In the transatlantic world of the late eighteenth century, easterly winds blew radical thought to America. Thomas Paine had already arrived on these shores in 1774 and made his mark as a radical pamphleteer during the Revolution. In his wake followed more than 200 other radical exiles—English Dissenters, Whigs, and Painites; Scottish "lads o'parts"; and Irish patriots—who became influential newspaper writers and editors and helped change the nature of political discourse in a young nation. Michael Durey has written the first full-scale analysis of these radicals, evaluating the long-term influence their ideas have had on American political thought. Transatlantic Radicals uncovers the roots of their radicalism in the Old World and tells the story of how these men came to be exiled, how they emigrated, and how they participated in the politics of their adopted country. Nearly all of these radicals looked to Paine as their spiritual leader and to Thomas Jefferson as their political champion. They held egalitarian, anti-federalist values and promoted an extreme form of participatory democracy that found a niche in the radical wing of Jefferson's Republican Party. Their divided views on slavery, however, reveal that democratic republicanism was unable to cope with the realities of that institution. As political activists during the 1790s, they proved crucial to Jefferson's 1800 presidential victory; then, after his views moderated and their influence waned, many repatriated, others drifted into anonymity, and a few managed to find success in the New World. Although many of these men are known to us through other histories, their influence as a group has never before been so closely examined. Durey persuasively demonstrates that the intellectual ferment in Britain did indeed have tremendous influence on American politics. His account of that influence sheds considerable light on transatlantic political history and differences in religious, political, and economic freedoms. Skillfully balancing a large cast of characters, Transatlantic Radicals depicts the diversity of their experiences and shows how crucial these reluctant émigrés were to shaping our republic in its formative years.

William Duane is most famous as the editor of "The Aurora", the Philadelphia-based paper which vigorously supported Thomas Jefferson in his 1800 presidential election campaign. Based on archival research, this biography of Duane studies his American career in light of his formative years in Ireland, England and India.

Covering the first four decades of America, contains alphabetical entries on people, places, organizations, events, movements, laws, works of literature, and other significant social, economic, political, and cultural topics.

The drafting and ratification of the federal constitution between 1787 and 1788 capped almost 30 years of revolutionary turmoil and warfare. The supporters of the new constitution, known at the time as Federalists, looked to the new national government to secure the achievements of the Revolution. But they shared the same doubts that the Anti-federalists had voiced about whether the republican form of government could be made to work on a continental scale. Nor was it a foregone conclusion that the new government would succeed in overcoming parochial interests to weld the separate states into a single nation. During the next four decades the institutions and precedents governing the behavior of the national government took shape, many of which are still operative today. This second edition of Historical Dictionary of the Early American Republic contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about American history.

Selected by Choice magazine as an Outstanding Academic Title Paul Giles traces the paradoxical relations between English and American literature from 1730 through 1860, suggesting how the formation of a literary tradition in each national culture was deeply dependent upon negotiation with its transatlantic counterpart. Using the American Revolution as the fulcrum of his argument, Giles describes how the impulse to go beyond conventions of British culture was crucial in the establishment of a distinct identity for American literature. Similarly, he explains the consolidation of British cultural identity partly as a response to the need to suppress the memory and consequences of defeat in the American revolutionary wars. Giles ranges over neglected American writers such as Mather Byles and the Connecticut Wits as well as better-known figures like Franklin, Jefferson, Irving, and Hawthorne. He reads their texts alongside those of British authors such as Pope, Richardson, Equiano, Austen, and Trollope. Taking issue with more established utopian narratives of American literature, Transatlantic Insurrections analyzes how elements of blasphemous, burlesque humor entered into the making of the subject.

While recent scholarship has usefully positioned Burns within the context of British Romanticism as a spokesperson of Scottish national identity, Robert Burns and Transatlantic Culture considers Burns's impact in the United States, Canada, and South America, where he has served variously as a site of cultural memory and of creative negotiation. Ambitious in its scope, the volume is divided into five sections that explore: transatlantic concerns in Burns's own work, Burns's early publication in North America, Burns's reception in the Americas, Burns's creation as a site of cultural memory, and extra-literary remediations of Burns, including contemporary digital representations. By tracing the transatlantic modulations of the poet and songwriter and his works, Robert Burns and Transatlantic Culture sheds new light on the circuits connecting Scotland and Britain with the evolving cultures of the Americas from the late eighteenth century to the present.

This is a political, cultural and intellectual biography of the neglected but important figure, Henry Redhead Yorke. A West Indian of African/British descent, born into a slave society but educated in Georgian England, he developed a complex identity to which politics was key. The most revolutionary radical in Britain between 1793-5, Yorke then recanted his radicalism and died a loyalist gentleman. This book raises important issues about the impact of "outsider" politics in England and the complexities of politicization and identity construction in the Atlantic World. It restores a forgotten black writer to his due place in history.

Re-examines the long and complex history of democracy and broadens the traditional view of this history by complementing it with examples from unexplored or under-examined quarters.

Slavery and the Democratic Conscience explains how democratic subjects confronted and came to terms with slaveholder power in the early American Republic. Slavery was not an exception to the rise of American democracy, Padraig Riley argues, but was instead central to the formation of democratic institutions and ideals.

Reimagines the American 19th century through a sweeping interdisciplinary engagement with oceans, genres, and time Emergent Worlds re-locates nineteenth-century America from the land to the oceans and seas that surrounded it. Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern era—colonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. These four domains—oceanic geography, historical folds, emergent politics, and dissonant times—in turn, provided the conditions for the development of three previously unnamed genres of the 1850s: the Pacific elegy, the black counterfactual, and the immigrant gothic. In telling the history of these emergent worlds and their importance to the development of the literary cultures of the US Americas, Sugden proposes narratives that alter some of the most enduring myths of the field, including the westward spread of US imperialism, the redemptionist trajectory of black historiography, and the notion that the US Americas constituted a new world. Introducing a new generic vocabulary for describing the literature of the 1850s and crossing over oceans and languages, Emergent Worlds invokes an alternative nineteenth-century America that provides nothing less than a new way to read the era.