This is My Body is a compelling and unforgettably powerful story of trauma, illness, recovery and transformation, told with honesty, courage and resilient good humour. Jennie Hogan, an Anglican priest, has a history of brain injury and illness going back to childhood. In this gripping memoir, memories of the athletic, competitive and fun-loving schoolgirl jostle alongside accounts of invasive emergency medical treatments and the long processes of recovery. She reflects on what it means to live with uncertainty, to become reconciled with a new identity, and how trust and hope can be regained as a vocation flowers despite the odds. Jennie draws on her experience and her beliefs to pose challenging questions about our relationships with our bodies in an age that is obsessed with body image and physical perfection. She explores the nature of faith in times of crisis, the reality of pain and disability, and what it means to be human and vulnerable, yet made in the image of God.

First, a word about Kiklos. A variant spelling of Greek word Kyklos meaning cycle or circle, it is, in the present context – to quote Nevil Coghill, President, The Poetry Society, which first published the Gavin Bantock poem in question, namely Ichor – the ‘circle-city of person itself.’ This My Body Is Kiklos – a quote from Ichor – retraces Parminder Singh’s journey into the dim and distant past, another inwards. In the course of his journey, he encounters the girl he broke faith with; the wife he couldn’t quite convince of his love; the aged parents he let down; violent death meted out to his cousins in the aftermath of the assassination of the Prime Minister by two Sikh bodyguards. Parminder’s is a journey in quest of the songbird where it nests in a stilled heart.

THE NEW YORK TIMES BESTSELLER A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time. _______________ 'This is the book for every woman trying to place their body on the map of consumption vs control, and every woman who wants to better understand her impulses. It left me much changed' - Lena Dunham 'I read these pages, breathless with recognition, and the thrill of reading a new voice telling it like it is' - Dani Shapiro 'Emily Ratajkowski's first essay collection needs to be read by everyone [...] both page-turning and moving as hell' - Amy Schumer 'A slow, complicated indictment of a profession and the people who propel it [...] it will deliver a more nuanced and introspective rendering of her interior than those who come to it with those surface interests might expect' - Vogue 'Dazzling' - Observer 'Ratajkowski brings nuanced insight to questions about empowerment versus commodification of women's bodies and sexuality. Blending cultural criticism and personal stories, My Body is smart and powerful' - Time Magazine 'Raw, nuanced and beautifully written. A moving and enlightening experience to join a woman openly exploring such deep parts of her physical self via the written word. A truly impressive debut' - Emma Gannon 'Excellent [...] Ratajkowski writes with curiosity, intellect and acute awareness' - Harper's Bazaar 'Superb [...] it feels revolutionary' - Telegraph 'I admire and envy her artistry' - Guardian _______________ Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture's commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski's life while investigating the culture's fetishization of girls and female beauty, its obsession with and contempt for women's sexuality, the perverse dynamics of the fashion and film industries, and the grey area between consent and abuse. Nuanced, unflinching, and incisive, My Body marks the debut of a fierce writer brimming with courage and intelligence.

Contains reproducible pages of lesson ideas.

We are living in a world that is sick. Both literally sick, with 60 percent of adults in the US living with a chronic illness and rising rates of autoimmune diseases in particular, including long COVID, and figuratively sick, facing ever increasing rates of burnout, anxiety, and disconnection. As a writer, activist, and theology student, Lyndsey Medford was used to critiquing unsustainable medical, environmental, economic, and social systems from a theoretical perspective. But when her autoimmune disorder roared out of remission, she discovered that her own body's systems lived at the very real vortex of all those systems' dysfunction. Learning to cooperate with her body would require her to change every aspect of her life--and in the process, to seek a radical reimagining of the world, from a place where sickness is an individual affliction to an interdependent ecosystem where sustainability is a community way of life. In this beautiful and inspiring book, Medford draws on her experiences with a rare autoimmune disease to illuminate the broader lessons we need to learn, in order to heal what ails us individually and communally. Whether our burnout stems from illness, systemic racism, poverty, or simply sin's separation, we're all in need of hope, and we are called to heal together. My Body and Other Crumbling Empires points out the beauty and ubiquity of our limitations; the importance of accessibility, broadly construed; the interconnected nature of individual and public health; and the badly needed wisdom we have gained from living with our particular bodies.

Brown constellates the subjects that define her inside and out: a disabled and conspicuous body, a religious conversion, a missing twin, a life in poetry. As she does, she depicts vividly for us not only her own life but a striking array of sites and topics, among them Mary Shelley's Frankenstein and the world's oldest anatomical theater, Eugenics, and Jerry Falwell's Liberty University. Throughout, Brown offers us the gift of her exquisite sentences, woven together in consideration, always, of what it means to be human: flawed, potent, feeling.

In the thirteen stories of My Body to You, thirteen women or girls pilot their own bodies through a shifting universe of lovers old and young, parents devoted and destructive, sisters of different sexes, children and adults living in the mysterious world of autism. All these characters share keen powers of observations and a heightened sensuality. In a wild variety of settings, they struggle to control—or dare to abandon themselves to—their intensely private passions. A woman in love with a gay man she calls Sister Kin attempts to escape the bonds of her own body. An eighteen-year-old virgin enters into a passionate affair with an older man who turns out to be a virgin of a different sort. A special education teacher in a school for aggressive teenagers finds herself attracted to another teacher, also female. An intelligent outcast girl bonds with her mindlessly seductive mother to form “one person.” Searle reveals other characters through inventive and often comic feats of narrative daring. A girl grows into womanhood during a single family dinner that spans twenty years. A middle-aged wife, once dubbed “The First Most Beautiful Woman in the World,” watches her former selves parade before her family in a lively evening of home movies. Two women—one recently divorced, the other a group home resident in love with The Who—join forces as they figure out “What to Do in an Emergency.” An old woman experiences both physical breakdown and spiritual breakdown in a supermarket's vegetable department. A young woman is drawn into the emotional and sexual life of an autistic boy obsessed with the number 8. Each of these stories is written in a language that strives to match the intensity of Searle's characters; each gives the reader an exceptionally intimate portrait of a unique female and the central, sensual mystery of her body.

Paul Lavarnway thought he had settled into comfortable, middle-aged domesticity in Kansas City with his husband Eric. So how is it he finds himself confined with four other gay men at East Oak House, a spooky old mansion from which they can see the rundown, off-season resort of Two Piers, Maine? He can't remember.

My Body. No Apology. is Fleur's first collection of poetry. This short chapbook was first printed in 2018, and is now available in e-book format. Please note that some readers may find the content in this chapbook confronting or disturbing. Warnings for violence against women, sexual assault, misogyny and mentions of child abuse are in place.