From the contents: The necessity of intercultural philosophy (Jan Hoogland).- Some reflections on Aristotle's notion of time in an intercultural perspective (Juergen Hengelbrock).- Time in Buddhism and Leibniz: an intercultural perspective (Hari Shankar Prasad).- Time and temporality from the Japanese perspective (Tomonaga Tairako).- Time and African thought (Kwasi Wiredu). (Barbara Arizti Martin).

From the contents: The necessity of intercultural philosophy (Jan Hoogland).- Some reflections on Aristotle's notion of time in an intercultural perspective (Juergen Hengelbrock).- Time in Buddhism and Leibniz: an intercultural perspective (Hari Shankar Prasad).- Time and temporality from the Japanese perspective (Tomonaga Tairako).- Time and African thought (Kwasi Wiredu). (Barbara Arizti Martin).

Weaving Peace: Essays on Peace, Governance and Conflict Transformation in the Great Lakes Region of Africa provides a unique and interdisciplinary perspective on issues of peace, governance, and conflict transformation by academics and practitioners from eight partner institutions of the United Nations Mandated-University for Peace in the Great Lakes region of Africa. It is an essential tool for scholars and policymakers seeking contextual clarity behind the headlines about the nature and extent of conflicts in the region and how to go about transforming the region. It provides a rather nuanced perspective of the complexity of the peace/conflict dynamics of the region and underscores the inescapable truth of the need for a more indigenous and context-based approach to understanding the Great Lakes region of Africa.

Existing scholarly discussions of theatrical realism have been predominantly limited to 19th-century European and Russian theater, with little attention paid to wider explorations and alternative definitions of the practice. Examining theater forms and artists from China, Japan, and Korea, Realisms in East Asian Performance brings together a group of theater historians to reconsider realism through the performing arts of East Asia. The book’s contributors emphasize trans-regional conversations and activate inter-Asian dialogues on theatrical production. Tracing historical trajectories, starting from premodern periods through today, the book seeks to understand realisms’ multiple origins, forms, and cultural significances, and examines their continuities, disruptions, and divergences. In its diversity of topics, geographic locations, and time periods, Realisms in East Asian Performance aims to globalize and de-center the dominant narratives surrounding realism in theater, and revise assumptions about the spectacular and theatrical forms of Asian performance. Understanding realism as a powerful representational style, chapters collectively reevaluate acts of representation on stage not just for East Asia, but for theater and performance studies more broadly.

Is writing about peace after the Rwandan Genocide self-defeating? Whether it is the intensity of the massacres, the popularity of the genocide, or the imaginary forms of cruelty, however one looks at it, everything in the Rwandan Genocide appears to defy once again the possibility of thinking peace anew. In order to address this problem, this book investigates the work of specific French and Rwandese philosophers in order to renew our understanding of peace today. Through this path-breaking investigation, peace no longer stands for an ideal in the future, but becomes a structure of inter-subjectivity that guarantees that the violence of language always prevails over any other form of violence. This book is the very first monograph in philosophy related to the events of 1994 in Rwanda. Jean-Paul Martinon is Programme Leader of the MPhil-PhD Programme in Visual Cultures at Goldsmiths College, University of London. He has written monographs on a Victorian workhouse (Swelling Grounds, Rear Window, 1995), the idea of the future in the work of Derrida, Malabou and Nancy (On Futurity, Palgrave, 2007), the temporal dimension of masculinity (The End of Man, Punctum, 2013), and the event of knowledge in museums (The Curatorial: A Philosophy of Curating, Bloomsbury, 2013). In each case, he writes in an attempt to make sense of time: its staging in museums, its advent, its gender, its neglect, the ethics that derive from it, and the way it is used and abused to structure human life. www.jeanpaulmartinon.net

Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.

In the 1990s, a new wave of globalization changed the field of cultural production in many African countries and paved the way for major new cultural events. In particular, during the last two decades, an ever growing series of art and cultural centers were and still are being established - often against the background of broader national (art) histories and the historic prominence of the state as the primary patron of the arts. In considering the historical genealogy of these 'new spaces, ' this book examines: the infrastructures and public spaces they create, the theoretical discourses they tap into and explore, the aesthetic and (cultural) political debates they stir, the role they play in the field of cultural institutions and cultural activism, and their relations with state and municipal institutions. (Series: African Art and Visual Cultures - Vol. 2) [Subject: African Studies, Cultural Studies, Art

This companion to America's greatest woman poet showcases the diversity and excellence that characterize the thriving field of Dickinson studies. Covers biographical approaches of Dickinson, the historical, political and cultural contexts of her work, and its critical reception over the years Considers issues relating to the different formats in which Dickinson's lyrics have been published ? manuscript, print, halftone and digital facsimile Provides incisive interventions into current critical discussions, as well as opening up fresh areas of critical inquiry Features new work being done in the critique of nineteenth-century American poetry generally, as well as new work being done in Dickinson studies Designed to be used alongside the Dickinson Electronic Archives, an online resource developed over the past ten years

A Short History of African Philosophy discusses major ideas, figures, and schools of thought in philosophy in the African context. While drawing out critical issues in the formation of African philosophy, Barry Hallen focuses on recent scholarship and relevant debates that have made African philosophy critical to understanding the rich and complex cultural heritage of the continent. This revised edition expands the historical perspective, takes account of recent discoveries and new canonical figures, highlights new discussions about gender as a cultural and philosophical phenomenon, clarifies issues regarding indigenous cultures and human rights, and builds on the notion that African philosophy shares methods and concerns of philosophy worldwide. This short reference is an essential resource for students, scholars, and general readers.