This exciting collection of essays explores the role of the Other in Tolkien’s fiction, his life, and the pertinent criticism. It critically examines issues of gender, sexuality, race and ethnicity, language, and identity in The Lord of the Rings, The Silmarillion, and lesser-known works by Tolkien. The chapters consider characters such as Lobelia Sackville-Baggins, Saruman, Éowyn, and the Orcs as well as discussions of how language and identity function in the source texts. The analysis of Tolkien’s work is set against an examination of his life, personal writing, and beliefs. Each essay takes as its central position the idea that how Tolkien responds to that which is different, to that which is “Other,” serves as a register of his ethics and moral philosophy. In the aggregate, they provide evidence of Tolkien’s acceptance of alterity.

Tolkien, Race, and Racism in Middle-earth is the first systematic examination of how Tolkien understood racial issues, how race manifests in his oeuvre, and how race in Middle-earth, his imaginary realm, has been understood, criticized, and appropriated by others. This book presents an analysis of Tolkien’s works for conceptions of race, both racist and anti-racist. It begins by demonstrating that Tolkien was a racialist, in that his mythology is established on the basis of different races with different characteristics, and then poses the key question “Was Tolkien racist?” Robert Stuart engages the discourse and research associated with the ways in which racism and anti-racism relate Tolkien to his fascist and imperialist contemporaries and to twenty-first-century neo-Nazis and White Supremacists—including White Supremacy, genocide, blood-and-soil philology, anti-Semitism, and aristocratic racism. Addressing a major gap in the field of Tolkien studies, Stuart focuses on race, racisms and the Tolkien legendarium.

The new edition of the definitive academic companion to Tolkien’s life and literature A Companion to J. R. R. Tolkien provides readers with an in-depth examination of the author’s life and works, covering Tolkien’s fiction and mythology, his academic writing, and his continuing impact on contemporary literature and culture. Presenting forty-one essays by a panel of leading scholars, the Companion analyzes prevailing themes found in The Hobbit and The Lord of the Rings, posthumous publications such as The Silmarillion and The Fall of Arthur, lesser-known fiction and poetry, literary essays, and more. This second edition of the Companion remains the most complete and up-to-date resource of its kind, encompassing new Tolkien publications, original scholarship, The Hobbit film adaptations, and the biographical drama Tolkien. Five entirely new essays discuss the history of fantasy literature, the influence of classical mythology on Tolkien, folklore and fairytales, diversity, and Tolkien fandom. This Companion also: Explores Tolkien’s impact on art, film, music, gaming, and later generations of fantasy fiction writers Discusses themes such as mythmaking, medieval languages, nature, war, religion, and the defeat of evil Presents a detailed overview of Tolkien’s legendarium, including Middle-earth mythology and invented languages and writing systems Includes a brief chronology of Tolkien’s works and life, further reading suggestions, and end-of-chapter bibliographies A Companion to J. R. R. Tolkien, Second Edition is essential reading for anyone formally studying or teaching Tolkien in academic settings, and an invaluable resource for general readers with interest in Tolkien’s works or fans of the films wanting to discover more.

The Lord of the Rings and other works of J.R.R. Tolkien have had a far-reaching impact on culture in the late twentieth and early twenty-first centuries. In print and on film, Tolkien’s works seem to be incredible epics, but religious aspects are less obvious. Yet Tolkien himself stated in his letters that the chief conflicts of his epic works were “about God, and His sole right to divine Honour,” and whether Sauron can wrest and destroy all that is good in Middle-earth. It is from this that readers awaken to the theological truths that imbue Tolkien’s works. In Theology and Tolkien: Constructive Theology, an international group of scholars consider how Tolkien’s works (and Jackson’s interpretations) can help us build better theologies for use in our world today. From essays on the music of creation in the Ainulindalë, to angels, demons, and Balrogs, to Tolkien’s theology of God, providence, evil, and love, to the eschatology of the Final Chord of the Great Music, this book invites the reader to journey through Middle-earth as the contributors engage the theology of Tolkien’s works and its impact on the world.

This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already-existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien’s use of historical traditions of Northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.

With his richly detailed world of Middle Earth and the epic tales he told around it, J.R.R. Tolkien invented the modern fantasy novel. For readers and students getting to grips with this world for the first time, J.R.R. Tolkien: A Guide for the Perplexed is an essential guide to the author's life and work. The book helps readers explore: · Tolkien's life and times · Tolkien's mythical world · The languages of Middle Earth · The major works – The Hobbit and The Lord of the Rings · Posthumously published writings – from The Silmarillion to the recently discovered The Fall of Gondolin With reference to adaptations of Tolkien's work including the Peter Jackson films, notes on Tolkien's sources and surveys of key scholarly and critical writings, this is an accessible and authoritative guide to one of the 20th century's greatest and most popular writers.

