"Situating literature and anthropology in mutual interrogation, Miller's...book actually performs what so many of us only call for. Nowhere have all the crucial issues been brought together with the sort of critical sophistication it displays."—Henry Louis Gates, Jr. ". . . a superb cross-disciplinary analysis."—Y. Mudimbe

This book deals with substantive issues that have the potential to enhance our understanding regarding how Marxist theory can be quite useful in interpreting Black specificities and the race paradigm. So far, Marxist theory has been excluded because it is supposedly class and economy reductionist, but the essence of this theory-dialectic-not only proves that it is a meaningful way of seeing racism for what it truly is, but also a way of filtering through the plethora of interpretations of what constitutes race. The timeliness of the approach should help revive discussion on ethnophilosophy as an ideology. So much academic consideration has led scholars to seriously underestimate ideology's extraordinary efficiency in blending into lived experience to the point where much of its most telling effects have become undetectable. This work suggests that critical theory must reorient itself and offers an important discussion on the dominant discourse of poststructuralism, postmodernism, postcolonialism, Marxism, African socialism, NZgritude, and Afrocentricity. The book's approach sheds a radical light on the claim for Black specificities and racism. It shows that racial and ethnological discourses are ideological and political mystifications, masking exploitation. Under such circumstances, racial and racist ideologies become cards to be played by the perpetrators or the victims, as the case studies of Haiti and South Africa illustrate. As can be seen, then, the intelligibility of racism and its various forms can only stem from an analysis of the social structures upon which they rest. Just to show how inextricably linked ideology, race, racism, political expansion, and economic domination are, the book looks at Africa and its Diaspora, revealing how Africans remain the scapegoat for racial 'othering' in the global economy's ideological praxis. In so doing, the book is also able to include African intellectuals' perspectives that have often been omitted from the dialogue on critical theory, race, racism, and Black specificities.

Theory in Africa, Africa in Theory explores the place of Africa in archaeological theory, and the place of theory in African archaeology. The centrality of Africa to global archaeological thinking is highlighted, with a particular focus on materiality and agency in contemporary interpretation. As a means to explore the nature of theory itself, the volume also addresses differences between how African models are used in western theoretical discourse and the use of that theory within Africa. Providing a key contribution to theoretical discourse through a focus on the context of theory-building, this volume explores how African modes of thought have shaped our approaches to a meaningful past outside of Africa. A timely intervention into archaeological thought, Theory in Africa, Africa in Theory deconstructs the conventional ways we approach the past, positioning the continent within a global theoretical discourse and blending Western and African scholarship. This volume will be a valuable resource for those interested in the archaeology of Africa, as well as providing fresh perspectives to those interested in archaeological theory more generally.

This contributed volume explores theories of media and communication and focuses on providing African perspectives on global conversations. Using broad cases relating to media and communication theories, this book explores socio-cultural issues affecting most modern African societies, providing a conceptual and empirical framework for explicating the potential place of media techniques and structures in Africa. As a good template for understanding and applying communication theories and approaches in the African context, the volume is a priceless asset for Media and Communication scholars.

A Theory of African Constitutionalism asks and seeks to answer why we need a new theoretical framework for African constitutionalism and how this could offer us better theoretical and practical tools with which to understand, improve, and assess African constitutionalism on its own terms. By locating constitutional studies in Africa within the experiences, interactions, and contestations of power and governance beginning in precolonial times, the book presents the development and transformation of African constitutional systems across time and place, along with the attendant constitutional designs and practices ranging from the nature and operation of the African state to its vertical and horizontal government structures, to its constitutional rights regime. This title offers both a theoretically and comparatively rich, historically and contextually informed, and temporally and spatially extensive account of the nature, travails, and incremental successes of African constitutionalism with detailed case studies from Nigeria, Ethiopia, and South Africa. A Theory of African Constitutionalism provides scholars, policymakers, governments, and constitution builders in Africa and beyond with new insights for reimagining the purpose, substance, and scope of constitutions and constitutionalism.

A little more than a century ago, the famous social scientist W.E.B. Du Bois asserted that a true understanding of African American offending must be grounded in the "real conditions" of what it means to be black living in a racial stratified society. Today and according to official statistics, African American men – about six percent of the population of the United States – account for nearly sixty percent of the robbery arrests in the United States. To the authors of this book, this and many other glaring racial disparities in offending centered on African Americans is clearly related to their unique history and to their past and present racial subordination. Inexplicably, however, no criminological theory exists that fully articulates the nuances of the African American experience and how they relate to their offending. In readable fashion for undergraduate students, the general public, and criminologists alike, this book for the first time presents the foundations for the development of an African American theory of offending.

The book is a collection of essays, which aim to situate African legal theory in the context of the myriad of contemporary global challenges; from the prevalence of war to the misery of poverty and disease to the crises of the environment. Apart from being problems that have an indelible African mark on them, a common theme that runs throughout the essays in this book is that African legal theory has been excluded, under-explored or under-theorised in the search for solutions to such contemporary problems. The essays make a modest attempt to reverse this trend. The contributors investigate and introduce readers to the key issues, questions, concepts, impulses and problems that underpin the idea of African legal theory. They outline the potential offered by African legal theory and open up its key concepts and impulses for critical scrutiny. This is done in order to develop a better understanding of the extent to which African legal theory can contribute to discourses seeking to address some of the challenges that confront African and non-African societies alike.

This groundbreaking work, first published in 1989, was one of the first to challenge the conventional critical assessment of African literature, and remains highly influential today. Amuta's key argument is that African literature can be discussed only within the wider framework of the dismantling of colonial rule and Western hegemony in Africa. In exploring the possibility of a dialectical, alternative critical base, he draws upon both classical Marxist aesthetics and the theories of African culture espoused by Fanon, Cabral and Ngugi. From these explorations, Amuta derives a new language of criticism, which is then applied to works by modern African writers as diverse as Achebe, Ousmane, Agostinho Neto and Dennis Brutus. Amuta's highly original and innovative approach remains relevant not only for assessing the literature of developing countries, but for Marxist and postcolonial theories of literary criticism more generally. The author's elegance of argument and clarity of exposition makes this a distinguished and lasting contribution to debates around cultural expression in postcolonial Africa.