In This Invisible Riot of the Mind, Gloria Sybil Gross contends that Samuel Johnson was a pioneer in the development of modern psychological thought, challenging the timeworn, stilted typecasting of Samuel Johnson as the pious Christian moralist. Instead, she argues that Johnson was a daring, at times irreverent, explorer of human nature, who strenuously rejected old relics of sanctimony and repressive authority. To make her case, Gross draws on a wide range of materials from Johnson's life and works, as well as from eighteenth-century medical psychology. Throughout, she is scrupulous in analyzing Johnson's psychological thought within the cultural idiom that would have been available to him. At the same time, she employs a classical psychoanalytic approach, that seeks to establish a coherent relationship among Johnson's life, his fantasies, and his creative work. This reading of Johnson reveals the radical direction of his investigations of mental experience, which put him in clear prospect of the basic premises underlying Freudian psychoanalysis. Gross argues that these premises—the principle of psychological determinism, the view of the mind as dictated by forces in conflict, the concept of the dynamic unconscious, and the submerged power of desire in all human activity—pervade Johnson's writings. Gross demonstrates not only that Johnson can profitably be read in psychoanalytic terms, but that Johnson is a psychological theorist of primary importance. This original and insightful work will be of interest to students and scholars of English literature, eighteenth-century studies, and literature and psychology.

Crowd Actions in Britain and France from the Middle Ages to the Modern World explores the lively and often violent world of the crowd, examining some of the key flashpoints in the history of popular action. From the Peasants' Revolt of 1381 to the Paris riots in 2005 and 2006, this volume reveals what happens when people gather together in protest.

'No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine.' Northanger Abbey is a comedy about reading and misreading-of books and the world-and about different kinds of peril, both imagined and real. In it, Austen's youngest heroine, Catherine Morland, must navigate financial disadvantage, social constraint, and sometimes quite ruthless manipulation. The absurdities of fashion and conspicuous consumption, voguish ostentation and social competition are seen first in shark-infested Bath, (the premier health resort and marriage market of the day) and then in a more tranquil pocket of rural Gloucestershire that turns out to be a hotbed of materialism and greed. Jane Austen combines making fun of the excesses of the Gothic novel with larger moral issues: the folly of letting literature get in the way of life, and the inexcusability (especially for women) of not thinking for oneself. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This Companion, first published in 1997, provides an introduction to the works and life of one of the key figures in English literary history.