Providing a new and stimulating conceptual framework for the study of Irish historiography, this book combines a theoretical approach with close analysis of important case studies and presents the first historical and theoretical examination of the trailblazer historians who, from 1938, spearheaded an unpoliticized Irish history

DigiCat Publishing presents to you this special edition of "Studies in Irish History, 1603-1649" (Being a Course of Lectures Delivered before the Irish Literary Society of London. 2d Series) by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Routledge International Handbook of Irish Studies begins with the reversal in Irish fortunes after the 2008 global economic crash. The chapters included address not only changes in post-Celtic Tiger Ireland but also changes in disciplinary approaches to Irish Studies that the last decade of political, economic, and cultural unrest have stimulated. Since 2008, Irish Studies has been directly and indirectly influenced by the crash and its reverberations through the economy, political landscape, and social framework of Ireland and beyond. Approaching Irish pasts, presents, and futures through interdisciplinary and theoretically capacious lenses, the chapters in this volume reflect the myriad ways Irish Studies has responded to the economic precarity in the Republic, renewed instability in the North, the complex European politics of Brexit, global climate and pandemic crises, and the intense social change in Ireland catalyzed by all of these. Just as Irish society has had to dramatically reconceive its economic and global identity after the crash, Irish Studies has had to shift its theoretical modes and its objects of analysis in order to keep pace with these changes and upheavals. This book captures the dynamic ways the discipline has evolved since 2008, exploring how the age of austerity and renewal has transformed both Ireland and scholarly approaches to understanding Ireland. It will appeal to students and scholars of Irish studies, sociology, cultural studies, history, literature, economics, and political science. Chapter 3, 5 and 15 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Highlighting the work of both established and emerging scholars in Irish studies, this collection brings together fifteen essays working at the intersection of two important and developing fields of Irish studies: gender studies and cultural geography. Developed from papers first presented at a regional meeting of the American Conference for Irish Studies in South Carolina in 2006, not only does this work suggest the importance of linking gender and geography, but it also suggests, in the range of literary and historical topics, the rich interdisciplinary nature of Irish studies at present. Central to all of the essays is an attention to intersections of gender and sexual identity formation with the politics of place and space. Although considerations of geographic space have long been staples of Irish cultural studies, especially in relation to political identities, these pieces suggest the critical importance of linking spatial and geographic analysis more clearly to ongoing examinations of gender and sexuality. From institutions such as the Magdalen laundries and the prison to the domestic garden and home, across urban and rural landscapes, from the Dublin GPO to a St. Patty's festival in the southern United States—this book examines the local and human contexts of identity formation and performance.

Vols. 1- include the sections: Writings on Irish history, 1936-1979; Research on Irish history in Irish, British and American universities, 1937/8-

The highly performative categories of 'Irish culture' and 'Irishness' are in need of critical address, prompted by recent changes in Irish society, the arts industry and modes of critical inquiry. This book broaches this task by considering Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.

The book describes how the courts dealt with murder, beginning with the coroner's inquest and ending with the conviction and hanging of the murderer. Between these two points the exquisite, almost balletic, procedure, of the courts and their officers is described, the Crown's case against the prisoner is analyzed, and the prisoner's defense is discussed. Magistrates, policemen, crown solicitors, witnesses, jurors, judges, and hangmen make their appearances. The prisoners, whose silence before and during their trials was their most notable characteristic in the nineteenth-century courts, make their apperances too, but not as prominently as their judicial custodians, until they finally and briefly come into the limelight on the gallows. An implicit theme of the book is the apparent contradiction between the apparent simplicity of the courts' procedures and the complexity of the rules that determined their operation. The book relies on a range of printed primary sources, such as newspapers, parliamentary papers, law reports, and legal textbooks, and on MS sources in the National Archives such as the Convict Reference Files. (Series: Irish Legal History Society)

What Rough Beasts presents an innovative and diverse collection of new research papers which investigate key literary and historical issues in Irish and Scottish Studies, providing a view onto the range of current research interests both within and across the two disciplines. From a selection of papers presented at an AHRC-sponsored conference held at the University of Aberdeen, the volume showcases original material by both emergent and established scholars. Opening up illuminating conversations between often diverse areas of study, this book covers issues including: poetry and violence; film and drama; history and historiography; ethnography and literature; the politics of representation.