One of the greatest playwrights of Ancient Greece, the works of Euripides (484-406 BC) were revolutionary in their depiction of tragic events caused by flawed humanity, and in their use of the gods as symbols of human nature. The three plays in this collection show his abilities as the sceptical questioner of his age. Alcestis, an early drama, tells the tale of a queen who offers her own life in exchange for that of her husband; cast as a tragedy, it contains passages of satire and comedy. The tragicomedy Iphigenia in Tauris melodramatically reunites the ill-fated children of Agamemnon, while the pure tragedy of Hippolytus shows the fatal impact of Phaedra's unreasoning passion for her chaste stepson. All three plays explore a deep gulf that separates man from woman, and all depict a world dominated by amoral forces beyond human control.

Vigilance: Winner of the John Golden Prize Virgil, Dick, and Bert have gotten together under the guise of "poker night" to discuss a new resident, a man whose violent outbursts threaten their neighborhood. When the evening ends in murder, none of them know who is responsible, but all of their lives are changed by the revelation of who has betrayed whom. Ghost in the Light "A unheralded little gem...terrific writing."--Douglas Gordy, Slant Magazine Based on the life of Han Van Meegeren, Ghost in the Light portrays one of the greatest art forgers in history. In the 1930s, Han's painting, Jesus at Emmaus, was declared "not just a Vermeer, but Vermeer's finest work", and sold for half a million dollars. The world's leading art critics were caught up in the scandal when a number of his "Vermeers" were recovered in postwar Nazi loot. The Stone Trilogy "A riveting, emotional journey...stunning."--Wanda Sabir, The San Francisco Bay View Kaleidoscopic and darkly funny, The Stone Trilogy presents three interrelated one-acts that portray the face of love, forgiveness, and oppression in three countries: Ireland during The Troubles, South Africa at the end of Apartheid, and the United States. Together, the plays present an emotional journey through the difficult nature of forgiveness.

The MetroPlus Playwright Award was instituted in 2008 by The Hindu for the best original unpublished and unperformed English script.

Plutarch of Chaeronea is one of the great story-tellers of antiquity, a writer whose ability to create unforgettable scenes matches the grandeur of his subject matter. The heroes of his Lives were the great men of antiquity, often greatly flawed, but with tragic depth and epic stature.

"Ms. Bioh, a native New Yorker whose parents emigrated from Ghana in 1968, has made it her mission, theatrically and personally, to tell stories about African and African-American characters that buck expectation and defy stereotype." (New York Times) This first collection of plays from American contemporary playwright Jocelyn Bioh brings together a trilogy of celebrated work recently seen in New York and around the world. Merry Wives: Set in South Harlem, amidst a vibrant and eclectic community of West African immigrants, Merry Wives is a New York story about tricks of the heart. A raucous spinoff featuring the Bard's most beloved comic characters, this hilarious farce tells the story of the trickster Falstaff and the wily wives who outwit him in a new celebration of Black joy, laughter, and vitality. Nollywood Dreams: It's the nineties and in Lagos, Nigeria, the "Nollywood" film industry is exploding. Looking to make the first Nollywood film with Western crossover appeal, Gbenga Ezie, Nigeria's hottest director, has decided to host an open casting call for the female lead of his new romantic drama/thriller "The Comfort Zone." Casting for the film draws on more emotions than expected in this imagining of what the growing Nollywood film scene was like as it rose to become the phenomenon it is today. School Girls; Or The African Mean Girls Play: Paulina, the reigning queen bee at Ghana's most exclusive boarding school, has her sights set on the Miss Universe pageant. But the arrival of Ericka, a new student with undeniable talent and beauty, captures the attention of the pageant recruiter--and Paulina's hive-minded friends. This buoyant and biting comedy explores the universal similarities (and glaring differences) facing teenage girls across the globe. How far would you go to be queen bee?

“Transcending 20th-century notions of race and culture, Peña's work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando's cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family. the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris' preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?

Includes the plays Rag and Bone, Mr Marmalade and Vigils 'Precocious and formidably talented' (The New Yorker), Noah Haidle is now considered 'one of the most foremost playwrights of his generation' (Boston Globe). This collection celebrates the arrival of Haidle's virtuosic theatrical talent by bringing together three of his most acclaimed plays to date. Rag and Bone , in which two brothers run an under-the-counter business in human hearts and emotions - 'delightful moments of absurdity' (New York Times) Mr Marmalade, in which four-year-old Lucy delivers a crash-course in contemporary relationships, 'alternately hilarious and heartbreaking' (The New Yorker) and Vigils, 'a simple, sweet exploration of human memory and grief' (Variety)

Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses. Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.

Unusual among Shakespeare's plays in that it drew theatrical responses from the outset, The Taming of the Shrew continues to inspire adaptations and interpretations that respond to its fascinating, if provocative, representation of a husband's dominance of his wife. This annotated collection of three early modern English plays allows readers to explore the relationship between Shakespeare's Shrew and two closely related plays of the same genre, the earlier of which, the anonymous The Taming of a Shrew (whether inspired by Shakespeare's play or vice-versa), once enjoyed a level of popularity that likely surpassed that of Shakespeare's play. The editors' Introduction brilliantly illuminates points of comparison between the three, their larger themes included, and convincingly argues that Shakespeare's Shrew is seen all the more vividly when the anonymous A Shrew and Fletcher's table-turning The Tamer Tamed are waiting in the wings.