Depuis 1967, année du centenaire de la Confédération, de nombreux épisodes de crise politique et de difficultés économiques ainsi que les événements internationaux ont contribué à la transformation de la société canadienne et continueront de façonner son avenir. En tenant compte de ces diverses difficultés et opportunités rencontrées dans le passé, à quoi ressemble l’avenir du Canada? Dans Réfléchir sur notre passé pour aborder notre avenir, des diplomates, des politiciens, des chercheurs et des personnages en vue dans le domaine des droits de l’homme, dont Phil Fontaine, Michaëlle Jean, Ellen Gabriel, Paul Heinbecker, Bob Rae, Jean Charest et David Suzuki mettent en commun leur sagesse et leur expérience des événements qui ont marqué l’histoire du pays au cours des cinquante dernières années. Réfléchissant au rôle complémentaire à la Chambre des communes du Sénat au Canada, ils examinent des enjeux clés comme la condition des peuples autochtones, les obligations imposées par la Charte des droits et libertés, la reconnaissance des deux langues officielles et les référendums sur l’unité nationale. Les collaborateurs abordent aussi la transformation de l’économie dans un monde numérisé et un système planétaire, le rôle du Canada sur la scène mondiale à une époque de tension croissante, le flot accru de réfugiés, les changements climatiques et l’incertitude entourant l’avenir de l’Arctique, la concurrence scientifique et culturelle sur le marché international et l’avenir de la démocratie parlementaire. Corrigeant les fausses idées à propos du rôle actuel du Sénat et donnant le contre-argument à une réforme radicale du Sénat, Réfléchir sur notre passé pour aborder notre avenir propose de riches perspectives et un aperçu fascinant de l’évolution probable du Canada au cours des prochaines années.

One of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). With five essays by experts on Bouchardon's sculpture and graphic arts, more than 140 catalogue entries, and a detailed chronology, this book aims to demonstrate the originality of Bouchardon's art within the cultural and social context of the period, while suggesting the subtle relationship between, as well as the relative autonomy of, the artist's two careers as a sculptor and a draftsman. This lavishly illustrated publication represents an unprecedented and thorough survey on this major and unique artist from the Age of Enlightenment, offering indepth scholarship based on unpublished material.

Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.

During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.

A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.

Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.