American women have lived in Hong Kong, and in neighboring Macao, for nearly two centuries. Many were changed by their encounter with Chinese life and British colonialism. Their openness to new experiences set them apart, while their "pedagogical impulse" gave them a reputation for outspokenness that troubled others. Drawing on memoirs, diaries, newspapers, films, and other texts, Stacilee Ford tells the stories of several American women and explores how, through dramatically changing times, they communicated their notions of national identity and gender.Troubling American Womenis a lively and provocative study of cross-cultural encounters between the Hong Kong and the US and use of stereotypes of American womanhood in Hong Kong popular culture. Stacilee Fordhas lived in Hong Kong for 18 years. She teaches history and American studies at the University of Hong Kong.

An incisive history of self-serving white feminists and the inspiring women who’ve continually defied them Women including Elizabeth Cady Stanton, Margaret Sanger, and Sheryl Sandberg are commonly celebrated as leaders of feminism. Yet they have fought for the few, not the many. As award-winning scholar Kyla Schuller argues, their white feminist politics dispossess the most marginalized to liberate themselves. In The Trouble with White Women, Schuller brings to life the two-hundred-year counter history of Black, Indigenous, Latina, poor, queer, and trans women pushing back against white feminists and uniting to dismantle systemic injustice. These feminist heroes such as Frances Harper, Harriet Jacobs, and Pauli Murray have created an anti-racist feminism for all. But we don’t speak their names and we don’t know their legacies. Unaware of these intersectional leaders, feminists have been led down the same dead-end alleys generation after generation, often working within the structures of racism, capitalism, homophobia, and transphobia rather than against them. Building a more just feminist politics for today requires a reawakening, a return to the movement’s genuine vanguards and visionaries. Their compelling stories, campaigns, and conflicts reveal the true potential of feminist liberation. An Entropy Magazine Best Nonfiction Book of 2020-2021,The Trouble with White Women gives feminists today the tools to fight for the flourishing of all.

"Nelson's prose is precise and energetic, and her insights delight because they manage to be at once surprising and so right as to seem inevitable." -- The New York Times Book Review Antonya Nelson is widely regarded as one of America's most talented women writers -- The New Yorker has named her one of the twenty best writers of her generation -- and with Female Trouble she returns to the short-story form with which she made her original literary mark. Thirteen wise, funny, and startlingly perceptive stories about the vagaries of marriage, the uncertainties of family, and the revelations of female life, Female Trouble looks at the relationships not just between men and women but also between parents and children, brothers and sisters. Probing the subjects of love, fidelity, desire, dependence, and solitude, Nelson explores the broad notion of family from myriad angles, but always with surprising insight and her trademark offbeat humor. The title story features a thirty-year-old man carrying on intimate relationships with three different women -- one institutionalized, one pregnant, one purely maternal -- but unable to commit to any of them. "Incognito" depicts a divorced woman whose turbulent teen years are suddenly brought back to her when she returns to her hometown with her own teenage daughter. In "The Unified Front," a husband reckons with his wife's decision to steal a baby while at a famous theme park, and in "Stitches," a disturbing late-night phone call forces a mother to confront her college-age daughter's sexuality and her own adulterous past. Set in the vividly rendered Southwest and Midwest, these moving stories are dark and honest portraits of people in moral quandaries, gray areas, unclear circumstances -- stories that reveal us to ourselves with disturbing clarity. As always, Nelson astounds with the clean, terse power of her language, and she deftly uses humor to expose the soft underbellies of her tough-talking, unblinking characters. These are stories that will linger in the reader's mind long after they are read.

This book examines the ways in which recent U.S. Latina literature challenges popular definitions of nationhood and national identity. It explores a group of feminist texts that are representative of the U.S. Latina literary boom of the 1980s, 1990s, and 2000s, when an emerging group of writers gained prominence in mainstream and academic circles. Through close readings of select contemporary Mexican American, Puerto Rican, and Cuban American works, Maya Socolovsky argues that these narratives are “remapping” the United States so that it is fully integrated within a larger, hemispheric Americas. Looking at such concerns as nation, place, trauma, and storytelling, writers Denise Chavez, Sandra Cisneros, Esmeralda Santiago, Ana Castillo, Himilce Novas, and Judith Ortiz Cofer challenge popular views of Latino cultural “unbelonging” and make strong cases for the legitimate presence of Latinas/os within the United States. In this way, they also counter much of today’s anti-immigration rhetoric. Imagining the U.S. as part of a broader "Americas," these writings trouble imperialist notions of nationhood, in which political borders and a long history of intervention and colonization beyond those borders have come to shape and determine the dominant culture's writing and the defining of all Latinos as "other" to the nation.

"In global politics, women's bodies are policed, objectified, surveilled, and feared, with particular attention paid to both their met or unmet procreative potential. By illuminating and interrogating representations and narratives of maternity, this volume shows how practices of global politics shape and are shaped by the gendered norms and institutions that underpin motherhood. The guiding theoretical idea in this volume is that motherhood matters in global politics. However - as with so many political phenomena coded 'female' in the binary cognitive architectures of the West - the diverse ways in which performances and practices of motherhood are constituted by and are constitutive of other dimensions of political life they are frequently obscured or assumed to be of little interest to scholars, policy makers, and practitioners. Featuring innovative and diverse interrogations of the politics of motherhood as an institution, this collection shows that maternality is troubled, complicated, and heterogeneous in global politics and thus performances and practices of motherhood warrant closer and more sustained scrutiny"--

