Reprint of the original, first published in 1843.

Four volumes of history and biography for fans of the Aubrey-Maturin novels, with lore on the Royal Navy and much more. What is a sandgrouse, and where does it live? What are the medical properties of lignum vitae, and how did Stephen Maturin use it to repair his viola? Who is Adm. Lord Keith, and why is his wife so friendly with Capt. Jack Aubrey? More than any other contemporary author, Patrick O’Brian knew the past. His twenty Aubrey–Maturin novels, beginning with Master and Commander (1969), are distinguished by deep characterization, heart-stopping naval combat, and an attention to detail that enriches and enlivens his stories. In the revised edition of A Sea of Words, Dean King and his collaborators dive into Jack Aubrey’s world. In the revised edition of Harbors and High Seas, King details not just where Aubrey and Maturin went, but how they got there. Packed with maps and illustrations from the greatest age of sail, it is an incomparable reference for devotees of O’Brian’s novels and anyone who has dreamed of climbing aboard a warship, as well as a captivating portrait of life on the sea during a time when nothing stood between man and ocean but grit, daring, and a few creaking planks of wood. At the dawn of the nineteenth century, the British navy was the mightiest instrument of war the world had ever known. The Royal Navy patrolled the seas from India to the Caribbean, connecting an empire with footholds in every corner of the earth. Such a massive navy required the service of more than 100,000 men—from officers to deckhands to surgeons. Their stories are collected in Every Man Will Do His Duty. The inspiration for the bestselling novels of Patrick O’Brian and C. S. Forester, these twenty-two memoirs and diaries, edited by Dean King, provide a true portrait of life aboard British warships during one of the most significant eras of world history. Patrick O’Brian was well into his seventies when the world fell in love with his greatest creation: the maritime adventures of Royal Navy Capt. Jack Aubrey and ship’s surgeon Stephen Maturin. But despite his fame, little detail was available about the life of the reclusive author, whose mysterious past King uncovers in this groundbreaking biography. King traces O’Brian’s personal history from his beginnings as a London-born Protestant named Richard Patrick Russ to his tortured relationship with his first wife and child to his emergence from World War II with the entirely new identity under which he would publish twenty volumes in the Aubrey–Maturin series. What King unearths is a life no less thrilling than the seafaring world of O’Brian’s imagination. Patrick O’Brian: A Life Revealed is a penetrating and insightful examination of one of the modern world’s most acclaimed historical novelists.

This collection explores how location shaped sociability in the Romantic period.

Robert Levine examines the American romance in a new historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the Republic and the Civil War. With convincing historical and literary detail, Levine shows that anxieties about foreign elements--French revolutionaries, secret societies, Catholic immigrants, African slaves--are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance dramatized the same conflicts and ideals that gave rise to the American Republic. Americans conceived "America" as a historical romance, and their romances dramatize the historical conditions of the culture. The fear that reputed conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine illuminates the influence of such fears on the works of major romance writers during this period.

With long, solitary periods at sea, far from literary and cultural centers, sailors comprise a remarkable population of readers and writers. Although their contributions have been little recognized in literary history, seamen were important figures in the nineteenth-century American literary sphere. In the first book to explore their unique contribution to literary culture, Hester Blum examines the first-person narratives of working sailors, from little-known sea tales to more famous works by Herman Melville, James Fenimore Cooper, Edgar Allan Poe, and Richard Henry Dana. In their narratives, sailors wrote about how their working lives coexisted with--indeed, mutually drove--their imaginative lives. Even at leisure, they were always on the job site. Blum analyzes seamen's libraries, Barbary captivity narratives, naval memoirs, writings about the Galapagos Islands, Melville's sea vision, and the crisis of death and burial at sea. She argues that the extent of sailors' literacy and the range of their reading were unusual for a laboring class, belying the popular image of Jack Tar as merely a swaggering, profane, or marginal figure. As Blum demonstrates, seamen's narratives propose a method for aligning labor and contemplation that has broader applications for the study of American literature and history.