In this book, Carroy Ferguson presents a unique glimpse into the transitional stages in consciousness that many African Americans experience as they explore the essence of being a Black person in U.S. society and the world. Using a model of six transitional stages in consciousness, original essays, and discourses on the symbolism of various historical events, Ferguson engages readers in an intriguing reflective process to give them a better understanding of how transitions in consciousness_from an African American perspective_are largely shaped and greatly influenced by the 'psychology of the times.' The essays, therefore, represent the various dynamics at play as many African Americans engage the contents of their consciousness and learn to explore and transcend various societal challenges. To assist readers in engaging their personal self-reflective processes, Ferguson provides creative exercises and a comprehensive timeline of African American life.

Author Tony Cloud grew up in Wheaton, Maryland, when the metropolitan area of Washington, DC, earned the title Crime Capital of the World. He knows firsthand the ugliness that crime perpetuates. In Transition of the Mind, he shows how drugs and violence have affected the hearts of the entire world and discusses how action must be taken before its too late. This study journeys into the hearts of deprived, devalued, and distressed inner-city children. Based on real lives and true events in the ghetto and suburban areas, it answers many questions that have been asked by parents and grandparents around the nation: Why are so many young people joining gangs, and how do we get them out? What kinds of laws or rules are necessary for inner-city survival? How has poverty cheapened the value of life? Besides abortion, how are children murdered without a weapon? What is the power of a gangsta in underprivileged areas? Is racism truly alive, and does it exists on every level of life? Heartfelt and raw, Transition of the Mind provides insight into the challenges of street life for many young people in inner-city settings. It shows that through discipline and faith in God and themselves, they can overcome the challenges and become righteous people.

The proof of any group's importance to history is in the detail, a fact made plain by this informative book's day-by-day documentation of the impact of African Americans on life in the United States. One of the easiest ways to grasp any aspect of history is to look at it as a continuum. African American History Day by Day: A Reference Guide to Events provides just such an opportunity. Organized in the form of a calendar, this book allows readers to see the dates of famous births, deaths, and events that have affected the lives of African Americans and, by extension, of America as a whole. Each day features an entry with information about an important event that occurred on that date. Background on the highlighted event is provided, along with a link to at least one primary source document and references to books and websites that can provide more information. While there are other calendars of African American history, this one is set apart by its level of academic detail. It is not only a calendar, but also an easy-to-use reference and learning tool.

Focuses on the "Transitions" that take place at major points of potential discontinuity in students' developmental trajectories and across contexts at a given time point. In this title, development literature has examined how children's motivation and achievement are affected by the shift from pre-school to school.

This volume considers innovations, transitions, and traditions in both familiar and unfamiliar texts and moments in 1960s African American literature and culture. It interrogates declarations of race, authenticity, personal and collective empowerment, political action, and aesthetics within this key decade. It is divided into three sections. The first section engages poetry and music as pivotal cultural form in 1960s literary transitions. The second section explains how literature, culture, and politics intersect to offer a blueprint for revolution within and beyond the United States. The final section addresses literary and cultural moments that are lesser-known in the canon of African American literature and culture. This book presents the 1960s as a unique commitment to art, when 'Black' became a political identity, one in which racial social justice became inseparable from aesthetic practice.

A collection of original essays based on oral history and archival research, this volume illuminates diverse aspects of southern workers' experience in the modern era. Included here are essays on agricultural workers, teachers, and fire fighters, as well as pieces on air transport, paper manufacturing, and aircraft production. Other topics include workers' organizations that fall outside the traditional labor movement and the role of cotton textile workers in the recent history of southern labor relations. Themes involving race, the varieties of union representation, and labor's impact on southern politics are especially prominent throughout this collection.

This book argues that literary production in Portuguese-speaking southern Africa has developed distinctive aesthetic idioms that critically respond to crises of global capitalism and related failures of post-colonial governance. Drawing from recent research at the intersection of world-systems analysis and materialist theories of world literature, it identifies and evaluates two generic trends in the post-independence literatures of Mozambique and Angola. From the mid-1980s to the early 1990s, there is a marked tendency in Mozambican literary production towards fictional representations of ghosts, spectral effects and gothic narrative techniques. In Angola, there is an analogous outburst of literary expression from the mid-1990s onwards, in which writers increasingly turn towards dystopian images of apocalypse, ecological crisis, and the disintegration of existing modes of social reproduction. Away from a restricted focus on the decline of the post-independence Marxist-Leninist state, the book contends that the upswing in these two genres of writing functions to critically register a world-systemic horizon that both surpasses and includes locally determined, national realities. The patterned repetition of spectral and dystopian forms in Portuguese-speaking southern Africa occurred at a time of heightened capitalisation, in which the region was subjected to newly expropriative forms of accumulation and ecological enclosure via integration into a reconstellated world-system headed by neoliberal finance capital. Through close readings of texts by authors such as Mia Couto, Suleiman Cassamo, Ungulani Ba Ka Khosa, Pepetela, and Ondjaki, this book asks: What factors drove literary production towards the figure of the spectre in Mozambique and towards dystopia in Angola? What emerging energies and social contradictions found shape in these generic idioms in ways that existing vocabularies were unable to express? What does the geo-temporal passage from spectrality to dystopia tell us about the history of capitalist development in southern Africa, and about the restructuring of political-economic parameters across the globe?

This anthology represents original work presented at a conference commemorating the twentieth anniversary of Women's Studies at the University of Delaware. The central theme focuses on the interdisciplinary links within contemporary women's studies scholarship, addressing the need for this scholarship to cut across disciplines, to be located within a feminist framework, to continually redefine and develop appropriate methodologies, and to translate the academic work into products that address critical issues and concerns facing women and women's creative scholarship.

This book analyses historical, literary, and cultural shifts in African American literature from the 1920s-1930s.

Since Cone's Black Theology and Black Power was first published in 1969, he has been recognized as one of the most creative contemporary black theologians. Roundly criticized by white theologians, the book and Cone's subsequent writings nevertheless gave voice and viability to the developing black theological movement of the late 1960s. Despite his influence on the African American religious community, scholars have written very little about his works, in part because of the sharp rhetoric and polemics of his first two books. Discussed here are some of his major writings, from his first essay, Christianity and Black Power (1968), through the major work Martin & Malcolm & America (1991). The systematic development of his themes (social and economic analysis, black sexism, relations between black, feminist, and so-called third-world theologies, etc.) is fully explained.