A study of three epinicia of Pindar, which have in common that they celebrate victories of Aeginetan athletes and that they respond to the contemporary political situation in Aegina and to circumstances of the victory. The primary objective of this book is to provide an interpretation of each of the three odes as meaningful, coherent works of the literary art. For each ode, it provides a commentary in which problems of text and interpretation are discussed in detail, a structural and metrical analysis, and an interpretative essay, in which the observations of detail are brought together in order to provide an answer to the question as to how the ode at hand could have functioned as a coherent, meaningful epinicion. The introduction addresses questions of method and provides a description of Pindar's style.

This book investigates the cosmological context of Pindar’s victory odes, and how it influences his presentation of praise. The study first focuses on gnomai as a reflection of cosmology, using these sayings to establish the views the poems reveal on matters such as the divine, the human condition and man in society. This overview is complemented by detailed literary analyses demonstrating how cosmology functions in individual odes. They show that Pindar shapes the poet persona to emphasize different aspects of the traditional world view or represent varying viewpoints so that he can praise each victor according to his particular circumstances. By focusing on cosmology the book highlights a neglected dimension of Pindar’s odes and challenges some traditional views on this poet.

In ancient Greece both epinikian songs and inscribed epigrams were regularly composed to celebrate victory at athletic festivals. For the first time this book offers an integrated approach to both genres. It focuses on the ultimate source of information about athletic victory, the angelia or herald's proclamation. By examining the ways in which the proclamation was modified and elaborated in epinikian song and inscribed epigram, Peter Miller demonstrates the shared features of both genres and their differences. Through a comprehensive analysis of the metaphor of the herald across the corpus, he argues that it persists across form, medium, and genre from the Archaic to the Hellenistic period, and also provides a rich array of close readings that illuminate key parts of the praise of athletes. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

The term "radical formalism" refers to strategies aimed at defamiliarising and revitalising conventional modes of formalistic reading and theorising form. These strategies disrupt and unsettle established norms while incorporating a metadiscursive awareness of their broader political implications. This volume presents a radical reconceptualisation of literary works from Greek and Roman antiquity. Engaging in an ongoing dialogue with critical theory and postcritique, as well as drawing inspiration from traditions rooted in Black art, poetry and philosophy-both directly and indirectly connected to the classical tradition-the essays in this collection explore subversions of canonical norms and resistances to the hegemony of textual order. This collection not only provides new, provocative insights into a corpus of texts that has exerted a lasting impact on modern literature and philosophy, but also challenges current interpretive methods, recasting the very practice of reading in relation to form, poetics, language, sound, temporalities and textuality.

A 2004 selection of songs of praise and songs for choral performances composed by Bacchylides (c. 520-450 BC).

The book is the third and concluding part of the investigation on Submerged literature in ancient Greece and beyond. The book expands the inquiry to a comparative perspective, in order to test the validity and usefulness of the hermeneutical approach in other fields and cultures. The comparative case studies deal with gnostic text, Qumran texts, the Hebrew Bible, Early Christianity, Cuneiform Texts, Arabic-Islamic literature, ancient Rome, Medieval China, and contemporary southern Italy. The volume tackles themes and questions relating to author and authorship, cultural translation and transmission, the interaction between orality and literacy, myth and folktale. A particular emphasis is given to anthropological themes and methods. In this vein, the book further explores dynamics of emergence and submersion in ancient Greece, including cultural trends promoted respectively by Sparta and Athens. The volume provides the reader with a wide range of tools and methodological suggestions to reconstruct literary phenomena and cultural processes in a given historical epoch and context, as well as offering new insights for both classical and comparative studies.

While of paramount importance to Ancient Greek society, sophrosyne, the value of self-restraint, constitutes a notoriously complex concept, and provides the speaker of Ancient Greek with a subtle instrument for verbal persuasion. This study provides a new description of the semantics of sophrosyne in Archaic and Classical Greek, based on a model from the field of cognitive linguistics. Besides, the volume shows how such a semantic description can contribute to the analysis and study of our sources: it investigates how speakers in our texts (ab)use the term to achieve their ends, covering most of the main texts, and culminating in a chapter on the dialogues of Plato.

The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively little attention and there remains much to explore, particularly in the area of their reception in later Greco-Roman literature and art. This volume aims to address this gap in scholarship by discussing a variety of Latin and Greek texts and authors across the late Hellenistic, Imperial, and Late Antique periods, including studies of major Latin authors, such as Virgil, Horace, and Ovid, and Byzantine authors writing in classicizing verse. While much of the book deals with classical reception of the Hymns, including looking beyond the textual realm to their influence on art, the editors and contributors have extended its scope to include discussion of Italian literature of the fifteenth century, German scholarship of the nineteenth century, and the English Romantic poets, demonstrating the enduring legacy of the Homeric Hymns in the literary world.

"This book that shows how ancient poets broke the silence of literary gender norms to express their own voices, and thus illuminating long neglected discussions of gender in the ancient world. In How Women Became Poets, Emily Hauser provides a startling new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. By bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers gendered lens to issues of voice and identity in classical literature and poetry. What emerges from this is a new literary history that reframes the authors of classical literature as both enforcing and exploring gender, and shows for the first time how women broke the silence of gender norms around literary production to express their own voices. By revisiting traditional assumptions about the canon of Greek literature, and highlighting the articulated construction of masculinity in Greek poetic texts, the book places ancient women poets back onto center stage as principal actors in the drama of the debate around what it means to create poetry. Much of the importance of this work is adding in female authors to the history of Greek literature, both well-known and marginal, while demonstrating how the idea of the author was born in the battleground of gender"--

In modern times the Theriaca of Nicander of Colophon (2nd century BCE) has not attracted many enthusiasts. Its complicated style, abstruse diction and technical subject matter – venomous bites and their remedies – have long put off classical scholars. In the wake of renewed interest in Hellenistic poetry, however, Nicander’s dark poetry deserves new appreciation. In this book Floris Overduin provides a literary commentary on the Theriaca, focusing on Nicander’s artistic merits. Viewed against the background of Alexandrian aesthetics and the didactic epic tradition, Nicander deserves pride of place among his Hellenistic peers. This book, the first full commentary in English, may thus contribute to the reappraisal of Nicander’s Theriaca as a work of literature, not science.