The “shrewd, witty and self-deprecating forensic anthropologist” travels to Tahiti to sniff out crime at a coffee plantation (Publishers Weekly). The dead man is the manager of Tahiti’s Paradise Coffee Plantation, producer of the most expensive coffee bean in the world, the winey, luscious Blue Devil. Nothing tangible points to foul play behind his fall from a cliff, but FBI agent John Lau, a relative of the coffee‐growing family, has his suspicions. What he needs is evidence, and who better to provide it than his friend, anthropologist Gideon Oliver, the Skeleton Detective? Gideon is willing to help, but surprisingly—and suspiciously—both the police and the other family members refuse to okay an exhumation order. As a result, Gideon, to his surprise and against his better judgment, finds himself sneaking into a graveyard under cover of night with John, a flashlight, and a shovel—not exactly up to the professional standards of the world’s most famous forensic anthropologist, but necessary under the circumstances. Gideon prefers his bones ancient, dry, and dusty, but the body he must examine had lain in the tropical sun for a week before it was found and then buried native‐style—shallow, with no casket—so it is not exactly his . . . well, cup of tea. But it is not the state of the remains that bothers him the most, it is the deeper human ugliness that his examination uncovers: subtle clues that do indeed point to foul play, to mistaken identity, and to a murderous conspiracy that may have percolated through the family for decades—and brewed a taste for murder. Twenty Blue Devils is the 9th book in the Gideon Oliver Mysteries, but you may enjoy reading the series in any order.

Plattsmouth, Nebraska lies at the confluence of the Platte and Missouri rivers. The people of Plattsmouth are proud of their small towns rich history, of their strength and determination as a community. They also share something that larger towns cannot, something that for generations has helped unite them and shape their very lives. What they share is a community-wide excitement on fall Friday nights, the rush of a close game, the heartbreaking losses, the exhilaration of a big win what they share is the Plattsmouth Blue Devils. Go Blue Devils!: A History of Plattsmouth High School Football, 1893 1979, by former Plattsmouth resident Jim Elworth, presents a one-of-a-kind account of a high school football team and the town that has rallied around it for more than one hundred years. Elworths comfortable and at times humorous prose brings us season after season of game-day excitement, rendered in detail from years of researching and writing. But Go Blue Devils! is more than a story of game scores. It is a history of accomplished, hard working, down-to-earth townspeople. It is a history of the town itself, told through the exploits of local boys giving their all on the fields of sport. It is a story of those local boys inspiring their community and going on to live rich, positive and valuable lives.

This comprehensive study shows that the stage was active in Kentucky long before the first professional troupe toured in 1815. During the period covered, 1790–1820, Lexington, Frankfort, and Louisville became the major theatrical centers in the West. Performances on Kentucky stages far outnumbered those in Pittsburgh, Cincinnati, St. Louis, Nashville, or New Orleans. Drawing upon accounts in contemporary newspapers, West T. Hill Jr. demonstrates that drama had developed west of the mountains a full quarter century prior to the date given in theatre histories. The Theatre in Early Kentucky, 1790–1820 captures the full flavor and color of the promoters, managers, professional strollers, and actors, many of whom performed dual roles as actors and managers. Working under primitive conditions, the groups often put on a melodrama, a musical comedy or farce, and several acts of singing, dancing, and recitation in the same performance. Appreciative audiences responded enthusiastically to the overworked and predictable plots of mistaken identity, revenge, and domestic difficulty. This delightful, informative book includes and appendix containing the production data available for 1790–1820. It is illustrated with reproductions of charming newspaper theatrical announcements and with portraits of leading stage figures.

A complete look at the storied basketball rivalry between the Duke Blue Devils and North Carolina Tar Heels, this guide is penned by two authorities on the subject—Art Chansky, a bestselling author and sports reporter who has covered the famed match up since his days as a student reporter at UNC and Johnny Moore, who has been intimately involved with Duke athletics for nearly four decades. Segmenting the various commonalities the Blue Devils and Tar Heels have shared for more than 60 years and nearly 250 meetings on the court, each chapter covers a distinct aspect of the rivalry between these two schools that stand a mere 10 miles apart. This book offers new details on long-forgotten stories as well as a chance to better understand where the pride and passion of today comes from between the two contiguous competitors.

Since the inception of the Atlantic Coast Conference, intense rivalries, legendary coaches, gifted players, and fervent fans have come to define the league's basketball history. In ACC Basketball, J. Samuel Walker traces the traditions and the dramatic changes that occurred both on and off the court during the conference's rise to a preeminent position in college basketball between 1953 and 1972. Walker vividly re-creates the action of nail-biting games and the tensions of bitter recruiting battles without losing sight of the central off-court questions the league wrestled with during these two decades. As basketball became the ACC's foremost attraction, conference administrators sought to field winning teams while improving academic programs and preserving academic integrity. The ACC also adapted gradually to changes in the postwar South, including, most prominently, the struggle for racial justice during the 1960s. ACC Basketball is a lively, entertaining account of coaches' flair (and antics), players' artistry, a major point-shaving scandal, and the gradually more evenly matched struggle for dominance in one of college basketball's strongest conferences.

The involuntary soldiers of an unmilitary people such were the forces that American military planners had to pit against hardened Axis veterans, yet prewar unpreparedness dictated that whole divisions of such men would go to war under the supervision of tiny professional cadres. Much to his surprise and delight, Army Chief of Staff General George C. Marshall found that the 88th Infantry Division, his first draftee division, "fought like wildcats" and readily outclassed its German adversaries while measuring up to the best Regular Army divisions. Draftee Division is at once a history of the 88th Division, an analysis of American unit mobilization during World War II, and an insight into the savage Italian Campaign. After an introduction placing the division in historical context, separate chapters address personnel, training, logistics, and overseas deployment. Another chapter focuses upon preliminary adjustments to the realities of combat, after which two chapters trace the 88th's climactic drive through the Gustav Line into Rome itself. A final chapter takes the veteran 88th to final victory. Of particular interest are observations concerning differences connected with mobilization between the 88th and less successful divisions and discussions of the contemporary relevance of the 88th's experiences. Draftee Division is especially rich in its sources. John Sloan Brown, with close ties to the division, has secured extensive and candid contributions from veterans. To these he has added a full array of archival and secondary sources. The result is a definitive study of American cadremen creating a division out of raw draftees and leading them on to creditable victories. Its findings will be important for military and social historians and for students of defense policy

October 1943: The tide of war in the Pacific has begun to turn in favor of the United States and her allies. With the opening of a new offensive campaign, the U.S. military deploys a number of new air groups in the Solomon Islands, including a naval fighting squadron known as the Blue Devils, commanded by Lieutenant Commander Drew McLachlan. From their base at a remote island known only as Conquest, McLachlan and his brave pilots mount a number of successful raids against the enemy, eventually making a name for themselves that comes even to the attention of the Japanese. Soon, however, a new and sinister force begins to stir on the island, seemingly disturbed by the very presence of the American fighting forces. Several men disappear under mysterious circumstances, but their bodies turn up horribly mutilated. The sound of drums begins pounding out of the jungle. And Lieutenant Commander McLachlan witnesses a gigantic, half-invisible shape moving atop the mountain at the center of the island. Soon, the Blue Devils are forced to fight on two fronts: against the known enemy, the Japanese, and an unknown, predatory force on the island that threatens to destroy McLachlan and his men.

Explores the instrumentalization of various aspects of popular culture in Africa.