This comprehensive biography of the author of The Lord of the Rings explores his life and work as a pioneering linguist and writer. In The Real J.R.R. Tolkien, biographer Jesse Xander presents a complete picture of the legendary author. Beginning with Tolkien’s formative years of home-schooling, the narrative continues through the spires of Oxford, his romance with his wife-to-be on the brink of the Great War, and onwards into his phenomenal academic success and his creation of the seminal high fantasy world of Middle Earth. This thoroughly researched biography delves into Tolkien’s influences, places, friendships, triumphs and tragedies, with particular emphasis on how his remarkable life and loves forged the worlds of The Hobbit and The Lord of the Rings. Using contemporary sources and comprehensive research, The Real JRR Tolkien offers a unique insight into the life and times of one of Britain’s greatest authors, from early life to immortal legacy.

Book sales of the works of J.R.R. Tolkien keep pace with those of the Koran and the Bible. TV companies pay hundreds of millions to the Tolkien Trust to make adaptations of his work. In the UK, he routinely tops the list of the nation's favorite authors. An estimated 2 million war gamers use The Lord of the Rings figurines in their RPG. It is incontestable that Tolkien is the most influential Catholic writer of the last century. Tolkien, Philosopher of War fills a gap in the scholarship. It is the first book addressing the philosophical and theological understanding of war in Tolkien and will interest readers of Catholic Studies, the philosophy and theology of literature, war studies, Tolkien Studies, English studies, political theory, and aesthetics. In popular imagination, Tolkien is a Luddite, but recent scholarship has identified Tolkien's extensive modern sympathies. Tolkien, Philosopher of War contributes to this growing literature. His is a modern critique of Enlightenment thinking, specifically those philosophies of history that wrest the initiative from God in divinizing man. His worry is apocalyptic politics, those political movements that take Christ's "Be ye therefore perfect, even as your Father which is in heaven is perfect" (Matt. 5: 48) out of the realm of grace and make it a platform for political action. Tolkien, Philosopher of War has three core theses: metaphysical, political, and aesthetic. In this, Tolkien is comparable to Cormac McCarthy, especially his Blood Meridian. Tolkien took note of a tight analytical connection between the vanity driving commercial civilization ? which Hume, Smith, and Ferguson all identified ? and the vanity driving the Promethean fantasies of apocalyptic politics. War ? indeed, total war ? is a predictable outcome of this analytical connection. The three theses run: 1) metaphysical: the apocalyptic anxiety of Tolkien's lore is traceable to the gnostic rejection of the analogy of being typical of the philosophies of history that dominated his day; 2) political: in the English context, Tolkien sided with the Tories against Whiggery, defending monarchy as a counterweight to the vanity driving progressive philosophy of history; 3) aesthetic: Futurism's philosophy of history celebrated the Machine; inverting the value order, the Futurism art movement encoded anti-Christianity, fascist politics, and apocalyptic war. Tolkien's "cosmogonical drama," with its pastoralism and portraits of angels (Gandalf) and gods (Nienna), dramatizes an aesthetic resistance to Futurism.

This book examines key points of J. R. R. Tolkien’s life and writing career in relation to his views on humanism and feminism, particularly his sympathy for and toleration of those who are different, deemed unimportant, or marginalized—namely, the Other. Jane Chance argues such empathy derived from a variety of causes ranging from the loss of his parents during his early life to a consciousness of the injustice and violence in both World Wars. As a result of his obligation to research and publish in his field and propelled by his sense of abjection and diminution of self, Tolkien concealed aspects of the personal in relatively consistent ways in his medieval adaptations, lectures, essays, and translations, many only recently published. These scholarly writings blend with and relate to his fictional writings in various ways depending on the moment at which he began teaching, translating, or editing a specific medieval work and, simultaneously, composing a specific poem, fantasy, or fairy-story. What Tolkien read and studied from the time before and during his college days at Exeter and continued researching until he died opens a door into understanding how he uniquely interpreted and repurposed the medieval in constructing fantasy.

What is our place in the world, and how do we inhabit, understand, and represent this place to others? Topophrenia gathers essays by Robert Tally that explore the relationship between space, place, and mapping, on the one hand, and literary criticism, history, and theory on the other. The book provides an introduction to spatial literary studies, exploring in detail the theory and practice of geocriticism, literary cartography, and the spatial humanities more generally. The spatial anxiety of disorientation and the need to know one's location, even if only subconsciously, is a deeply felt and shared human experience. Building on Yi Fu Tuan's "topophilia" (or love of place), Tally instead considers the notion of "topophrenia" as a simultaneous sense of place-consciousness coupled with a feeling of disorder, anxiety, and "dis-ease." He argues that no effective geography could be complete without also incorporating an awareness of the lonely, loathsome, or frightening spaces that condition our understanding of that space. Tally considers the tension between the objective ordering of a space and the subjective ways in which narrative worlds are constructed. Narrative maps present a way of understanding that seems realistic but is completely figurative. So how can these maps be used to not only understand the real world but also to put up an alternative vision of what that world might otherwise be? From Tolkien to Cervantes, Borges to More, Topophrenia provides a clear and compelling explanation of how geocriticism, the spatial humanities, and literary cartography help us to narrate, represent, and understand our place in a constantly changing world.