This volume deploys theology in a reconstructive approach to contemporary literary criticism, to validate and exemplify theological readings of literary texts as a creative exercise. It engages in a dialogue with interdisciplinary approaches to literature in which theology is alert and responsive to the challenges following postmodernism and postmodern literary criticism. It demonstrates the scope and explanatory power of theological readings across various texts and literary genres. Theology and Literature after Postmodernity explores a reconstructive approach to reading and literary study in the university setting, with contributions from interdisciplinary scholars worldwide.

Engaging the theology of Thomas Aquinas with the psychoanalytic theory of Jacques Lacan, Tina Beattie shows how Thomism exerted a formative influence on Lacan, and how a Lacanian approach can bring new insights to Thomas's theology. Lacan makes possible a renewed Thomism which offers a rich theology of creation, incarnation, and redemption.

Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.

Postmodern Theology consists in a sharp-edged retrospective and reflection on the forty-year history of the most important movement in contemporary religious thought that is only now passing from the scene. The author, Dr. Carl Raschke, is generally credited with having sparked the movement, even if he did not always happen to be its leading spokesperson. Not only has a comprehensive survey of postmodern theology in all its different phases and complexity not been published prior to the appearance of this book, but it is even more remarkable for someone who both "launched" it and had a central role in shepherding it along to offer what may be termed a "movement memoir." Postmodern Theology surveys and summarizes the major figures and trends that have given currency to such familiar expressions as "deconstruction," "deconstructive theology," "radical theology," "a/theology," "God is dead," and of course, "postmodernism" itself. Dr. Raschke also contextualizes the emergence of these catchy phrases from a frothy soup of new intellectual theories and philosophical innovations, which were international in scope but customized for both academic and popular religious writers--mainly in Britain and America--from the late 1960s onward.

This introductory 2003 guide offers examples of different types of contemporary theology and Christian doctrine in relationship to postmodernity.

This Companion provides a definitive collection of essays on postmodern theology, drawing on the work of those individuals who have made a distinctive contribution to the field, and whose work will be significant for the theologies written in the new millennium. The definitive collection of essays on postmodern theology, drawing on the work of those individuals who have made a distinctive contribution to the field. Each essay is introduced with a short account of the writer's previous work, enabling the reader to view it in context. Discusses the following desciplines: Aesthetics, Ethics, Gender, Hermeneutics, Phenomenology, Heideggerians, and Derrideans. Edited by Graham Ward, one of the most outstanding and original theologians working in the field today.

In this critical examination of the role of the imagination in the modern and postmodern periods, Victor E. Taylor looks at the 'fable' as a narrative form that addresses the ultimate questions of how to live and why. He assesses various literary theories and styles in the wake of postmodernism to reveal the ways in which fable-style narrative can be a meaningful genre for addressing traditional and post-traditional religious, ethical, and epistemological concerns. In the process, Taylor draws on key figures across the humanities--from Mircea Eliade and Claude Lévi-Strauss, Paul Ricoeur and Slavoj Zizek, to Leo Tolstoy and Franz Kafka. Placing an emphasis on rethinking the importance of critical theory in religious studies, the author argues that a new, more demanding formulation of the concept of possibility allows for a realignment of the philosophical, mythological, and literary imaginations. By returning to the history of philosophy, myth studies, and modern literature, Taylor makes a renewed case for the significance of a distinctive formulation of religious theory as a desire for thinking. Religion after Postmodernism calls for a reconsideration of "theory as thinking" for the future of philosophy, religious studies, and literature.

This title was first published in 2000: The author examines and critiques Pannenberg's elaboration of hermeneutics and evaluates his use of the sciences against the background of modernity. The study does not present Pannenberg's theory in itself, rather, it is confined to a critical assessment of his engagement with the sciences.

Through a critical study of the writings of Rav Shagar and Tamar Ross, Miriam Feldmann Kaye asks how Jewish theology can survive the tide of postmodernism and its refutation of a single, objective, and ultimate truth, and suggests how aspects of postmodernism might be conceived of as a potential resource for rejuvenating religion.

This book sorts out the confusion created by the use of the term "postmodern" in relation to widely divergent theological positions. Four different types of postmodern theology are distinguished in the preface: constructive, deconstructive, liberationist, and conservative. Two forms of each type are discussed in the book. Writing from a constructive, postmodern perspective, the authors enter into dialogue with the deconstructive postmodernism of Mark C. Taylor and Jean-François Lyotard, with the liberationist postmodernism of Harvey Cox and Cornel West, and with the conservative postmodernism of George William Rutler and John Paul II.