This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. This first volume appeals to the Bebop tune "Epistrophy" as the analogical framework for (re)conceptualizing the historical form and hermeneutical backgrounds of Karl Barth and James H. Cone. Monk's mode of musical thinking establishes the aesthetic theological architecture Carr uses to reiterate and reimagine the revolutionary theological contributions of Barth and Cone.

This volume puts Barth and liberation theologies in critical and constructive conversation. With incisive essays from a range of noted scholars, it forges new connections between Barth's expansive corpus and the multifaceted world of Christian liberation theology. It shows how Barth and liberation theologians can help us to make sense of – and perhaps even to respond to – some of the most pressing issues of our day: race and racism in the United States; changing understandings of sex, gender, and sexuality; the ongoing degradation of the ecosphere; the relationship between faith, theological reflection, and the arts; the challenge of decolonizing Christian thought; and ecclesial and political life in the Global South.

Divine Freedom and the Doctrine of the Immanent Trinity is widely acclaimed by scholars in the field of Christian systematic theology. Molnar's quest to place the doctrine of the immanent Trinity on the agenda of the Christian doctrine of God has proven to be a signal contribution to the debate in contemporary Christian theology. The material in this second edition has been thoroughly updated: it contains a new preface and a new introduction, as well as a revised bibliography. The book includes a brand new chapter titled 'Divine Freedom Revisited' which addresses those questions that have arisen in connection with Molnar's original presentation of the divine freedom. Molnar re-visits here his discussion of the Logos Asarkos, the theologies of Karl Rahner and Wolfhart Pannenberg. He sheds new light on Rahner's and Torrance's discussions of the Resurrection; and incorporates modern discussions by contemporary theologians to offer new insights into Eberhard Jüngel's thinking.