Drawing insight from W.E. B. Du Bois, Frederick Douglass and Toni Morrison, Terrence L. Johnson recasts the debate on the proper role of religion in politics as one about liberalism's failure to address the moral issues implicated in human suffering, subjugation and death as they emerge within political responses to antiblack racism, imperialism and sexism.

The Souls of W. E. B. Du Bois is a collection of articles that treat Du Bois on the subject of religion by reintroducing his life and work to an audience that may be familiar with his work generally but may never have seen analyses of his study of religion. Because the project includes articles that examine both Du Bois's personal religious life along with his examination of religion, the editors seek to add not only to our knowledge of Du Bois's scholarly contributions but also hope to shed light on his personal life and religiosity. Also, in treating the biography and career of a thinker whose work covers much of the twentieth century, the editors intend this work to address larger issues related to religion in the United States over the course of the century.

Based on a thematic and topical structure, this handbook provides scholars and advanced students detailed description, analysis, and constructive discussions concerning African American theology - in the forms of black and womanist theologies. This volume surveys the academic content of African American theology by highlighting its sources; doctrines; internal debates; current challenges; and future prospects, in order to present key topics related to the wider palette of black religion in a sustained scholarly format.

Who are the "Nones"? What does humanism say about race, religion and popular culture? How do race, religion and popular culture inform and affect humanism? The demographics of the United States are changing, marked most profoundly by the religiously unaffiliated, or what we have to come to call the "Nones". Spread across generations in the United States, this group encompasses a wide range of philosophical and ideological perspectives, from some in line with various forms of theism to those who are atheistic, and all sorts of combinations in between. Similar changes to demographics are taking place in Europe and elsewhere. Humanism: Essays on Race, Religion and Popular Culture provides a much-needed humanities-based analysis and description of humanism in relation to these cultural markers. Whereas most existing analysis attempts to explain humanism through the natural and social sciences (the "what" of life), Anthony B. Pinn explores humanism in relation to "how" life is arranged, socialized, ritualized, and framed. This ground-breaking publication brings together old and new essays on a wide range of topics and themes, from the African-American experience, to the development of humanist churches, and the lyrics of Jay Z.

Many have used the term 'tragic' to refer to African American religious and cultural experience. After a studied meditation on and articulation of the 'tragic vision,' Johnson argues that African American Christian Consciousness is an expression of the tragic and a tragic expression of the Christian Faith.

György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

8. Returning to the Little House Where We Lived and Made Do -- 9. Cultural Asylums and the Jungles They Planted in Them -- 10. Waking Up the Dead -- Notes -- Index -- About the Author

This collection of essays explores the gamut of Toni Morrison’s novels from her earliest to her most recent. Each of the essays examines the various ways in which Morrison’s work delineates and interrogates Western culture’s ideological norms of mothers, motherhood, and mothering. The essays consider Morrison’s female, and in some cases male, characters as challenging the concept that mothering and motherhood is a stable notion. The essays reveal both that mothering is a central concept in Morrison’s work and that an examination of this pervasive notion illuminates her corpus as a whole. Toni Morrison on Mothers and Motherhood offers a wide range of scholarship that provides a compelling look at Morrison’s work through an array of interdisciplinary approaches that are grounded in feminist/gender studies. This interdisciplinary collection of essays will be of interest to scholars and critics concerned with the notions of how we define mother/motherhood/mothering and the problem of its interpretation within Western society, as well as those engaged in the interpretation of African-American literature, and Morrison’s work in particular.