This volume introduces the reader to the most important methods of biblical criticism. It serves as an indispensable handbook for the work of students approaching biblical studies for the first time and for the professional interpreter of scripture who wants to understand the latest currents in biblical scholarship.

Designed to help students actively engage with the Old Testament, this title contains questions to encourage further thought.

This book is a study of the various metaphors, figures, similes, and usages of water found in the book of Isaiah. It covers representations of water relating to: water as a blessing in nature; the sea as a symbol of the expanse of space; Yahweh, the rider of the clouds; water or absence of water as symbol of divine punishment, hardships, and affliction; water as a defense strategy in military circumstances; water as a means of dilution; rain and snow as symbols of Yahweh's word; various forms of water symbolizing arrogance; rain, streams, water, and snow as symbols of forgiveness; water as a metaphor for Yahweh's control over nations and triumph over enemies; calm water as a symbol of trust in Yahweh; Yahweh's knowledge as waters cover the sea; water, lack of water, and overcoming threatening water as metaphors or similes for restoration and help; the great river as a symbol of the influx of nations; tears as the manifestation of lament and mourning; dew as a symbol of serenity and life-giving power; the personification of water; troubled waters as a symbol of the wicked; swimming as desperate effort to survive; and cultic practices involving water. These themes emphasize important religious truths in the book of Isaiah. They include many concepts dealing with the nature and mighty acts of Yahweh; sin, punishment and forgiveness; Yahweh's work over and through nations; personal and corporate matters like trust and lament; and Yahweh’s work in nature.

Perhaps no other group of people has been as much formed by biblical texts and tropes as African Americans. From literature and the arts to popular culture and everyday life, the Bible courses through black society and culture like blood through veins. Despite the enormous recent interest in African American religion, relatively little attention has been paid to the diversity of ways in which African Americans have utilized the Bible.African Americans and the Bibleis the fruit of a four-year collaborative research project directed by Vincent L. Wimbush and funded by the Lilly Endowment. It brings together scholars and experts (sixty-eight in all) from a wide range of academic and artistic fields and disciplines--including ethnography, cultural history, and biblical studies as well as art, music, film, dance, drama, and literature. The focus is on the interaction between the people known as African Americans and that complex of visions, rhetorics, and ideologies known as the Bible. As such, the book is less about the meaning(s) of the Bible than about the Bible and meaning(s), less about the world(s) of the Bible than about how worlds and the Bible interact--in short, about how a text constructs a people and a people constructs a text. It is about a particular sociocultural formation but also about the dynamics that obtain in the interrelation between any group of people and sacred texts in general. ThusAfrican Americans and the Bibleprovides an exemplum of sociocultural formation and a critical lens through which the process of sociocultural formation can be viewed.

Vols. 2, 4-11, 62-68 include the Society's Membership list; v. 55-80 include the Journal of applied mechanics (also issued separately) as contributions from the Society's Applied Mechanics Division.