagination: Revelation and Change (1999) his career entered a distinctly new phase, focused on theology and the arts. Four related volumes followed, dealing with discipleship, art and icons, place and space, the body, music, metaphor, drama, and popular culture. According to Brown, the fundamental thesis underlying all five volumes is that both natural and revealed theology are in crisis, and the only way out is to give proper attention to the cultural embeddedness of both. This current volume is the first attempt to assess the significance of this remarkable series, and its contributors include some of the most prominent philosophers, theologians, biblical and literary scholars writing today. Aside from its distinguished interdisciplinary line-up, a distinctive feature is sustained consideration of Brown's work on popular culture. It thus provides an exciting and substantial treatment of theology, aesthetics, and culture.

This proceeding is an effort from various academics and practitioners in the midst of modern society to find the meaning and re-imagine Theology, Religion, Culture, and Humanities Studies for Public Life. From discussions on how religion can reshape our world to become a better world, to re-imagining the foundation of human life that believes in God in the midst of local culture and an increasingly advanced and modern world, even looking back at the history of women, evangelization, and places of worship as a means for humans to find God in the world. In the end, all of these writings are a form of academic reflection of the authors who seek to find God in the midst of today's world.

Most systematicians take as their starting point the nature of God, and scripture as the means by which God's nature is revealed, but what would a systematic theology look like that began with an experiential knowledge of God? Here, Edmond Chua offers a method for just such an approach. Beginning with realms of human experience including psychology, cultural diversity and religious plurality, he builds the framework of a systematic theology that is inclusive and pluriform, while retaining the core tenets of a Christian doctrine of God. Notwithstanding his novel methodology, Chua's argument remains biblically rooted and appreciative of the Christian tradition. In the latter half of the book he returns to the classical doctrines of the Trinity, Christology, evil, sin and salvation, allowing his inclusive view of the human religious experience to shed new light on the wisdom bequeathed by Paul, Augustine, Aquinas, Luther, Barth, and others. The result is a bold Christian vision that is culturally engaged and globally applicable, of interest to systematic theologians while contributing to interreligious dialogue.