11 quilt projects, each inspired by a quilter's garden; includes a variety of gardens and guilts: a cottage garden in the mountains, a quilter's garden wedding, a folk art garden deep in the woods, an Americana theme in a suburban garden, a garden in the city.

Through the Garden Gate is a collection of 144 of the popular weekly articles that Elizabeth Lawrence wrote for The Charlotte Observer from 1957 to 1971. With those columns, a delightful blend of gardening lore, horticultural expertise, and personal adventures, Lawrence inspired thousands of southern gardeners. "[A] fine contribution to the green-thumb genre.--Publishers Weekly

Lorrie Belmont has known Iain Maxwell all her life as their parents have lived next door to each since before she was born. She was an only child and was seven years younger than the boy next door and had always considered him the big brother she never had....that is until she reached her teens and realised that her feelings went way, way beyond brotherly love. Iain's younger sister Hannah was the same age as Lorrie and he had watched over them as a big brother should; but after an incident when Lorrie was eighteen he fought to keep his feelings in check and on a brotherly level. Lorrie was resigned to always being the girl next door and Iain stubbornly stuck to his principals that it was wrong for them to be anything other than good neighbours.

At the Garden's Gate is the story of one woman's personal journey in creating a meadow, when going "green" wasn't an everyday word. As the author follows her passion to learn about medicinal and edible plants, a meadow evolves that supports growth-both natural and personal. During this process, she reconnects with her Native American heritage, learning the wisdom of the Medicine Wheel and its teachings. This is a story of partnership with the land, a story of personal discovery and love of nature. Stories-our personal narratives-have meanings on many levels. Using story in the ancient ways of her Native American elders, the author offers insight, wisdom and conveys an impetus to create connections with nature in our daily lives. We are on the cusp of creating a new Earth, one of collaboration, of cooperative effort that recognizes our hearts. One our soul can align with. The garden becomes our centering place. It beckons us through a gate of new understandings and growth. The garden's gate offers us a doorway into our deeper self. The garden's path offers a way to remember and to be with self, in stillness, meandering onto unknown pathways that can twist and turn but are filled with such beauty. For that is who we are, co-creators, one with all of creation.

Picture the young George Bernard Shaw spending long days in the Reading Room of the British Museum, pursuing a self-taught education, all the while longing for the green landscapes of his native Ireland. It is no coincidence that gardens and libraries often set the scene for Shaw's plays, yet scholars have seldom drawn attention to the fact until now. Exposing the subtle interplay of these two settings as a key pattern throughout Shaw’s dramas, Shaw's Settings fills the need for a systematic study of setting as significant to the playwright's work as a whole. Each of the nine chapters focuses on a different play and a different usage of gardens and libraries, showing that these venues are not just background for action, they also serve as metaphors, foreshadowing, and insight into characters and conflicts. The vital role of Shaw's settings reveals the astonishing depth and complexity of the playwright's dramatic genius.

Deep in the English countryside, Kenneth Storey and his older brother have discovered the land of Arboria - a kingdom of adventure waiting for them through a gate in the garden wall. As the world outside plunges deeper into global conflict, the Arborians wage their own war against the Barbarians - an ancient foe seemingly as old as the forest itself. But for Kenneth, Arboria is more than a world of make-believe and the Barbarians more than a figment of his imagination. For Kenneth, Arboria is more important than the real world ... and perhaps, in some ways, he may be right. THE GOOD PEOPLE is Steve Cockayne's first novel for younger readers. It is both a spellbinding adventure story and an extraordinarily original novel of growing up. Disturbing, compelling and beautifully written, it is an unforgettable fantasy from one of Britain's most exciting new writers.

The book is full of great ideas about amusing children and adults indoors in stormy and cold evenings. It offers funny, fascinating, and little-known games that were played by our grandparents in their childhood and remains attractive to a contemporary reader today.

Life, Love and God Through the Eyes of Lynne Adair By: Lynne Adair Lynne Adair had written poetry through most of his life. While a good life, it was not without its hardships. He learned to laugh at his troubles, because crying never made anything better. He then decided, in 2019, to publish his poetry. Some you will understand, others you may not, some you will like, and others you may dislike, but they are all told through Adair’s eyes.