This collection will prove a valuable resource for our understanding of the historic Carnap and the living philosophical issues with which he grappled. It arose out of a symposium on Carnap's work (Vienna, 2001). With essays by Graham H. Bird, Jaakko Hintikka, Ilkka Niiniluoto, Jan Wolenski, this volume will interest graduate students of the philosophy of language and logic, as well as professional philosophers, historians of analytic philosophy, and philosophically inclined logicians.

Why do you believe what you believe? You’ve been lied to. Probably a lot. We’re always stunned when we realize we’ve been deceived. We can’t believe we were fooled: What was I thinking? How could I have believed that? We always wonder why we believed the lie. But have you ever wondered why you believe the truth? People tell you the truth all the time, and you believe them; and if, at some later point, you’re confronted with evidence that the story you believed was indeed true, you never wonder why you believed it in the first place. In this incisive and insightful taxonomy of lies and liars, New York Times bestselling author Aja Raden makes the surprising claim that maybe you should. Buttressed by history, psychology, and science, The Truth About Lies is both an eye-opening primer on con-artistry—from pyramid schemes to shell games, forgery to hoaxes—and also a telescopic view of society through the mechanics of belief: why we lie, why we believe, and how, if at all, the acts differ. Through wild tales of cons and marks, Raden examines not only how lies actually work, but also why they work, from the evolutionary function of deception to what it reveals about our own. In her previous book, Stoned, Raden asked, “What makes a thing valuable?” In The Truth About Lies, she asks “What makes a thing real?” With cutting wit and a deft touch, Raden untangles the relationship of truth to lie, belief to faith, and deception to propaganda. The Truth About Lies will change everything you thought you knew about what you know, and whether you ever really know it.

What is the truth of the unconscious? Truth and the Unconscious in Psychoanalysis explores the intersection of these two concepts within a Bionian framework. Giuseppe Civitarese maps out the unconscious in psychoanalysis, and focuses on the differences between the Freudian, Kleinian, Bionian and Lacanian schools of thought on this topic, as well as drawing on findings from neuroscience. The book explores topics including the inaccessibility of the unconscious, dreams, body issues, issues of personality, the influence of field theory and the clinical implications of this theorising. It contains innovative comparison between Freudian metapsychology and the Bionian theory on thinking, and novel use of Bion's hallucinosis as an important new technical tool. An internationally recognised author, Civitarese provides fresh ideas throughout on a challenging subject, supported with vivid clinical material. Truth and the Unconscious in Psychoanalysis will be of interest to anyone following the growing post-Bionian movement within contemporary psychoanalysis, enabling them to familiarize themselves with some of the most important current issues in psychoanalytic research. Truth and the Unconscious in Psychoanalysis will appeal to psychotherapists, psychologists and psychoanalysts, as well as undergraduate and postgraduate students studying in the field.

In an era when the cult of personality has overtaken the task of preaching, Charles W. Fuller offers an engaging query into the necessary boundaries between the person of the preacher and the message preached. By thoroughly evaluating Phillips Brooks's classic "truth through personality" de?nition of preaching, Fuller brings to light a substantial error that remains in contemporary homiletics: namely, the tenuous correlation between Christ's incarnation and Christian preaching. Ultimately, Fuller asserts a sound evangelical framework for preaching on revelational, ontological, rhetorical, and teleological grounds. Preachers who desire to construct pulpit practice upon a robust evangelical foundation will bene?t from Fuller's contribution.

With so many doctrines in the Christian world today, finding the truth can be daunting. In this collection of personal meditations on several biblical doctrines, Lorne W.P. Vanderwoude seeks to reveal key themes shared by different doctrines, and in the process heal the church. He challenges readers to study the Bible for themselves and ask the Holy Spirit for direction, and reminds us that there is only one truth, one way, and one life—it comes through one person, Jesus Christ. Jesus can inspire people to grow their own faith rather than live the faith of others. One Way, One Truth, One Life invites readers of Christian and non-Christian faith who have the desire to join in the journey and hear the story of Christ.

This book was written in good faith. The hope for humanity is the spirit of poetry with revelation of wisdom in truth. The vision of truth is the moral wisdom of life’s existence. The footsteps of our journey walk us toward wisdom to take us deep into the world. Let There Be Wisdom In Truth is to honor all who have lost their lives to the COVID-19 pandemic. We live in the most uncertain of times. These poems speak for the nameless voices taken away from us, to be forever silenced by their unfortunate fate. The art of healing is the soul of wisdom. Let There Be Wisdom In Truth is our moral consciousness which binds us to humanity. The wisdom of poetry is the fragrance of love. Poetry is the light that burns in our soul to liberate us from our caged existence. My first book, Let There Be Light in Darkness opens our eyes to the great truth of Sufi poetry. The second book, Let There Be Wisdom In Truth, opens the mind to seek and search for meaning and purpose in our existence. The doors to wisdom are opened and truth enters as our most welcomed guest.

In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.

This book bridges a gap between discussions about truth, human understanding, and epistemology in philosophical circles, and debates about objectivity, bias, and truth in journalism. It examines four major philosophical theories in easy to understand terms while maintaining a critical insight which is fundamental to the contemporary study of journalism. The book aims to move forward the discussion of truth in the news media by dissecting commonly used concepts such as bias, objectivity, balance, fairness, in a philosophically-grounded way, drawing on in depth interviews with journalists to explore how journalists talk about truth.