Andrew Bacevich is a leading American public intellectual, writing in the fields of culture and politics with particular attention to war and America’s role in the world. Twilight of the American Century is a collection of his selected essays written since 9/11. In these essays, Bacevich critically examines the U.S. response to the events of September 2001, as they have played out in the years since, radically affecting the way Americans see themselves and their nation’s place in the world. Bacevich is the author of nearly a dozen books and contributes to a wide variety of publications, including Foreign Affairs, The Nation, Commonweal, Harper’s, and the London Review of Books. His op-eds have appeared in the New York Times, Washington Post, and the Wall Street Journal, among other newspapers. Prior to becoming an academic, he was a professional soldier. His experience as an Army officer informs his abiding concern regarding the misuse of American military power and the shortcomings of the U.S. military system. As a historian, he has tried to see the past differently, thereby making it usable to the present. Bacevich combines the perspective of a scholar with the background of a practitioner. His views defy neat categorization as either liberal or conservative. He belongs to no “school.” His voice and his views are distinctive, provocative, and refreshing. Those with a focus on political and cultural developments and who have a critical interest in America's role in the world will be keenly interested in this book.

In the aftermath of World War II, the United States stood at a precipice. The forces of modernity unleashed by the war had led to astonishing advances in daily life, but technology and mass culture also threatened to erode the country's traditional moral character. As award-winning historian George M. Marsden explains in The Twilight of the American Enlightenment, postwar Americans looked to the country's secular, liberal elites for guidance in this precarious time, but these intellectuals proved unable to articulate a coherent common cause by which America could chart its course. Their failure lost them the faith of their constituents, paving the way for a Christian revival that offered America a firm new moral vision -- one rooted in the Protestant values of the founders. A groundbreaking reappraisal of the country's spiritual reawakening, The Twilight of the American Enlightenment shows how America found new purpose at the dawn of the Cold War.

This book compares the cultural politics of the U.S. space and Antarctic programs during the Cold War. It analyzes how culturally salient terms, especially the nationalist motif of the frontier, were used to garner public support for these strategic initiatives and, more generally, United States internationalism during this period.

In Twilight of the Titans, Paul K. MacDonald and Joseph M. Parent examine great power transitions since 1870 to determine how declining powers choose to behave, identifying the strong incentives to moderate their behavior when the hierarchy of great powers is shifting. Challenging the conventional wisdom that such transitions push declining great powers to extreme measures, this book argues that intimidation, provocation, and preventive war are not the only alternatives to the loss of relative power and prestige. Using numerous case studies, MacDonald and Parent show how declining states tend to behave, the policy options they have, how rising states respond to those in decline, and what conditions reward particular strategic choices.

New York Times Bestseller “No one has told the story of World War II in the Pacific, from beginning to bitter end, better than Ian W. Toll. This final volume concludes a brilliant trilogy.”—Alex Kershaw, New York Times best-selling author of The First Wave and Avenue of Spies In June 1944, the United States launched a crushing assault on the Japanese navy in the Battle of the Philippine Sea. The capture of the Mariana Islands and the accompanying ruin of Japanese carrier airpower marked a pivotal moment in the Pacific War. No tactical masterstroke or blunder could reverse the increasingly lopsided balance of power between the two combatants. The War in the Pacific had entered its endgame. Beginning with the Honolulu Conference, when President Franklin Delano Roosevelt met with his Pacific theater commanders to plan the last phase of the campaign against Japan, Twilight of the Gods brings to life the harrowing last year of World War II in the Pacific, when the U.S. Navy won the largest naval battle in history; Douglas MacArthur made good his pledge to return to the Philippines; waves of kamikazes attacked the Allied fleets; the Japanese fought to the last man on one island after another; B-29 bombers burned down Japanese cities; and Hiroshima and Nagasaki were vaporized in atomic blasts. Ian W. Toll’s narratives of combat in the air, at sea, and on the beaches are as gripping as ever, but he also reconstructs the Japanese and American home fronts and takes the reader into the halls of power in Washington and Tokyo, where the great questions of strategy and diplomacy were decided. Drawing from a wealth of rich archival sources and new material, Twilight of the Gods casts a penetrating light on the battles, grand strategic decisions and naval logistics that enabled the Allied victory in the Pacific. An authoritative and riveting account of the final phase of the War in the Pacific, Twilight of the Gods brings Toll’s masterful trilogy to a thrilling conclusion. This prize-winning and best-selling trilogy will stand as the first complete history of the Pacific War in more than twenty-five years, and the first multivolume history of the Pacific naval war since Samuel Eliot Morison’s series was published in the 1950s.

In The Twilight of the Middle Class, Andrew Hoberek challenges the commonly held notion that post-World War II American fiction eschewed the economic for the psychological or the spiritual. Reading works by Ayn Rand, Ralph Ellison, Saul Bellow, Phillip Roth, Flannery O'Connor, Thomas Pynchon, Don DeLillo, and others, he shows how both the form and content of postwar fiction responded to the transformation of the American middle class from small property owners to white-collar employees. In the process, he produces "compelling new accounts of identity politics and postmodernism that will be of interest to anyone who reads or teaches contemporary fiction. Hoberek argues that despite the financial gains and job security enjoyed by the postwar middle class, the transition to white-collar employment paved the way for its current precarious state in a country marked by increasingly deep class divisions. Postwar fiction provided the middle class with various imaginative substitutes for its former property-owning independence, substitutes that since then have not only allowed but abetted this class's downward mobility. To read this fiction in the light of the middle-class experience is thus not only to restore the severed connections between literary and economic "history in the second half of the twentieth "century, but to explore the roots of the contemporary crisis of the middle class.

