This book explores traumatic loss, grief, and recovery through the thoughtful combination of Abraham & Torok’s ‘crypt’ theory, Jungian thought, and film theory to guide readers through the darkest places of the human psyche. Focusing on both the destructive and reconstructive choices people can make, the book explores prolonged grief disorder, complicated mourning, post-traumatic stress disorder, embitterment, disenfranchised grief, trauma-related rumination as well as mental, emotional and physical pain. Presented with real life examples and fictional ones, the book connects the psychoanalytic concepts of intrapsychic tomb and theoretra with Jungian concepts such as teleological model of the psyche, dreams, alchemical operations, shadow, archetypes, enantiodromia, symbols, and compensation on the canvas of modern grief theory. Traumatic Loss and Recovery in Jungian Studies and Cinema is important reading for psychoanalysts, Jungian analysts, and psychotherapists with an interest in popular culture, as well as cinema students, scholars, and general readers interested in psychology, counselling, mental health and media studies.

Every picture tells a story, and stories have the power to educate. Looking at two key Jungian archetypes – the father and the shadow – from a challenging perspective, this book investigates the negative, shadowy side of fatherhood and its detrimental effect on children by presenting a collection of stories from all over the world. Blurring the line between fiction and fact, art and academic theory, the book travels across a difficult psychosocial landscape, discussing family life, mental health, and criminality. Mark Holmwood highlights the educational value of these stories whilst exploring the father–child dynamic, adverse childhood experiences, father hunger, asymmetrical power relations, psychological manipulation, narcissism, domestic violence, sexual abuse, patricide, and filicide. Jungian and post-Jungian viewpoints on the bond between fathers and their children are woven into a bigger, interconnected narrative which invites the readers to re-think clinical, sociological, and mythological connections through the lens of modern masculinity and men’s studies. Discussing five different types of negative fathers, the book presents their children’s struggles and underlines their resilience at the same time, emphasising assertion, challenge, questioning, and if necessary, acceptance, all being a part of the complex and transformative psychological process called individuation. Written with a clear and direct style, Shadows of Fatherhood, Jung, and Film will be of interest to mental health professionals, Jungian scholars, students, teachers and researchers in social sciences, humanities, and the arts, as well as general readers with a distinctive interest in men’s studies, father–child relations, and cinema.

A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction.

A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction.

Every picture tells a story, and stories have the power to educate. Looking at two key Jungian archetypes - the father and the shadow - from a challenging perspective, this book investigates the negative, shadowy side of fatherhood and its detrimental effect on children by presenting a collection of stories from all over the world. Blurring the line between fiction and fact, art and academic theory, the book travels across a difficult psychosocial landscape, discussing family life, mental health, and criminality. Mark Holmwood highlights the educational value of these stories whilst exploring the father-child dynamic, adverse childhood experiences, father hunger, asymmetrical power relations, psychological manipulation, narcissism, domestic violence, sexual abuse, patricide, and filicide. Jungian and post-Jungian viewpoints on the bond between fathers and their children are woven into a bigger, interconnected narrative which invites the readers to re-think clinical, sociological, and mythological connections through the lens of modern masculinity and men's studies. Discussing five different types of negative fathers, the book presents their children's struggles and underlines their resilience at the same time, emphasising assertion, challenge, questioning, and if necessary, acceptance, all being a part of the complex and transformative psychological process called individuation. Written with a clear and direct style, Shadows of Fatherhood, Jung, and Film will be of interest to mental health professionals, Jungian scholars, students, teachers and researchers in social sciences, humanities, and the arts, as well as general readers with a distinctive interest in men's studies, father-child relations, and cinema.