When you look in the mirror, what do you see? Do you see what you’re lacking—what the world tells you a girl needs in order to be beautiful? Or do you see your true image—the way God sees you, your true beauty? We all know how difficult it is to feel beautiful in a culture where we’re bombarded with images of what everybody says “beauty” is. So how are you supposed to view yourself the way God sees you? The way God created you to be? Based on the bestselling True Images Bible, the True Images Devotional will help you begin seeing yourself the way God sees you—as one of his beautiful daughters. In this daily devotional you’ll read about Bible characters who display inner beauty and possess hearts that God finds lovely. Each devotional contains a verse from the True Images Bible, along with the devotional thought for the day. In addition, there’s another Bible passage to read, a prayer, and space to journal about what you’ve read. When you spend time with God each day—and learn what is truly.

Medieval images and their content, intentions, and functions regularly followed specific strategies, rituals, and symbols of communication. This is true for religious as well as for secular images. One can recognize these strategies and rituals through analyzing the patterns that occur in the varieties of image construction, image space, image messages, and their perception. This book contains contributions by international specialists whose research interests concentrate on these patterns, the rituals associated with them, and the influences of these phenomena on the daily life of the image audience. (Series: History: Research and Science / Geschichte: Forschung und Wissenschaft - Vol. 39)

A Mirror for Lovers: Shake-speare's Sonnets as Curious Perspective, by William F. Zak, seeks to identify in Shake-speare'e sonnet sequence the structural and thematic features of the satirical tradition born in Plato's Symposium. Through this study, Zak traces the power of an idea to endure, re-animate, and enrich itself through time: Plato's discrimination of the true nature of love in The Symposium. Born anew in its medieval reincarnations (The Romance of the Rose, The Vita Nuova, and The Canzoniere of Petrarch), the tradition begun in Plato's Symposium was then resuscitated in the Elizabethan sonnet sequence revival, most notably in Shake-speare's Sonnets. With extended examination of all the texts in the Q manuscript, A Mirror for Lovers makes a case for the mutually illuminating relationship among the sonnets to the fair young man and the dark lady, "A Lover's Complaint," and the mysterious dedication that until now have never received attention as an integral symbolic matrix of meaning.

Focusing on a broad range of texts from England, France, Germany, and Italy -- conduct and courtesy books, advice poems, devotional literature, trial records -- the contributors to Medieval Conduct draw attention to the diverse ways in which readers of this literature could interpret such behavioral guides, appropriating them to their own ends. Medieval Conduct expands the concept of conduct to include historicized practices, and theorizes the connection between texts and their concrete social uses; what emerges is a nuanced interpretation of the role of gender and class inscribed in such texts. By bringing to light these subtleties and complexities, the authors also reveal the ways in which the assumptions of literary history have shaped our reception of such texts in the past two centuries.

An account of how, in certain parts of sixteenth-century England, challenges to conventional piety anticipated the Reformation. Here is a richly detailed account of the relationship between Lollard heresy and orthodox religion before the English Reformation. Robert Lutton examines the pious practices and dispositions of families and individuals in relationto the orthodox institutions of parish, chapel and guild, and the beliefs and activities of Wycliffite heretics. He takes issue with portrayals of orthodox religion as buoyant and harmonious, and demonstrates that late medieval piety was increasingly diverse and the parish community far from stable or unified. By investigating the generation of family wealth and changing attitudes to its disposal through inheritance and pious giving in the important Lollard centre of Tenterden in Kent, he suggests that rapid economic development and social change created the conditions for a significant cultural shift. This study contends that in certain parts of England by the early sixteenth century piety was subject to dramatic changes which, in a number of important ways, anticipated the Reformation. Dr ROBERT LUTTON teaches in the Department of History at the University of Nottingham.

Encourage your teen to start her day with God's wisdom Life can be tough for teen girls, but God is always there to support them so they can grow into the amazing women they were meant to be. This daily devotional for teen girls will help your teen start every morning the right way, reminding her of God's Word and teaching her to stay true to herself—all before breakfast. This top choice in devotionals for girls encourages her to: Create a morning ritual—Your teen will be able to make time for God every day with five-minute devotions that fit into any routine. Explore God's wisdom—She'll learn how the Lord's Word can help her overcome whatever challenges she might be facing. Set her intentions—A simple goal included at the end of each devotion helps your teen girl grow her faith a little every day. Help your teen girl make God part of her routine and learn to live strong in her faith with the Morning Devotional for Teen Girls.

Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.

"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement

Domestic Devotions in Early Modern Italy illuminates the vibrancy of spiritual beliefs and practices which profoundly shaped family life in this era. Scholarship on Catholicism has tended to focus on institutions, but the home was the site of religious instruction and reading, prayer and meditation, communal worship, multi-sensory devotions, contemplation of religious images and the performance of rituals, as well as extraordinary events such as miracles. Drawing on a wide range of sources, this volume affirms the central place of the household to spiritual life and reveals the myriad ways in which devotion met domestic needs. The seventeen essays encompass religious history, the histories of art and architecture, material culture, musicology, literary history, and social and cultural history. Contributors are Erminia Ardissino, Michele Bacci, Michael J. Brody, Giorgio Caravale, Maya Corry, Remi Chiu, Sabrina Corbellini, Stefano Dall’Aglio, Marco Faini, Iain Fenlon, Irene Galandra Cooper, Jane Garnett, Joanna Kostylo, Alessia Meneghin, Margaret A. Morse, Elisa Novi Chavarria, Gervase Rosser, Zuzanna Sarnecka, Katherine Tycz, and Valeria Viola.