“The night they killed our neighbors, we never heard a thing.” In a quiet suburban neighborhood, in a house only one door away, a family is brutally murdered for no apparent reason. And you think to yourself: It could have been us. And you start to wonder: What if we’re next? Linwood Barclay, critically acclaimed author of No Time for Goodbye, brings terror closer than ever before in a thriller where murder strikes in the place we feel safest of all. Promise Falls isn’t the kind of community where a family is shot to death in their own home. But that is exactly what happened to the Langleys one sweltering summer night, and no one in this small upstate New York town is more shocked than their next-door neighbors, Jim and Ellen Cutter. They visited for the occasional barbecue and their son, Derek, was friends with the Langleys’ boy, Adam; but how well did they really know their neighbors? That’s the question Jim Cutter is asking, and the answers he’s getting aren’t reassuring. Albert Langley was a successful, well-respected criminal lawyer, but was he so good at getting criminals off that he was the victim of revenge—a debt his innocent family also paid in blood? From the town’s criminally corrupt mayor to the tragic suicide of a talented student a decade before, Promise Falls has more than its share of secrets. And Jim Cutter, failed artist turned landscaper, need look no further than his own home and his wife Ellen’s past to know that things aren’t always what they seem. But not even Jim and Ellen are ready to know that their son was in the Langley house the night the family was murdered. Suddenly the Cutters must face the unthinkable: that a murderer isn’ t just stalking too close to home but is inside it already. For the Langleys weren’ t the first to die and they won’t be the last. Praise for Too Close to Home “[Linwood] Barclay knows how to put ordinary people into extraordinarily dangerous circumstances. . . . Readers will zip through it with delight.”—Publishers Weekly “[An] affecting and effective thriller.”—Wall Street Journal Review

Kate Riley is forty-five and very secure in her sometimes chaotic career as a real estate agent. She lives and works in Kansas City where she has the support of a colorful group of family and friends. She even has a hot new boyfriend, Dan Hopkins, who just happens to be a sergeant with the Kansas City Police Departments homicide unit. Kates life goes topsy-turvy, though, when she discovers a dead body in one of the houses she just sold. The man is Kenneth Thoreson, the owner of a group home for mentally challenged adults, and the community is shocked. Who would want this man dead? Dan just happens to be assigned to the case, and what at first becomes a real estate concern for Kate soon turns personal. As Kate gets to know the people involved in Thoresons life, she makes it her business to find the murderer. She thinks she has--even though the evidence doesnt quite stack up. She cant talk Dan into an arrest, so now, Kate and her circle of eccentric friends will go it alone and try to catch a killer without the police.

For readers of Jodi Picoult, Heather Gudenkauf, and Elizabeth Flock comes a riveting and timely novel that delves into a modern family’s harrowing encounter with the complex world of cyberbullying. Jenna Moore finally feels that she and her family are exactly where they should be. Leaving busy London behind, they’ve moved to the beautiful, serene Welsh coast. There Jenna, her husband, Jack, and the couple’s four children have found a little slice of heaven. In the house of their dreams, Jenna and Jack are ramping up for the launch of their new publishing business, and the kids are happier than they’ve ever been, wandering the wild, grassy moors that meet white sand beaches and wide ocean. But a fissure cracks open. The once open and honest Jack suddenly seems to be keeping secrets, spinning intricate lies. And fifteen-year-old Paige has become withdrawn, isolating herself from her family and her new friends. Frightened of the darkness enveloping her family, Jenna struggles to hold her loved ones together. But a cruel disturbance has insinuated itself into her home, threatening to take away everything she holds dear. Praise for Susan Lewis “This emotionally charged story keeps you at the edge of your seat.”—RT Book Reviews, on Behind Closed Doors “Spellbinding . . . The atmosphere grows more intense with the turn of each page.”—The Free Lance–Star, on No Child of Mine

Samantha Cash is the FBI's secret weapon. Her methods are invisible, and she never stops until the case is closed. When missing teens begin turning up dead in a small Southern town, Samantha is assigned to help local chief Connor Wolfe find the killer. And he has two problems with that. There's her faith--in God and herself. And then there's the fact that she looks exactly like his late wife. As they get close to an answer, the case becomes personal. The killer seems to be taking an interest in Connor's 16-year-old daughter, who thinks her dad is getting way too protective. Can't a girl just have some fun? Too Close to Home ratchets up the suspense with each page, and will have readers cheering for the characters they love as justice is served and love grows even in the face of danger. Read this one with the lights on!

His cover: courthouse janitor. His cause: justice. But when Paul McGrath uncovers a shocking connection to a file of missing evidence, he finds the truth sometimes hits a little too close to home. An intelligence agent-turned-courthouse janitor, Paul McGrath notices everything and everyone—but no one notices him. It’s the perfect cover for the justice he seeks for both his father and the people who’ve been wronged by a corrupt system. Now he’s discovered a missing file on Alex Pardew—the man who defrauded and likely murdered McGrath’s father but avoided conviction, thanks in large part to the loss of this very file. And what lies behind its disappearance is even worse than McGrath had feared. Meanwhile, at the courthouse, he stumbles on the case of Len Hendrie, a small businessman who’s been accused of torching a venture capitalist’s mansion. Though Hendrie admits starting the fire, McGrath learns how the VC has preyed on average Joes to benefit himself—and his extensive wine collection. McGrath can’t resist looking deeper into this financial predator and soon finds himself in a gray area between his avenging moral compass and the limits of the law. Then, just as the Hendrie case is heating up, McGrath receives word of the death of his father’s former housekeeper, sending him back to his family home to confront unfinished business from his past. And he’s about to find some unwelcome truths about the mother he lost as a child—and the father who hid even more secrets than he realized.

Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.