He was complex, quirky, pugnacious, and difficult. He seemed to create enemies wherever he went, even among his friends. A fireplug of a man who stood only five feet eight inches in his stocking feet, he began as a taxidermist and an adventurer who tracked tigers in Borneo with friendly headhunters, lead crocodile-hunting expeditions in the Orinoco, and scouted the last remaining bison in the Montana territories. William Temple Hornaday (1854–1937) was also a man ahead of his time. He was the most influential conservationist of the nineteenth century, second only to his great friend and ally Theodore Roosevelt. When this one-time big-game collector witnessed the wanton destruction of wildlife prevalent in the Victorian era, he experienced an awakening and devoted the rest of his life to protecting our planet’s endangered species. Hornaday founded the National Zoo in Washington, D.C., served for thirty years as director of the renowned Bronx Zoo, and became a fierce defender of wild animals and wild places. He devoted fifty years to fighting gun manufacturers, poachers, scandalously lax game-protection laws, and the vast apathy of the American public. He waged the “Plume Wars” against the feathered-hat industry and is credited with having saved both the Alaskan fur seal and the American bison from outright extinction. Mr. Hornaday’s War restores this major figure to his rightful place as one of the giants of the modern conservation movement. But Stefan Bechtel also explores the grinding contradictions of Hornaday’s life. Though he crusaded against the wholesale slaughter of wildlife, he was at one time a trophy hunter, and what happened in 1906 at the Bronx Zoo, when Hornaday displayed an African man in an “ethnographic exhibit,” shows a side of him that is as baffling as it is repellant. This gripping book takes an honest look at a fascinating, enigmatic man who both represented and transcended his era’s paradoxical approach to wildlife, and who profoundly changed the course of the conservation movement for generations to come.

The late nineteenth and early twentieth century were a brutal time for American wildlife, with many species pushed to the brink of extinction. (Some are endangered to this day.) And yet these decades also saw the dawn of the conservationist movement. Into this contradictory era came William Temple Hornaday, a larger-than-life dynamo who almost uncannily embodies these conflicting threads in our history. In The Most Defiant Devil, a compelling new biography of this complex figure, Gregory Dehler explores the life of Hornaday the hunter, museum builder, zoologist, author, conservationist, and anti-Bolshevist crusader. A deeply religious man, he was nonetheless anything but peaceful and was racist even by his era’s standards, going so far as to display an Mbuti pygmy as a "living specimen" in a zoo. A passionate hunter, Hornaday killed thousands of animals, including some of the last wild buffalo in America, but he was far ahead of his time in his influential views on the protection of wildlife. Hornaday designed and built the New York Zoological Park (which became the Bronx Zoo) and was chief taxidermist for what would later become the Smithsonian Museum of Natural History.In this single, fascinating individual, we can discern some of the Progressive Era's most destructive forces and some of its most enlightened visions.

Volumes 7-77, 80-83 include 13th-83rd, 86th-89th annual report of the American Baptist missionary union.

1906 bestseller shockingly reveals intolerable labor practices and working conditions in the Chicago stockyards as it tells the grim story of a Slavic family that emigrates to America full of optimism but soon faces despair.

The Varaki family run the local grocery store, but tragedy hits the family hard. The sudden death of the matriarch of the clan is followed by the favourite son's death in Korea. The teenage daughter falls in with a bad crowd and there's also the other son, Walter, who has been dipping into the till to fund his escape from Doris, his sharp-tongued wife. Then there are the villains ... When their lives intersect the action builds to a bloody and explosive conclusion ...

Years before his political career took off, Othman Wok pioneered the writing of ghost stories and horror fiction in Singapore and Malaysia. Othman Wok left an indelible mark on Singaporean politics and society: signing the Independence of Singapore Agreement 1965, overseeing the construction of Singapore’s first large-scale sporting arena, working to advance the quality of social welfare services, developing the Mosque Building Fund, and being (in the words of PM Lee Hsien Loong) “steadfast and unwavering in believing in a multiracial, multi-religious, meritocratic Singapore”, among many other accomplishments. In addition, he pioneered the writing of ghost stories and horror fiction in Malay while working as a young reporter for Utusan Melayu and Mustika magazine between 1952 and 1956. These stories were fantastically popular, making him a household name in the Malay-speaking world, years before his political career took off. In fact, these tales may have been the first examples of horror fiction in either Singapore or Malaysia, in any language. A Mosque in the Jungle assembles two dozen of the best stories from his three fiction collections in English: Malayan Horror (1991), The Disused Well (1995) and Unseen Occupants (2006). Curated by award-winning poet and fictionist Ng Yi-Sheng, this book provides an entry point into Othman’s fiction, and a window into the work of a “literary genius” (Farouk A. Peru, Malay Mail Online)

Jungle Blue tells a sad story about a man whose dreams and his destiny move in opposite directions. Born with unique physical challenges, he endeavours to overcome all the odds against him. He succeeds and becomes one of the greatest in his community. After that he sets himself a new and higher goal. Then something happens that casts a dense cloud over his future. A strange circumstance takes away his hope; or put in a less painful language, his hope and his future are put on hold for at least two years. This narration is a proxy account of Jungle Blue’s life given by his servant who has been deported to London for two years. During the two-year period, his servant will study for a qualification that will enable him to return to, and transform his community of origin. Even though, his servant will return after two years, his absence during that time is going to be difficult for him. While in London, his servant becomes the symbol of his master who epitomises the inhabitants of the community he hails from. Through this deported servant of Jungle Blue, the reader is presented with a description of two sets of people: the servant, his master and the community of origin of the two, as one set; and Londoners and the London community within which the servant proxy now lives, as the second set. This gives the novel a dual setting..... ‘the indigenous community of origin of Hope and his master’ and ‘the new community of London’ which is going to be the deportee’s new place of abode. This dual setting is intended to create the premises for effective comparison between two sets of people from two sets of communities with two systems of civilisation that are here and there interposed, juxtaposed and transposed throughout the various phases of the narration. Names of people and places used in the novel, including those of the indigenous communities and; and, also, including the new London community to which Hope is deported are all fictional. No names and no events in the novel relate to any real people and real situations. Any semblances to any real life situations should therefore be seen as merely coincidental and unintended.

The “shocking” and “suspense-packed” bestseller about one teacher’s stand against student violence, and the basis for the Academy Award–nominated film (The New York Times Book Review). After serving his country in World War II, Richard Dadier decides to become an English teacher—and for the sin of wanting to make a difference, he’s hired at North Manual Trades High School. A tough vocational school in the East Bronx, Manual Trades is home to angry, unruly teenagers exiled from New York City’s regular public schools. On his first day, Dadier endures relentless mockery and ridicule and makes an enemy of the student body by rescuing a female colleague from a vicious attack. His fellow educators are bitter, disillusioned, and too afraid of their pupils to risk turning their backs on them in the classroom. But Dadier refuses to give up without a fight. Over the course of the semester, he tries again and again to break through the wall of hatred and scorn and win his students’ respect. The more he learns about their difficult circumstances, the more convinced he becomes that a good teacher can make a difference in their lives. His idealism will be put to the ultimate test, however, when a long-simmering power struggle with his most intimidating student explodes into a violent schoolroom showdown. The basis for the blockbuster film starring Glenn Ford and Sidney Poitier, Evan Hunter’s The Blackboard Jungle is a brutal, unflinching look at the dark side of American education and an early masterpiece from the author who went on to write the gritty 87th Precinct series as Ed McBain. Drawn from Hunter’s own experiences as a New York City schoolteacher, it is a “nightmarish but authentic” drama that packs a knockout punch (Time).