Playwright David Ives's follow-up collection to the award-winning collection All in the Timing pushes his gift for wacky one-act comedy to new heights: two mayflies on a date realize they have only twenty-four hours to live; a washing-machine repairman falls in love with a perfect washer (should he tell his girlfriend?); an out-of-work shmo decides to spend his day being painter Edgar Degas; two Babylonian blue-collar workers have to build the Tower of Babel -- or else. Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience.

A Study Guide for David Ives's "Time Flies," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

A collection of four works from the American playwright known as “wizardly . . . magical and funny . . . a master of language” (The New York Times). This collection brings together four full-length plays from the same dazzling pen that produced the one-act comic masterpieces of All in the Timing. Polish Joke is about a young Polish-American’s trip through ethnic stereotypes. Nine-year-old Midwesterner Jan Bogdan Sadlowski, nicknamed Jasiu, is told by his uncle that Poles are thought to be “backward, stupid, inept, and gloomy.” The only way out is for Jasiu “to impersonate someone not Polish.” In Don Juan in Chicago, a Renaissance innocent makes a deal with the devil, only to become a reluctant Latin lover. Ancient History is a comedy-drama about the holy war that breaks out when two people from two very different cultures fall in love. The Red Address paints a searing portrait of a man with a secret who is forced by tragedy into self-revelation. Praise for David Ives “A pitcher with a great many tricks up his sleeve. He throws like an all-star . . . mixing comedic moods and styles with a dizzying assortment of changeups.” —The New York Times Polish Joke “Ives skillfully climbs the slippery slope of political incorrectness without a single mean-spirited stumble.” —CurtainUp Don Juan in Chicago “Ives invents an irresistible premise and has fun making good on its promise.” —Los Angeles Times Ancient History “A riveting theatrical experience.” —Show Business The Red Address “Mix Glengarry Glen Ross with Glen or Glenda . . . A tough-talking drama that mixes business sharks, blackmail, cross-dressing and murder.” —Variety

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction

Now in its 3nd edition, we've expanded this book's size by a third with more great quotes! The Audience Book of Theater Quotations is a lifelong labor of love by Professor Phillips. If you have anything to do with the theater, buy this book. "I've been fortunate to spend many an afternoon with author Louis Phillips, sharing his insightful appreciation of movies, plays and poetry. Luck has come your way! Here you have it: Theatre treasures from A to Z. You pick the time (lots or little) and let Louis be your tour guide into this wondrous chronicle. "The Audience Book of Theatre Quotations" commemorates recitals both malicious and hilarious. You won't be able to resist prolonged applause and a standing ovation!" --Richard D. Pepperman; Film editor, teacher, and author of The Eye is Quicker Film Editing: Making a Good Film Better; Setting Up Your Scenes: The Inner Workings of Great Films; Film School: How to Watch DVDs and Learn Everything About Filmmaking "There are so many great quotes, it is a fascinating read." --William E. Cooper, Reader Views "... this book will inspire the inner theatre lover in us all." --Vianna Renaud, TCM Reviews “You read through The Audience Book of Theatre Quotes and it's like taking a trip through theatre-time superimposed on your own personal life-in-the-theatre time. Quotes from the likes of Dorothy Parker, Laurence Olivier, David Mamet, Hume Cronyn, Robert Benchley, Ben Hecht, Basil Rathbone and hundreds of others, always intriguing, mostly funny, sometimes filled with almost scriptural vision/insight. A book to be read slowly, maybe a page a day, either when you first get up or before you go to bed, letting the wisdom/humor either seep through your whole day, or ease you through your dreams.” –-Hugh Fox, professor, author of numerous books, poet, critic, playwright

Plays for all school ages in each of four subject areas: Holiday plays, the Wisdom of stories, Exploring sacred texts, and Our Jewish values.

Comedies written in the 1920s and early 1930s. The Big Bun (8 men, 1 woman); Inventor of the Horse (10 men, 2 women, extras); War (1 man).

Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.

This book will provide valuable reading for drama therapists, theatre artists, probation workers, prison educators, psychologists, and anyone else interested in the role of the performing arts in criminal justice. --Book Jacket.

Dear flappable reader: Do you bristle at a handshake that resembles a limp fish? Do oblivious pedestrians bring you to the brink? What about museum gift shops, superfluous courtesy (do we need a gas pump to show us gratitude?), behemoth SUVS, or inexplicable operating manuals? Have you had it with screeching leaf blowers, beseeching telemarketers, escalating movie-ticket prices, or proliferating celebrity magazines? Is it children's choirs or karaoke singers, waiters bearing pepper grinders or dinner guests blathering on about salt, that drives you to distraction? For anyone who has recognized that this peaceful kingdom of ours has more than a few potholes, 101 Damnations is the perfect companion. It's your ticket to the nine circles of personal hell. Armed with wit, bewilderment, and words to the wise ass, today's leading humorists conduct a brief tour of the trivial and often universal exasperations we all must endure. Among the damning, Henry Alford reveals our wanton desire to affect Britishisms. Sandra Tsing Loh has it in for people who forward "funny" e-mails. Once and for all, Merrill Markoe sets forth cell phone etiquette. And there are many, many others. Ninety-eight to be exact. Make yourself comfortable. Misery loves company.