Inspired by authentic Korean arts and crafts dating from the 1st through the 19th centuries, these 142 bold black-and-white line drawings include abstract forms, costumed figures, birds, flowers, and landscapes in many sizes and shapes, all royalty-free.

With over 500 stunning photographs, this design book reveals the relatively unknown, unique aesthetics of Korea. Korea Style reveals the central elements of Korean design: simplicity, moderation, constraint, and a deep respect for all things natural. Despite the filtering of Japanese and Western design ideas into Korea over the millennia, the peninsula has maintained its own identity and is gaining recognition for its own particular "style." Spatial, spiritual and material qualities are reflected in the pure beauty of its architectural design, while classic objects that immediately distinguish themselves as being uniquely Korean are used with distinctive flair in interior design and decoration. Korea Style is the first book devoted to the country's architecture and interior design--featuring twenty-two exceptional homes, studios, and public and heritage buildings. They range from vernacular to cutting-edge creations and are a celebration of Korea's culture, natural landscape, arts and crafts, and architectural history juxtaposed with a drive towards invention, experimentation and individuality.

Over the past decades, Korea has gradually risen to become one of the global representatives of Asian culture. Korean artists have been increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient. Although a few overviews of Korean contemporary art do exist, they typically focus on the history of art groups and movements. In addition, several anthologies have been published with articles on a range of topics, offering multiple perspectives. However, there have been few attempts to provide a unified synopsis of Korean contemporary art. Presenting a comprehensive, engaging survey that covers the full spectrum of Korean contemporary art, Korean Art since 1945: Challenges and Changes seeks to fill this lacuna. Drawing on primary sources, it discusses the main issues, including the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. Korean Art since 1945: Challenges and Changes is an invaluable tool for those intent on grasping the entire scope of modern art in Asia.

Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.

This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.

In recent years the increase in interest in Asian art has led to a number of books being published about Japanese and Chinese artists. However, the exciting Korean scene is still largely undocumented. Now Kim YoungNa reveals Korean modern and contemporary artists to the West. Twentieth-Century Korean Art provides a comprehensive, engaging survey that places emphasis on art historical narratives. It draws on primary sources and historical artefacts as well as on new interpretations of issues such as the identity of Korean art and the cultural ramifications of Japanese colonialism. Covering over one hundred year from the late 19th century through to the 1990s, the essays in this book examine how both external influences and wills-to-change within Korean society itself generated an artistic vitality against a shifting political, social, and cultural backdrop and how this necessarily involved East Asia at large and the West.

This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.

Korea is a fascinating country located in East Asia, divided into two distinct regions: North Korea and South Korea. Korea has a long and complex history, with its civilization starting around 1392 when the Joseon Dynasty was founded. For several centuries, Korea's strategic location has made it the sight of several invasions and colonization attempts, including Japan's colonial rule over Korea from 1910 to 1945. The Korean War, which took place from 1950 to 1953, also impacted the Korean people, resulting in separation of North and South Korea. Despite a challenging past and political differences, South Korea has become a significant economic powerhouse and an entertainment hub, while North Korea remains a secretive and repressive state. South Korea, also known as the Republic of Korea (ROK), is a dynamic and modern country that is home to numerous corporations, including Samsung and LG. South Korea has undergone significant economic growth, and it has become one of the world's leading economies. Yet despite its economic success, South Korea is also home to some of the most unique cultures, including distinctive cuisine, traditional music, and festivals. South Korea is also famous for its entertainment industry, including music (K-pop), television dramas (K-dramas), and movies. North Korea is an enigma, rarely seen or heard about beyond government propaganda. It is led by the Kim dynasty and maintains strict control over its citizens. Over the years, North Korea has become famous for its nuclear program and human rights abuses, making it a topic of international concern. Despite their differences, both North and South Korea have an intricate and fascinating history and culture that continues to captivate the world.

The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.

Korea faces two challenges in the twenty-first century: unification and globalization. Both entail problems of economic, political and cultural integration. In the past, Koreans successfully 'unified' in various forms, and 'globalized' in many ways. This book is a study of the theme of globalization, addressing various aspects of Korea's integration into the global community from a social scientific or humanistic perspective. This investigation begins with a focus on contemporary South and North Korea: the 'globalized' southern daily life, South Korean labour as a global player, the southern development state, and the cultural division that poses the greatest threat to reunification. Moving outwards in concentric circles, chapters address Korea's connections with its region and Koreans' contributions to the wider world. Relations with Japan, Korea's most difficult bi-lateral relationship, are surveyed to identify both patterns and images. The thirteenth century Tripitaka Koreana is the most complete collection of Buddhist scripture in Chinese and its recent digitization points towards a renaissance of this world religion. South Korea's pursuit of a Nobel Prize in Literature is put in perspective when one considers Korean contribution to the pre-modern Sinitic literary world. South Korea may owe its existence to the United Nations, but since entering the UN in 1991, it has taken to heart the altruistic urge of global peacekeeping.