"Told by Uncle Remus: New Stories of the Old Plantation" by Joel Chandler Harris. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A collection of stories as told by Uncle Remus, retold by Joel Chandler Harris.

Harris's folksy, plantation tales spin wild yarns about such characters as Brother Rabbit, Wiley Wolf, Little Mister Cricket, and more. This facsimile edition reprints the text with the original illustrations.

Sixteen tales of Brer Rabbit and his friends as told by Uncle Remus to the grandson of his master.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Told By Uncle Remus...: New Stories Of The Old Plantation Joel Chandler Harris Arthur Burdett Frost, J. M. CondE, Frank Ver Beck Grosset & Dunlap, 1905 Animals; Animals, Legends and stories of

Knowledge about one’s linguistic background, especially when it is different from mainstream varieties, provides a basis for identity and self. Ancestral values can be upheld, celebrated, and rooted further in the consciousness of its speakers. In the case of African American Vernacular English (AAVE) the matter is not straightforward and, ultimately, the social implications its speakers still face today are unresolved. Through detailed analysis of the four building blocks phonology, morphology, syntax, and vocabulary, Sophia Huber tries to trace the development of AAVE as a literary dialect. By unearthing in what ways AAVE in its written form is different from the spoken variety, long established social stigmata and stereotypes which have been burned into the consciousness of the USA through a (initially) white dominated literary tradition will be exposed. Analysing fourteen novels and one short story featuring AAVE, it is the first linguistic study of this scope.

This biography and critical study reconstructs Harris's life and career from his humble origins as an illegitimate child and plantation-newspaper printer's devil through his years in Macon, Forsyth, Savannah, and Atlanta. When Harris died in 1908, his national and international popularity rivaled his friend Mark Twain's. A psychologically complex person, Harris became an accomplished Southern local colorist who left multiple legacies as an American humorist, folklorist, New South journalist, children's writer, and author. He helped make the Old South New. Harris's Uncle Remus trickster tales derive primarily from transplanted Senegambian African folklore and are rhetorically and sociologically complex representations of the often predatory world of Old South slave life--where survival depends on trickery, wit, and will pitted against the brute strength of overseers and masters. Controversial today because he was a white man retelling black folk narratives, Harris nevertheless helped preserve the trickster tale-cycle and promote black folk-tale collecting, generally; hundreds of scholars and linguists have studied his works. Harris also made Brer Rabbit, the tar baby, and the briar patch popular-culture icons, and his highly believable animal characters and dialogues influenced the techniques of Rudyard Kipling, A. A. Milne, Beatrix Potter, E. B. White, and other children's authors. Finally, Harris's poor white and African American characters and narratives have left their mark on writers from his time to our times--from Twain to Zora Neale Hurston, William Faulkner, Flannery O'Connor, Ralph Ellison, and Toni Morrison.

Atrocity presents a problem to the writer of children's literature. To represent events of such terrible magnitude and impersonal will as the Holocaust, the transatlantic slave trade, or the Rwandan genocide such that they fit into a three-act structure with a comprehensible moral and a happy ending is to do a disservice to the victims. Yet to confront children with the fact of widescale violence without resolution is to confront them with realities that may be emotionally disturbing and even damaging. Despite these challenges, however, there exists a considerable body of work for and about children that addresses atrocity. To examine the ways in which writers and artists have attempted to address children's experience of atrocity, this collection brings together original essays by an international group of scholars working in the fields of child studies, children's literature, comics studies, education, English literature, and Holocaust, genocide, and memory studies. It covers a broad geographical range and includes works by established authors and emerging voices.

Bestselling author, pioneering photographer, mathematical don and writer of nonsense verse, Lewis Carroll remains a source of continuing fascination. Though many have sought to understand this complex man he remains for many an enigma. Now leading international authority, Edward Wakeling, offers his unique appraisal of the man born Charles Dodgson but whom the world knows best as Lewis Carroll, author of Alice's Adventures in Wonderland and Through the Looking-Glass. This new biography of Carroll presents a fresh appraisal based upon his social circle. Contrary to the claims of many previous authors, Carroll's circle was not child centred: his correspondence was enormous, numbering almost 100,000 items at the time of his death, and included royalty and many of the leading artists, illustrators, publishers, academics, musicians and composers of the Victorian era. Edward Wakeling draws upon his personal database of nearly 6,000 letters, mostly never before published, to fill the gaps left by earlier biographies and resolve some of the key myths that surround Lewis Carroll, such as his friendships with children and his drug-taking. Meticulously researched and based upon a lifetime's study of the man and his work, this important new work will be essential reading for scholars and admirers of one of the key authors of the Victorian age.