The larger issue of defining hegemony and dominance has gained a greater importance over the last dozen years. Whether addressed explicitly or implicitly, it is the issue that lies behind the many recent books on international relations. The ongoing "financial crisis" has given these issues new urgency. This book provides new and startling evidence drawn from foreign exchange markets and capital flow statistics. They demonstrate that the problem dates back to the end of 2000 and has been driven by political events as much as structural economic issues. Combined with the development of a structural energy problem, the financial problem generated a global economic crisis that has not ended. In Twilight’s Last Gleaming, Edmund Clingan uses economic measurements to establish measures of political and military power. Clingan examines the changes in these measurements over the last two hundred years to establish how international power relations have been affected by changes in economic power. He considers the factors that contribute to and detract from economic power. Using these quantitative measures, he provides consistent definitions of "dominance" and "hegemony" that should become commonly used and contribute to more precise discourse in history and political science. These tools uncover the deeper issues behind the current problems of the United States.

Contributions by Murali Balaji, Charisse Burden-Stelly, Christopher Cameron, Carlton Dwayne Floyd, Robert Greene II, Andre E. Johnson, Werner Lange, Lisa J. McLeod, Jodi Melamed, Tyler Monson, Eric Porter, Reiland Rabaka, Thomas Ehrlich Reifer, Camesha Scruggs, and Phillip Luke Sinitiere Although the career of W. E. B. Du Bois was remarkable in its entirety, a large majority of scholarship focuses on the first five or six decades. Overlooked and understudied, the closing three decades of Du Bois’s career reflect a generative period of his life in terms of teaching, travel, activism, and publications. Forging Freedom in W. E. B. Du Bois's Twilight Years: No Deed but Memory proposes to narrate the political, social, and cultural significance of Du Bois’s career during the controversial closing three decades of his life. Du Bois’s twilight years were tremendously controversial: his persistent criticism of the collusion between capitalism and racism and his choice to join the Communist Party in late 1961 raised the ire of many. At the time, Du Bois’s strident advocacy of socialism and turn to communism during the Cold War oriented most scholars away from delving into his late career. While only a few scholars have engaged the productivity of Du Bois’s later years, the fact is that an anticommunist, antiradical animus has followed Du Bois in the half century since his death. As a result, Du Bois scholarship remains impoverished to the extent that academics neglect his later years. The essays in Forging Freedom in W. E. B. Du Bois's Twilight Years detail selected aspects of Du Bois’s later decades and their particular connection to American social, political, and cultural history between the 1930s and the 1960s. While international concerns and a global perspective also fundamentally defined Du Bois’s latter years, chronicling his final decades in a US context presents fresh insight into his twilight years. Du Bois’s commitment to freedom’s flourishing during this period animated the Black freedom struggle’s war against white supremacy. Ultimately, this book demonstrates that the durability of Du Bois’s intellectual achievements remains relevant to the twenty-first century.

What has it meant to be an Americanist? What did it mean to be an Americanist through fascism, war, and occupation? Nightmare Envy and Other Stories is a study of Americanist writing and institutions in the 20th century. Four chapters trace four routes through the mid-twentieth century. The first chapter is the hidden history of American Studies in the United States, Europe and Japan. The second is the strange career of "national character" in anthropology. The third is a contest between military occupation and cultural diplomacy in Europe. The fourth is the emergence and fate of the "American Renaissance," as the scholar and literary critic F.O. Matthiessen carried a canon of radical literature across the Iron Curtain. Each chapter culminates in the postwar period, when the ruin of postwar Europe led writers and intellectuals on both sides of the Atlantic to understand America in new ways. Many of our modern myths of the United States and Europe were formed in this moment. Some saw the United States assume the mantle of cultural redeemer. Others saw a stereotypical America, rich in civilization but poor in culture, overtake a stereotypical Europe, rich in culture and equally rich in disaster. Drawing on American and European archives, the book weaves cultural, intellectual, and diplomatic history, with portraits of Matthiessen, Margaret Mead, Ruth Benedict, David Riesman, Alfred Kazin, and Ralph Ellison. It excavates the history of the Salzburg Seminar in American Civilization, where displaced persons, former Nazis, budding Communists, and glad-handing Americans met on the common ground of American culture. Others found keys to their own contexts in American books, reading Moby-Dick in the ruins. Nightmare Envy and Other Stories chronicles American encounters with European disaster, European encounters with American fiction, and the chasms over which culture had to reach.

In February 1941, Henry Luce announced the arrival of “The American Century.” But that century—extending from World War II to the recent economic collapse—has now ended, victim of strategic miscalculation, military misadventures, and economic decline. Here some of America’s most distinguished historians place the century in historical perspective.