School textbooks in Iran, Saudi Arabia, Egypt and elsewhere in the Arab and Muslim worlds are filled with anti-Western and anti-Israel propaganda. Most readers will be shocked to discover that history and geography textbooks widely used in America's elementary and secondary classrooms contain some of the very same inaccuracies about Jews, Judaism, and Israel. Did you know that 'there is no record of any important Jewish contribution to the sciences?' (World Civilizations, Thomson Wadsworth). Or that 'Christianity was started by a young Palestinian named Jesus?' (The World, Scott Foresman/Pearson). Supplemental materials and other classroom influences are even worse. The Trouble with Textbooks exposes the poor scholarship and untruths in textbooks about Jews and Israel. The problems uncovered in this ground-breaking analysis are instructive, and illustrate the need for reform in the way textbooks are developed, written, marketed, and distributed. Substitute another area_how we teach American history, Western civilization, or comparative religion_and we have another, equally intriguing case study. The Trouble with Textbooks shows what can go terribly wrong in discussing religion, geography, culture, or history_and in this case_all of them. The Trouble with Textbooks tells a cautionary tale for all readers, whatever their background, of how textbooks that Americans depend on to infuse young people with the values for good citizenship and to help acculturate students into the multicultural salad that is American life, instead disparage some groups and teach historical distortions. With millions of young people using these textbooks each year, the denigration of some should be a concern for all.

Fiona Travers, single and in her thirties, has a talent for choosing Mr Wrong. One disappointment too many, and she decides to abandon the hunt. Old Maids RIP, the new spinster thrives. Aren't the days long gone when you hooked a husband to acquire a life? What can a man give Fiona that she can't give herself? She voluntarily places herself on the shelf - for good. But there's nothing more unsettling to the miserably married than a woman who trades in happy-ever-after for the chance of a new beginning. Take Jill. She's convinced that Fiona's announcement is just another ploy to help herself to a husband - Jill's. At the same time Claire, Fiona's best friend, has grown weary of coping alone. Secretly, she's arranged a marriage for herself. It ain't love, but when you're hurtling towards middle age, childfree and spouse-less, companionship is good enough . . . Or is it? Yvonne Roberts' wise and witty novel wickedly proposes that the trouble with single women today - is that no one can quite predict what they might do next . . . While the trouble with love - is that it still holds all the best tricks.

Contributions by Jacob Agner, Sarah Gilbreath Ford, Katie Berry Frye, Michael Kreyling, Andrew B. Leiter, Rebecca Mark, Suzanne Marrs, Tom Nolan, Michael Pickard, Harriet Pollack, and Victoria Richard Eudora Welty’s ingenious play with readers’ expectations made her a cunning writer, a paramount modernist, a short story artist of the first rank, and a remarkable literary innovator. In her signature puzzle-texts, she habitually engages with familiar genres and then delights readers with her transformations and nonfulfillment of conventions. Eudora Welty and Mystery: Hidden in Plain Sight reveals how often that play is with mystery, crime, and detective fiction genres, popular fiction forms often condescended to in literary studies, but unabashedly beloved by Welty throughout her lifetime. Put another way, Welty often creates her stories’ secrets by both evoking and displacing crime fiction conventions. Instead of restoring order with a culminating reveal, her story-puzzles characteristically allow mystery to linger and thicken. The mystery pursued becomes mystery elsewhere. The essays in this collection shift attention from narratives, characters, and plots as they have previously been understood by unearthing enigmas hidden within those constructions. Some of these new readings continue Welty’s investigation of hegemonic whiteness and southern narratives of race—outlining these in chalk as outright crime stories. Other essays show how Welty anticipated the regendering of the form now so characteristic of contemporary women mystery writers. Her tender and widely ranging personal correspondence with the hard-boiled American crime writer Ross Macdonald is also discussed. Together these essays make the case that across her career, Eudora Welty was arguably one of the genre’s greatest double agents, and, to apply the titles of Macdonald’s novels to her inventiveness with the form, she is its “underground woman,” its unexpected “sleeping beauty.”

The first comprehensive history of the Mason-Dixon Line—a dramatic story of imperial rivalry and settler-colonial violence, the bonds of slavery and the fight for freedom. The United States is the product of border dynamics—not just at international frontiers but at the boundary that runs through its first heartland. The story of the Mason-Dixon Line is the story of America’s colonial beginnings, nation building, and conflict over slavery. Acclaimed historian Edward Gray offers the first comprehensive narrative of the America’s defining border. Formalized in 1767, the Mason-Dixon Line resolved a generations-old dispute that began with the establishment of Pennsylvania in 1681. Rivalry with the Calverts of Maryland—complicated by struggles with Dutch settlers in Delaware, breakneck agricultural development, and the resistance of Lenape and Susquehannock natives—had led to contentious jurisdictional ambiguity, full-scale battles among the colonists, and ethnic slaughter. In 1780, Pennsylvania’s Act for the Gradual Abolition of Slavery inaugurated the next phase in the Line’s history. Proslavery and antislavery sentiments had long coexisted in the Maryland–Pennsylvania borderlands, but now African Americans—enslaved and free—faced a boundary between distinct legal regimes. With the passage of the Fugitive Slave Act in 1850, the Mason-Dixon Line became a federal instrument to arrest the northward flow of freedom-seeking Blacks. Only with the end of the Civil War did the Line’s significance fade, though it continued to haunt African Americans as Jim Crow took hold. Mason-Dixon tells the gripping story of colonial grandees, Native American diplomats, Quaker abolitionists, fugitives from slavery, capitalist railroad and canal builders, US presidents, Supreme Court justices, and Underground Railroad conductors—all contending with the relentless violence and political discord of a borderland that was a transformative force in American history.

These volumes provide an authoritative reference resource on leadership issues specific to women and gender, with a focus on positive aspects and opportunities for leadership in various domains.